Here are 88 books that The Book of Gaza fans have personally recommended if you like
The Book of Gaza.
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My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
This is a slim volume that is playful, sweet, and natural in tone, although the setting, Gaza, is never associated with the playful, the sweet, and the whole regime that governs it is as far from being natural as is feasibly possible.
I had not read a voice like Heba’s before, warm yet wise beyond her years and full of humor, intelligence, and originality. There is an excellent playlist that ranges from Nina Simone to Mashrou’ Leila, which covers aspects of her life, from fluffy slippers to political debates to the love of family and women. ‘Late capitalism is the bane of my life,’ Hayek writes, ‘sometimes it feels as though these algorithms have encrypted my very brain.’
As a teenager in Gaza, she uses Google Maps to explore cities she cannot access, but when homesick in exile later, in Europe or the US there is an equivalent way of…
Tender yet brutal vignettes on a girlhood in Gaza, Palestine, filled with honey and warmth.
Sambac Beneath Unlikely Skies is written for those who had to leave—collected remembrances of a childhood in Gaza by a woman far from Palestine’s sun and sea. Overindulgent, chaotic and sentimental, Heba Hayek’s narrator struggles to navigate life in colder, unfamiliar worlds. She holds tightly to memories of home, hoping they will lead back to her sisters and mothers.
With brilliance and grace, Hayek’s vignettes explore the methods of survival nurtured by Palestinian women in the face of colonial occupation and patriarchy—the power of community…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
What I love in Hiller’s writing is the no-glory honesty of growing up in settings of omniscient violence where the last wish of the protagonists is to be heroic. They are vulnerable young men trying to get by, to do the right thing, to find calm.
This book and its sister book, Shake Off, are some of the finest works of fiction set during political conflict and war that I have read. Hiller’s gracious enough as to refrain from indulging in the gratuitous or the showy, but these are finely crafted thrillers. They are both equally gripping, taking the reader through worlds rarely seen by English language readers.
It is the summer of 1982 and Beirut is under siege. Eighteen-year-old Ivan's parents have just been evacuated from the city with other members of the Palestine Liberation Organisation. Ivan stays on, interpreting for international medical volunteers in Sabra refugee camp by day, getting stoned with them by night, and working undercover for the PLO. Hoping to get closer to Eli, a Norwegian physiotherapist, he helps her treat Youssef, a camp orphan disabled by a cluster bomb. An unexpected friendship develops between the three and things begin to look up - But events take a nasty turn when the president-elect…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Take the bleakest setting you can imagine–such as a Palestinian refugee camp in Lebanon –quadruple the population, encircle it, populate it with militias, then turn yourself into an absurdist or a surrealist to describe it. This seems to be the task that Maarouf has set himself with this collection of short stories, which are as funny and surprising as they are somber and sobering.
He is a poet and a comedian. The poet in him stops, dwells, absorbs, and is porous to the unfolding loss around him before the comedian kicks in with his will to survive. A quirky, uncanny collection.
LONGLISTED FOR THE INTERNATIONAL MAN BOOKER PRIZE 2019
A brilliant collection of fictions in the vein of Roald Dahl, Etgar Keret and Amy Hempel. These are stories of what the world looks like from a child's pure but sometimes vengeful or muddled perspective. These are stories of life in a war zone, life peppered by surreal mistakes, tragic accidents and painful encounters. These are stories of fantasist matadors, lost limbs and perplexed voyeurs. This is a collection about sex, death and the all-important skill of making life into a joke. These are unexpected stories by a very fresh voice. These…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My father is Palestinian, my mother English. I am a typical diaspora Palestinian, having moved many times. I’m intrigued by what this highly politicized nationality–being Palestinian–does to peoples’ emotions, their desire to be accepted and thrive, their sense of community, their ability to deal with the challenges and joys of political engagement as well as the difficulties of not being political if they choose not to be. Being Palestinian is an extreme case of what humans can be forced to endure as political and social animals. Living under military occupation gives rise to huge sacrifices and pure heroism in the most quotidian way. Acts that deserve recognition.
Azem takes a premise here and runs with it. How about, she asks, if all the Palestinians just disappeared, what would the reaction be?
The heart of the novel is the grandmother character, who dies as the book opens and the other Palestinians vanish and I wanted more recollections of her, more of her dialogue. Set mainly between Jaffa and Tel Aviv, the fusing of the two names irritates the grandmother, who says it’s "just like someone being up your ass. You don’t see them, and they never let go."
There are sharp cameos here of Israeli-Palestinian relations, from buyers and sellers to torturers and prisoners, pimps and sex workers. I found the conclusion to be too bleak, but the writing is good, and the observations are sharp.
What if all the Palestinians in Israel simply disappeared one day? What would happen next? How would Israelis react? These unsettling questions are posed in Azem's powerfully imaginative novel. Set in contemporary Tel Aviv forty eight hours after Israelis discover all their Palestinian neighbors have vanished, the story unfolds through alternating narrators, Alaa, a young Palestinian man who converses with his dead grandmother in the journal he left behind when he disappeared, and his Jewish neighbor, Ariel, a journalist struggling to understand the traumatic event. Through these perspectives, the novel stages a confrontation between two memories. Ariel is a liberal…
I feel compelled to write political works when I see an injustice, violation, corruption, or travesty that needs to be addressed. It's possibly the result of my heritage as a citizen of a British-colonized country and the child of parents from a Christian-colonized slice of a continent. As a journalist, I experienced censure and censorship by editors who wished to maintain their held beliefs about certain people, races, issues, and subjects. As a novelist, I was rejected by mainstream publishers for writing deemed too political. However, I made a commitment as a writer not to change my words to appease publishers or editors because it made them uncomfortable.
As the Israel-Hamas conflict rages in 2024, Palestinian writers shed light on the trauma and violence of dispossession and colonization in this anthology translated from Arabic to English.
Through the controlled, curated form of poetry, eminent authors Mahmoud Darwish, Ghassan Kanafani, and Fadwa Tuqan join emerging writers, several of them women, in narrating the Palestinian experience from 1948, the beginning of the Nakba (Arabic for “catastrophe”) to today.
This book is about geography and identity, the ground beneath one’s feet and belonging, origins and history, displacement, and diaspora. There is longing everywhere in the book for what was lost—home, family, tribe, community, and culture. There is also the plight of powerlessness, occupation, and enslavement. The words that express the loss and mourning of the Palestinian people are haunting and memorable, perhaps because they are translated from Arabic, a flowery and lyrical language.
When we hear about 33,000 dead Palestinian civilians,…
A Map of Absence presents the finest poetry and prose by Palestinian writers over the last seventy years. Featuring writers in the diaspora and those living under occupation, these striking entries pay testament to one of the most pivotal events in modern history - the 1948 Nakba. This unique, landmark anthology includes translated excerpts of works by major authors such as Mahmoud Darwish, Ghassan Kanafani and Fadwa Tuqan alongside those of emerging writers, published here in English for the first time. Depicting the varied aspects of Palestinian life both before and after 1948, their writings highlight the ongoing resonances of…
Peace has been my passion for more than half a century. In 1970, I refused to carry a weapon while serving in Viet Nam as a combat medic in an infantry battalion commanded by Colonel George Armstrong Custer III. I have witnessed enormous violence inflicted upon human beings, primarily civilians, and the earth which sustains us all. My knowledge of war comes from treating wounds. I have read numerous books about Palestine and Israel through a medic’s eyes. The books I’ve highlighted here will contribute to peace if they are read with care, with love. Never underestimate the power of words.
How can I not be mesmerized by a master storyteller?
Adania Shibli, a Palestinian author born in the West Bank, begins with a tragic incident that occurred in the Negev in 1949. I admire her precision and nuance, especially her depiction of an Israeli officer who devolves into an emotionless psychopath.
I was a combat medic in the Vietnam War. I know first-hand the insanity of war, which Shibli reveals in her own unique way. The unnamed Israeli officer dominates the first part of Minor Detail, and a young woman, an amateur sleuth who investigates the officer’s crimes, takes center stage in part two.
I was horrified and enlightened, in equal measure.
Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba - the catastrophe that led to the displacement and expulsion of more than 700,000 people - and the Israelis celebrate as the War of Independence. Israeli soldiers capture and rape a young Palestinian woman, and kill and bury her in the sand. Many years later, a woman in Ramallah becomes fascinated to the point of obsession with this 'minor detail' of history. A haunting meditation on war, violence and memory, Minor Detail cuts to the heart of the Palestinian experience…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I grew up in the Soviet Union, where being Jewish had no intellectual or religious substance. My discovery of Judaism and Jewish history happened after my emigration, when I was already an adult. This helps me to relate to audiences and readers who are not Jewish. For example, a Japanese translation of my book on Jewish opposition to Zionism earned a place on a bestseller list in Japan, where hardly any Jews live. In the course of my university career, I have explained events in Israel in electronic and printed media on the five continents where I also have taught as a visiting professor.
As a scholar of contemporary Jewish history and a practicing Jew, I used to deal mostly with books written by Jews. This book is one of the first I read that would be written by a Palestinian. Albeit born and bred in New York City, the author has a strong connection with Palestine, and one of his ancestors, the mayor of Jerusalem, wrote to Theodor Herzl as early as 1899 that the idea of a Jewish state in Palestine would encounter opposition from local population.
Khalidi leaves behind the often-confusing narrative of a conflict between two nations in favor of a history of colonial settlement and indigenous resistance to it.
At a time when a lasting peace between the Palestinians and the Israelis seems virtually unattainable, understanding the roots of their conflict is an essential step in restoring hope to the region. In The Iron Cage, Rashid Khalidi, one of the most respected historians and political observers of the Middle East, homes in on Palestinian politics and history. By drawing on a wealth of experience and scholarship, Khalidi provides a lucid context for the realities on the ground today, a context that has been, until now, notably lacking in our discourse.
The story of the Palestinian search to establish a…
I’ve always been curious and passionate about how people overcame significant suffering in their lives. True stories of how people emerged stronger from traumatic events not only became an inspiration in my personal life but also my professional life as a therapist, where I became an agent of change. The ‘secret’ of these storytellers and their transformation became my focus. I only hope you find these stories as enjoyable as I did and also a challenge and an inspiration that makes a difference in your own life.
One of my favourite books of all time is the moving story of forgiveness by Palestinian cleric, Elias Chacour, Archbishop Emeritus of the Melkite church in Haifa.
I marvelled and wondered how Elias and his family chose to be non-violent and committed to promoting peace when Israelis seized their land in the 1948 war. Elias’ journey, for me, was heart-wrenching and gripping.
The integrity of his story is confirmed by my visits to Ibillin in northern Israel where I’ve spent time hearing more of his story and experiencing the fruit of his influence in the school and Peace Centre he has established.
As a child, Elias Chacour lived in a small Palestinian village in Galilee. When tens of thousands of Palestinians were killed and nearly one million forced into refugee camps in 1948, Elias began a long struggle with how to respond. In Blood Brothers, he blends his riveting life story with historical research to reveal a little-known side of the Arab-Israeli conflict, exploring whether bitter enemies can ever be reconciled. This book offers hope and insight to help each of us learn to live at peace in a world of tension and terror.
Peace has been my passion for more than half a century. In 1970, I refused to carry a weapon while serving in Viet Nam as a combat medic in an infantry battalion commanded by Colonel George Armstrong Custer III. I have witnessed enormous violence inflicted upon human beings, primarily civilians, and the earth which sustains us all. My knowledge of war comes from treating wounds. I have read numerous books about Palestine and Israel through a medic’s eyes. The books I’ve highlighted here will contribute to peace if they are read with care, with love. Never underestimate the power of words.
In luminous prose, Raja Shehadeh describes six walks into the Palestinian countryside between 1978 and 2006.
He writes of the ancient practice of rural peoples of naming each wadi, spring, hillock, escarpment, etc., in their immediate environment.
Shehadeh sometimes risks his life simply to walk on the land near Ramallah in the proximity of ever-expanding Israeli settlements. I have twice been to the West Bank, most recently in January of 2025. No area is safe, but the love Palestinians have for the land has in no way lessened.
Shehadeh’s book is a timeless and compassionate love letter to the earth. To know Palestine, first you must know the land.
Raja Shehadeh is a passionate hill walker. He enjoys nothing more than heading out into the countryside that surrounds his home. But in recent years, his hikes have become less than bucolic and sometimes downright dangerous. That is because his home is Ramallah, on the Palestinian West Bank, and the landscape he traverses is now the site of a tense standoff between his fellow Palestinians and settlers newly arrived from Israel.
In this original and evocative book, we accompany Raja on six walks taken between 1978 and 2006. The earlier forays are peaceful affairs, allowing our guide to meditate at…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
This may seem an unconventional pick because it’s a book of poetry. But it’s narrative poetry, and it affects me deeply every time I read it. Mosab Abu Toha is from Gaza, a place saturated in grief, an unending kind of grief where no one ever has the luxury of healing because death follows death follows death, and displacement follows displacement.
The book was published before the most devastating attacks of 2023-2024, and reflects on deaths and destruction from prior bombing campaigns. It repeatedly asks, in the most detailed and profound ways, how to grieve one’s home and homeland, how to process one death after another, and how to remember and hold onto details about people and places when almost every physical remnant is destroyed or displaced.
It also contemplates how to grieve while directly facing one’s own mortality and vulnerability. The first poem, Palestine A-Z, is a 10-page catalog…
Winner of the American Book Award, the Palestine Book Award and Arrowsmith Press's 2023 Derek Walcott Poetry Prize
National Book Critics Circle Award for Poetry Finalist
"Written from his native Gaza, Abu Toha's accomplished debut contrasts scenes of political violence with natural beauty."-The New York Times
In this poetry debut Mosab Abu Toha writes about his life under siege in Gaza, first as a child, and then as a young father. A survivor of four brutal military attacks, he bears witness to a grinding cycle of destruction and assault, and yet, his poetry is inspired by a profound humanity.