100 Books Like The Book of Barely Imagined Beings

Even before I became a philosopher I was wondering about everything—life the universe and whatever else Douglas Adams thought was important when he wrote The Hitchhiker’s Guide to the Universe. As a philosopher, I’ve been able to spend my life scratching the itch of these questions. When I finally figured them out I wrote The Atheist’s Guide to Reality as an introduction to what science tells us besides that there is no god. In How History Gets Things Wrong: The Neuroscience of Our Addiction to Stories I apply much of that to getting to the bottom of why it’s so hard for us, me included, to really absorb the nature of reality. 

I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.

Sam Kean is the New York Times bestselling author of five books, including The Bastard Brigade, The Dueling Neurosurgeons, and The Disappearing Spoon. He edited The Best American Nature and Science Writing in 2018, and his stories have appeared in The New Yorker, The Atlantic Monthly, The New York Times Magazine, and Slate. His work has been featured on NPR’s “Radiolab,” “Science Friday,” “All Things Considered,” and “Fresh Air,” and his podcast, The Disappearing Spoon, debuted at #1 on the iTunes charts for science podcasts.

When I was 10, my family moved to Richland, Washington, next to the Hanford Nuclear Reservation. My father worked as a Bechtel engineer on the Fast Flux (Sodium) Test Facility. I started studying the nuclear power industry as an undergraduate. As a graduate student, I published my first paper on the operation of an international uranium cartel. Most of my research at Stanford University and the Nuclear Energy Agency of the OECD has focused on the economics of the nuclear power industry, including waste management. Since my retirement in 2018, I have worked with the (US) National Academies of Science, Engineering, and Medicine on the cleanup of the mixed radioactive-hazardous waste at Hanford.  

I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever. 

I'm a career editor living in the place I love most in the world, Australia's federal capital, Canberra. It's a small city encircled by mountains and populated with so many trees it's affectionately known as The Bush Capital. I love reading most genres but contemporary suspense intrigue above all. I know these books generally fall under the larger Thriller genre but I often feel that's a misnomer, and I think that applies to my novels. I love the range of stories this genre encompasses: it can take you anywhere in the world, into any situation, and follow any type of person as they attempt to come to grips with, and usually right, the wrongs of the world.

I learned the Western Canon at school and from various teachers during my youth; all along, I was yearning for something other, different, and, possibly, truer. Since my early twenties I've been exploring another canon, which exists in opposition to the Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one. While the western world in the 21st century is free from alacritous canon-enforcing enterprises such as the Holy Inquisition, it nevertheless operates by a canon that remains very much the mentioned Aristotelian-Euclidean-Cartesian-Newtonian-Darwinian/Spencerian one, inculcated into us all from kindergarten to the grave, echoed not only by schools of all levels, but by governments, the media, official institutions and nonofficial entities, and, last but not least, by the entertainment industry. 

As a kid, I was addicted to almanacs, encyclopedias, and atlases. I liked collecting facts and snooping around other people’s lives, and my family, including extended family, totally indulged me by gifting me their history or factoid book collections. I remember one set my Grandma Sally gave me: Time Library of Curious and Unusual Facts. I cannot find the complete set anywhere these days, but it’s where I learned about spontaneous combustion and wealthy hoarders. Who wouldn’t want to know that stuff!

Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.

It is said that Michelangelo could see a statue inside of a block of marble. I believe I have a similar gift – I can find the most idiotic angle to any given story or event and free it into the world. Okay, so some gifts are better than others but this “talent” has afforded me the ability to stay relatively sane in a completely nutso era. Relatively. And to underscore my qualifications, I would ask the reader to take a gander at my sample title below. I rest my case.