Here are 100 books that The Book of a Naturalist fans have personally recommended if you like
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I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
A selection of Hudson’s letters to publisher’s reader Edward Garnett was published the year after Hudson’s death. The collection was expanded in an edition published soon after the first, and in this one Garnett added a preface in which he quoted at length from and responded to some of the criticism the first edition had brought on him.
Writing in the Sunday Times, Edmund Gosse felt that the letters didn’t show Hudson at his best, owing to the provocations of his correspondent that might be guessed at from Hudson’s responses. But Hudson was wise enough and had known his opposite number long enough to work out when he was being ‘dug out’. Sometimes, however, he was in no mood to resist rising to the bait.
"Old Huddy is amusingly down on me in many passages," Garnett wrote to John Galsworthy, when the collection was first published. "A bit of a…
First published in 1923, this volume contains 153 Letters written by W. H. Hudson. The letters were written to the author of this book, Edward Garnett, a literary critic whom Hudson would meet most Tuesdays to discuss all things written. Also in their little weekly club were such writers as Hilaire Belloc, Perceval Gibbon, Joseph Conrad, and others. William Henry Hudson (4 August 1841 - 18 August 1922) was an ornithologist, author, naturalist, and founding member of the Royal Society for the Protection of Birds. Other notable works by this author include: "A Crystal Age" (1887), "Argentine Ornithology" (1888), and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
I particularly enjoyed this book. Hudson’s ornithological expedition in this desolate wilderness was made partly ‘idle’ by the mishap he had when examining a faulty pistol, shooting himself in the knee.
He described his solitary confinement in a remote cabin while his sole companion went off to seek help. He shared his bed with a venomous snake, and was later ferried to hospital by bullock cart, a journey of many hours over rough terrain.
"My miserable journey ended at dawn at the Mission House. Later in the day, on awakening, I found myself in the hands of a gentleman who was a skilful surgeon as well as a divine. My bullet, however, refused to be extracted. Every morning for a fortnight my host, with a quiet smile on his lips, would present a succession of probes – oh those probes of all forms, sizes and materials: wood, ivory, steel and…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
In December 1903, as he was away from his London base, Hudson asked his wife Emily to send a copy of his manuscript of Green Mansions to Edward Garnett, and confided to his literary reader his misgivings about it:
"[I] was again struck painfully by the cumbersomeness of the form. Perhaps some little alteration might be made here… the introductory chapters seem too slow: the story doesn’t move at all, it simply sits still and stews contentedly in its own juice; and it doesn’t even stew, or boil, a barbolloner, but simmers placidly away, like a saucepot of cocoa-nibs that has all the day before it. This too might be remedied to some extent. There are, I daresay, some good points in the book, especially the hero’s feeling for nature; and he being a Venezuelan some might say that it is all wrong. But of course it is a…
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I am now a full-time author, and I worked for 25 years for the RSPB at Sandy and BirdLife in Cambridge. An oil painting of W. H. Hudson hangs above the fireplace of the house at Sandy – so he was a familiar face, like an ancestor about whom little is recalled and surprisingly little is ever said. I began to dabble in his books and got drawn in. I wanted to understand him and his female colleagues who created the organisation we know today and that has been such a big part of my life. I have a sense of repaying a debt.
In November 1915 Hudson was in the care of nurses in a Cornish convent hospital, much burdened by news from the Western Front. ‘Shall I live to see peace on earth again?’ he asked Don Roberto Cunninghame Graham in a letter.
"To me nothing is left but memories, and I’m here putting some of my boyhood’s days in a book which will have a certain interest because it gives a sort of picture of the country and people before it began to be civilised."
He was writing a memoir. A combination of Don Roberto’s missives, fevered dreams, and possibly medication sparked Hudson’s visions of his Pampas childhood. He asked his nurses for paper and pencils and began to scribble what would become his acclaimed memoir, Far Away and Long Ago. Virginia Woolf said she greeted the book "like an old friend". It remains a classic of its genre.
”One of the twentieth century’s greatest memoirs.” —Smithsonian Magazine
“You may try for ever to learn how Hudson got his effects and you will never know. He writes down his words as the good God makes the green grass grow.” —Joseph Conrad
“As a writer he was a magician.” —Ford Madox Ford
Far Away and Long Ago is a moving memoir of a vanished world, written by legendary naturalist and writer W. H. Hudson. Lyrical and poignant, Hudson’s reminiscences take us on a journey back in time to the lush and untamed landscape of his childhood in the Argentine pampas.
Born to a Tibetan mother and an American father, I was raised in the U.S. As a girl, I wondered why things were always changing: the seasons, people, and places I loved. Growing older, I became fascinated with how to find happiness in a world where nothing lasts forever. After college, I lived in India with my Tibetan grandmother, learning about Buddhist “bardo” perspectives on life’s ephemerality. I realized that though we resist change, accepting impermanence allows us to live happier lives. I publish widely on impermanence and host a Tricycle interview series about bardo, with guests including David Sedaris, Elizabeth Gilbert, Malcolm Gladwell, Ann Patchett, and Dani Shapiro.
This book reminds me that our outer journeys are also journeys through our inner landscape.
Matthiessen tells the moving story of a Himalayan pilgrimage in search of enlightenment after his wife’s death. The quest helps him make peace with his loss, as well as gives him a more profound understanding of the fleeting beauty of life.
The narrative especially resonates for me because it takes place in the Himalayas, a part of the world I’m closely connected to: I lived in Nepal when I was a small girl and have spent a lot of time with my Tibetan family in Darjeeling, India.
'A beautiful book, and worthy of the mountains he is among' Paul Theroux
'A delight' i Paper
This is the account of a journey to the dazzling Tibetan plateau of Dolpo in the high Himalayas. In 1973 Matthiessen made the 250-mile trek to Dolpo, as part of an expedition to study wild blue sheep. It was an arduous, sometimes dangerous, physical endeavour: exertion, blisters, blizzards, endless negotiations with sherpas, quaking cold. But it was also a 'journey of the heart' - amongst the beauty and indifference of the mountains Matthiessen was searching for solace. He was also searching for a…
I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.
This book is a fascinating look at ornithology through the ages, from mythology and legend to the evolution of our scientific understanding of birds today. It includes beautiful illustrations from medieval monks to early naturalists through the 20th century. Even the most casual birdwatcher will learn something fascinating from this book; I read it slowly, digesting a section at a time, and it’s one I’m sure I’ll return to again and again.
For thousands of years people have been fascinated by birds, and today that fascination is still growing. In 2007 bird-watching is one of the most popular pastimes, not just in Britain, but throughout the world, and the range of interest runs from the specialist to the beginner.
In The Wisdom of Birds, Birkhead takes the reader on a journey that not only tells us about the extraordinary lives of birds - from conception and egg, through territory and song, to migration and fully fledged breeder - but also shows how, over centuries, we have overcome superstition and untested 'truths' to…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I’ve felt like a fish out of water for most of my life. My mom’s English and my dad’s from Pennsylvania, so growing up it was always difficult to figure out who I was, where was “home.” So I always felt uneasy and self-conscious about not fitting in, wherever I happened to be. I always felt vaguely homesick for somewhere else. Reading was one way I could escape, travel was another, more literal way. Which is how I ended up in South Africa, where I eventually got my master's in journalism/international politics. (And my adventures there, of course, led to my book.)
I loved this book because it shows that the setting/particulars of the “journey” don’t actually matter.
It’s all about the author’s voice, perspective, and, in this case, their sense of humor. If these aspects are unique and engaging, it doesn’t matter where they went, or if you have any interest in seeing/doing those things for yourself.
I’ve always felt like I can resonate more with people that are willing to admit their fallibility, and even draw attention to/make light of it. To just how ignorant or clumsy or hapless or cowardly they are. I think that always makes for a better, more human story, a better connection with the reader.
On top of all this, I have a soft spot for the Appalachian Trail, since it crosses through Pennsylvania, only a few miles from where I grew up.
From the author of "Notes from a Small Island" and "The Lost Continent" comes this humorous report on his walk along the Appalachian Trail. The Trail covers 14 states and over 2000 miles, and stretches along the east coast of America from Maine in the north to Georgia in the south. It is famous for being the longest continuous footpath in the world. It snakes through some of the wildest and most specactular landscapes in America, as well as through some of its most poverty-stricken and primitive backwoods areas.
Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
I found this a profoundly moving book. Late Light describes the author’s own journey, an Indonesian Australian making a home for himself in England, as he finds strange parallels opening up between his own life and the lives of the "unloved" animals he encounters.
Malay’s voice is intelligent, questioning, gentle, and meditative – quietly, movingly, he asks questions that reach through to the heart of what it means to be alive today.
'Late Light brings the refreshing perspective of someone who goes from seeing England as a foreign place to someone who deeply studies its secret wonders. An astonishing read.' - Amy Liptrot, The Outrun
This is a book about falling in love with vanishing things
Late Light is the story of Michael Malay's own journey, an Indonesian Australian making a home for himself in England and finding strange parallels between his life and the lives of the animals he examines. Mixing natural history with memoir, this book explores the mystery of our animal neighbours, in all their richness and variety. It…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
This is an excellent and fascinating book on the scientific culture of Renaissance Italy, where intellectuals and the wealthy elite began collecting and cataloging curiosities long before their northern European counterparts. Findlen demonstrates a key way in which Renaissance intellectuals could look back to an idealized ancient past while also creating new knowledge and institutions – namely the museum. This book is beautifully written, full of engaging stories, and shows a side of early modern science often ignored.
In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory. Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural…
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
As an educator and author with more than 35 years of experience in outdoor education, I’ve come to realize that children need nature more than ever. I wonder if children are more lonely today because they feel disconnected from the very life systems that nourish us all. There are rising levels of anxiety, depression, and mental health concerns. At the same time, more studies are showing the tremendous health benefits of time spent outside. I hope that all of us take the time to connect to our “neighbourwood,” and that we come to recognize that our community is more than the buildings, houses, and streets and also consists of plants, animals, insects, birds, water, and air. Let us create spaces where both people and nature can thrive so we can create a greener, healthier tomorrow.
Although written a few decades ago, this book is full of creative games, activities, and ideas that incorporate drama, natural history, and hands-on learning to rekindle a child’s love for nature. The book is written in a clear and easy-to-follow format and is, well, joyful in the way it is presented, and the activities offered.
This book sparked a worldwide revolution that drew the attention of children, adults, and educators to the importance of nature connection.
As Joseph Cornells classic book reached its 20th anniversary, Cornell drew upon a wealth of experience in nature education to significantly revise and expand his book. New nature gamesfavorites from the fieldand Cornell's typically insightful commentary makes the second edition of this special classic even more valuable to nature lovers world-wide. The Sharing Nature movement that Cornell pioneered has now expanded to countries all over the globe. Recommended by Boy Scouts of America, American Camping Association, National Audubon Society and many others.
