Here are 100 books that The Bone Shard Daughter fans have personally recommended if you like
The Bone Shard Daughter.
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I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
Waking up on the beach in Greece after a midnight party, Cleo, a British-Greek tourist, sees a stranger sitting next to her. The stranger has a giant spider on his forearm.
So begins an incredible odyssey through the nine levels of the mysterious mountain populated by an odd assortment of…
I am a Canadian writer who has, at one time or another, been a magician, an avid Dungeon & Dragons player, and the creator of fictional worlds where magic is both surprisingly fun and yet hidden in the shadows of our own everyday world. I love it when a writer spins original magic into a familiar world, and I am even more impressed when magic and a new world drag my attention and won’t let me go. These five diverse novels touch on everything I love about magic and storytelling without rehashing the old tropes of wizards, dragons, and fair maidens in distress.
In a pre-revolutionary Boston where magic is outlawed and gets a conjurer sent to prison–or worse–Ethan Kaille makes a living as a thief-taker recovering stolen goods while hiding his skills as a powerful conjurer.
I love the raw honesty of the broken hero and the unique yet familiar setting where a nation is being born while magic spins in the shadows, manipulating, terrifying, and killing. I couldn’t put this book down, and then I powered through the subsequent sequels, always wanting more!
In Thieftaker, D. B. Jackson delivers a thrilling debut tale of magic and intrigue that will leave readers breathless and eager for more Ethan Kaille.
Boston, 1765: In D.B. Jackson's Thieftaker, revolution is brewing as the British Crown imposes increasingly onerous taxes on the colonies, and intrigue swirls around firebrands like Samuel Adams and the Sons of Liberty. But for Ethan Kaille, a thieftaker who makes his living by conjuring spells that help him solve crimes, politics is for others…until he is asked to recover a necklace worn by the murdered daughter of a prominent family.
I am a Canadian writer who has, at one time or another, been a magician, an avid Dungeon & Dragons player, and the creator of fictional worlds where magic is both surprisingly fun and yet hidden in the shadows of our own everyday world. I love it when a writer spins original magic into a familiar world, and I am even more impressed when magic and a new world drag my attention and won’t let me go. These five diverse novels touch on everything I love about magic and storytelling without rehashing the old tropes of wizards, dragons, and fair maidens in distress.
The first time I read this book, I felt like I had slipped sideways into a part of Frank Herbert’s Dune series, to a part of that universe where magic is learned and academia is as fraught with danger as the perilous desert above.
While not set in the universe of Dune, Rahn’s book spins life, death, and the desert into a tale that has dragged me back time and time again to seek out nuance after nuance of the bizarre dark magics that haunt the hero.
Born and orphaned in the Desert, Antronos was subjected to dark magic that forced-merged him with reptiles. Considered exotic by some, repulsive by others, he finds acceptance and respect in the underground civilization of the Temlochti State when he earns the right to practise medicine. Wishing to further his achievement, he enters a graduate program studying longevity. Duped into an act of murder, Antronos must fight to prevent more harm to his rich and powerful clientele—some of whom he feels connected to, perhaps from a previous life. Desperate to prevent losing the family he never knew he had, Antronos must…
Waking up on the beach in Greece after a midnight party, Cleo, a British-Greek tourist, sees a stranger sitting next to her. The stranger has a giant spider on his forearm.
So begins an incredible odyssey through the nine levels of the mysterious mountain populated by an odd assortment of…
I am a Canadian writer who has, at one time or another, been a magician, an avid Dungeon & Dragons player, and the creator of fictional worlds where magic is both surprisingly fun and yet hidden in the shadows of our own everyday world. I love it when a writer spins original magic into a familiar world, and I am even more impressed when magic and a new world drag my attention and won’t let me go. These five diverse novels touch on everything I love about magic and storytelling without rehashing the old tropes of wizards, dragons, and fair maidens in distress.
I don’t read a lot of YA fiction (or YA nonfiction, either, for that matter), but this book was recommended by a friend, and I am glad it was. I am definitely NOT this book's target audience, as I am an older male.
This story follows a teenage girl as she deals with all the things that teen girls do, but Vadori weaves together our mundane world with the magic world of the fountain to weave a rich, encaptivating tale.
Careful what you wish for. It just might come true.
Ava Marshall, driven by a desire to learn more about her mother's past, moved across the country to attend St. Augustus. But her mom's secrets will have to wait, because she finds herself instantly hated for her family's connection to her new school and is forced to fight alone against a classmate who is setting Ava up to be expelled.
Fleeing campus, she takes a shortcut to her Gran's house though the forbidden West Woods and discovers a mysterious fountain that has the power to grant a wish and change…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I loved how this book portrayed women supporting each other instead of succumbing to hatred and jealousy. The book handled so many delicate topics beautifully. I wish I had the space to share them all.
One such element was the nuanced portrayal of women’s responses to sexual abuse, highlighting the complexities of victimhood and power dynamics. The entire story is profound, thought-provoking, and a must-read for those seeking YA feminist literature.
Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for . . . and the most demeaning. This year, there's a ninth.
And instead of paper, she's made of fire.
'A timely reminder that, in the right hands, the fantasy genre has things to say about injustice and abuse of power in the real world' Guardian
Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I first encountered this book in my senior seminar in college. Little did I know how much Hannah Arendt’s works would figure into my own thinking and writing. In On Revolution, Arendt provides a provocative interpretation of how the American founders looked to Rome, specifically Virgil, for their own understanding of founding. My current book begins with Arendt’s insight but departs substantially from her conclusion.
Tracing the gradual evolution of revolutions, Arendt predicts the changing relationship between war and revolution and the crucial role such combustive movements will play in the future of international relations.
She looks at the principles which underlie all revolutions, starting with the first great examples in America and France, and showing how both the theory and practice of revolution have since developed. Finally, she foresees the changing relationship between war and revolution and the crucial changes in international relations, with revolution becoming the key tactic.
I’m a lifelong raving Star Trek fan; I literally can’t remember a time I didn’t love Trek, which I was watching in syndication by the time I was in the second or third grade over fifty years ago. I started reading Trek novels in the seventies when the books and the underrated animated series were the only new Trek to be had. My dedication to the franchise eventually turned professional, first by writing some stories and novellas published by Simon & Schuster and then by becoming the freelance copyeditor of the novels. (In fact, I copyedited the last novel on this list.) Choosing just five was painfully difficult!
One of my favorite “But what happened after that?” moments of the original series was the challenge Kirk issued the goateed Spock at the end of "Mirror, Mirror": What will it be? Past or future? Tyranny or freedom? It's up to you. David Mack weaves a three-decade-long epic that answers the questions—with shades of the psychohistory of Asimov’s classic Foundation trilogy—as Spock plays a three-dimensional chess game of moves and countermoves to bring about the downfall of an empire.
The Sorrows of Empire has everything I want from a Mirror Universe story: revolutionary intrigue, imperial treachery, and a cast of interesting mirror versions of characters we know and often love from the “true” universe. It also deftly incorporates the increasingly complicated canon of the Mirror Universe introduced by the other series over the years.
'In every revolution, there is one man with a vision.' Those prophetic words were spoken by Captain James T. Kirk to Commander Spock of the Terran Empire, hoping to inspire change -- but he could not have imagined the impact his words would have. Armed with a weapon of terrifying power and a vision of a noble Federation within the mirror universe, Spock seizes control of the Terran Empire and institutes the process of democratic reform. Rivals within the Empire try to stop him while enemies outside it unite to destroy it. Few suspect the shocking truth: that Spock is…
I lived in Peru for five years, working as a writer, filmmaker, and anthropologist. For part of that time, I lived with a recently-contacted tribe in the Upper Amazon, visited Maoist Shining Path “liberated zones” and later made a number of documentaries on the Amazon as well as have written a number of books, most of which are on some aspect of Peru. Peru remains one of the most fascinating countries on Earth--a kind of dense amalgamation of ancient civilizations, archaeology, immense biodiversity, incredible beauty, and lots and lots of adventure. Although there’s no substitute for visiting Peru yourself--reading about it is a great way to begin your adventure!
Peru is often described as a country that is a combination of the coast, the Andes, and the Amazon, and this book on the origin of the Maoist Shining Path group in the Andes not only illuminates some of Peru’s recent political history, but also shines a light on many of the disparities that still exist between rural and urban Peru and between la costa, la sierra, and la Amazonia.
On 17 May 1980, on the eve of Peru's presidential election, five masked men stormed a small town in the Andean heartland. They set election ballots ablaze and vanished into the night but not before planting a red hammer-and-sickle banner in the town square. The lone man arrested the next morning later swore allegiance to a group called Shining Path. The tale of how this ferocious group of guerrilla insurgents launched a decade-long reign of terror, and how brave police investigators and journalists brought it to justice, may be the most compelling chapter in modern Latin American history but the…
I am an emeritus professor of Russian and modern European history with twenty-five years of teaching and research experience, and I’ve been teaching the history of terrorism for almost that long. I am drawn to the field because it gives me a prism through which to explore nearly every topic in modern history that I’m passionate about: violence, extremism, the growth of the state, the proliferation of modern ideologies, and so on. In fact, I could teach most of my courses, including the survey of European history, almost entirely through the lens of terrorism, which is a sobering thought!
This is the one book on the history of terrorism that I wish I had written. Zamoyski spins out a great tale, one that reads like a spy thriller. It’s the story of how early 19th-century European politicians and statesmen overreacted to small, marginalized, underground revolutionary movements, turning them into existential threats to the civilized order.
In doing so, men like Austrian leader Klemens von Metternich created both our modern understanding of the terrorist boogeyman and the mechanisms and justification of the modern police state. Zamoyski is a great writer, and I eagerly followed him down his conspiratorial rabbit hole. I hesitate to say it, given the subject matter of the book, but this is one fun read.
For the ruling and propertied classes of the late eighteenth century, the years following the French Revolution were characterized by intense anxiety. Monarchs and their courtiers lived in constant fear of rebellion, convinced that their power--and their heads--were at risk. Driven by paranoia, they chose to fight back against every threat and insurgency, whether real or merely perceived, repressing their populaces through surveillance networks and violent, secretive police action. Europe, and the world, had entered a new era. In Phantom Terror, award-winning historian Adam Zamoyski argues that the stringent measures designed to prevent unrest had disastrous and far-reaching consequences, inciting…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
Another way to ease yourself into historical fiction is to start with books for young readers—like this gorgeous, compelling read set during the Communist regime’s fall in Romania in 1989.
Our heroine is a young girl named Ileana who loves stories, even though stories can be dangerous (like the one that got her uncle arrested for criticizing the government). Afraid for her life, her parents send her to live with grandparents she’s never met—and still she gets caught up in the independence.
I adored this book as an adult reader and—bonus!—it would be the perfect thing to co-read with a middle schooler or young teen if you’ve got one in your life.
“By turns surprising, poetic, and stark, The Story That Cannot Be Told is one that should most certainly be read.” —Alan Gratz, New York Times bestselling author of Refugee “A mesmerizing debut.” —Publishers Weekly (starred review)
A powerful middle grade debut with three starred reviews that weaves together folklore and history to tell the story of a girl finding her voice and the strength to use it during the final months of the Communist regime in Romania in 1989.
Ileana has always collected stories. Some are about the past, before the leader of her country tore down her home…
