Here are 100 books that The Blue Room and Other Tales fans have personally recommended if you like
The Blue Room and Other Tales.
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Since I was a child, Halloween and Christmas have held equally hallowed positions in my heart. When I learned of Krampus folklore in my teens, I was immediately fascinated. Krampus offered the best of both worlds—a dose of Halloween creepiness to counterbalance the bright jubilation of the winter holidays. Krampus Confidential, a middle-grade mystery, and adaptation of The Maltese Falcon, is my second children’s book that aims to introduce this magnificent creature to children in a way that doesn’t inspire nightmares. My first, Goodnight Krampus, is a board book for young readers that reimagines the monster as a rambunctious toddler who gives Santa a hard time by refusing to go to sleep on Christmas Eve.
Though the stories in this collection aren’t likely to scare you silly, they will almost certainly give you the creeps. The Victorians loved spending their cold, dark winter evenings with eerie tales of the unsettling, the uncanny, and the unholy. And who could blame them? The 13 tales collected here are diverse in content and tone, but they all offer an ideal candlelit escape when the days grow dark and the cold wind wails.
The first-ever collection of Victorian Christmas ghost stories, culled from rare 19th-century periodicals
During the Victorian era, it became traditional for publishers of newspapers and magazines to print ghost stories during the Christmas season for chilling winter reading by the fireside or candlelight. Now for the first time thirteen of these tales are collected here, including a wide range of stories from a diverse group of authors, some well-known, others anonymous or forgotten. Readers whose only previous experience with Victorian Christmas ghost stories has been Charles Dickens’s “A Christmas Carol” will be surprised and delighted at the astonishing variety of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Mary Elizabeth Braddon (1835-1915) may not be known by most contemporary readers...and that's a shame because her stories often include pointed observations about human nature that remain as relevant today as they were when first published. This wonderful collection, part of the superb British Library Tales of the Weird series, begins with an eerie and tragic ghost story, "The Cold Embrace," and ends with the lengthy "Good Lady Ducayne," which is often classified as an early vampire tale.
A young girl whose love for her fiance continues even after her death; a sinister old lady with claw-like hands who cares little for the qualities of her companions provided they are young and full of life; and a haunted mirror that foretells of approaching death for those who gaze into its depths. These are just some of the haunting tales gathered together in this macabre collection of short stories. Reissued in the Tales of the Weird series and introduced by British Library curator Greg Buzwell, The Face in the Glass is the first selection of Mary Elizabeth Braddon's supernatural…
I write as Robert J. Lloyd, but my friends call me Rob. Having studied Fine Art at a BA degree level (starting as a landscape painter but becoming a sculpture/photography/installation/performance generalist), I then moved to writing. During my MA degree in The History of Ideas, I happened to read Robert Hooke’s diary, detailing the life and experiments of this extraordinary and fascinating man. My MA thesis and my Hooke & Hunt series of historical thrillers are all about him. I’m fascinated by early science, which was the initial ‘pull’ into writing these stories, but the political background of the times (The Popish Plot and the Exclusion Crisis, for example) is just as enticing.
Actually, two novellas, it’s the first, "Morpho Eugenia," that’s always stayed in my mind. I loved how it handles discussions on such subjects as teleology, determinism/personal freedom, the nature of life after death, and so on, the post-On the Origin of the Species mindset.
I particularly like the ending, which, if you’re reasonably alert, you’ll work out well before our protagonist. I don’t think this is a weakness; observing the main character, Adamson (note the surname), flailing towards an inevitable ‘reveal’ is part of the book’s point, I think.
The prose imitates Victorian literature, very post-Modern, but don’t let that put you off. I found its style immersive, making me feel closer to the time.
In these two “astonishing” novellas (The New Yorker), the Booker Prize-winning author of Possession returns to the landscape of Victorian England, where science and spiritualism are popular manias, and domestic decorum coexists with brutality and perversion.
"At once quirky and deep, brimming with generosity, imagination, and intelligence." —The New Yorker
In Morpho Eugenia, an explorer realises that the behaviour of the people around him is alarmingly similar to that of the insects he studies. In The Conjugal Angel, curious individuals – some fictional, others drawn from history – gather to connect with the spirit world. Throughout both, Byatt examines the…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I am an Anglo Irish writer who is as filled with a wide-eyed wonder of the magic of Christmas in my middle age as I was as a small child. Alongside my lifelong love of Christmas and its traditions, I have enjoyed an equally long love of ghost stories. Combining these two passions, I am the editor of theGhost Stories For Christmasanthologies of classic Christmas ghost stories, the first of which was published in 2022. I am also the writer of Ghostly Tales of Japan, a collection of original stories set throughout Japanese history.
I came across this anthology in my local library in the late 1980s or early 1990s. It is a real treasure trove of classic Christmas ghost stories from giants of the genre such as Dickens, Le Fanu, Peattie, Blackwood, and Nesbit. As an added bonus, it contains M. R. James’ only story actually set at Christmas, The Story of a Disappearance and an Appearance. One thing that I liked about this anthology was that it collected together stories ranging from the Victorian era through to what was then the present day. Although I never owned a copy of my own, it became an annual tradition to reserve it and borrow it from the library to read over the Christmas period. Now living in Japan, it has been several decades since I last read it. Despite the stories being available in many anthologies, this seems a perfect collection, and as…
For as long as I can remember I have been absolutely gripped by the stories that old clothes can tell. From visiting fashion museums as a child to collecting books on the subject, I was drawn to the shapes, the fabrics, and the tales. I can remember a curator once telling me that clothes are the closest we can get to people in the past. They are the ghostly outlines of our ancestors and that has stayed with me. We give so much away about ourselves through the clothes we choose to wear and so they really do matter.
This has a very gothic kind of atmosphere and it is one that I recommend for the intricacies of 19th century dress etiquette.
It centres on the company of Bellman and Black, an emporium of mourning wares for the increasingly complicated garments and accessories required of grief in the 19th century. It gives such an insight into a world that is long gone but which was so important, where dress was able to communicate the stage of your life without a word spoken.
“An astonishing work of genius.” —Bookreporter “Magically transformative.” —Bookpage
Can one moment in time haunt you forever? From the instant #1 New York Times bestselling author of The Thirteenth Tale comes a “poetic and mysterious” (Booklist) story that will haunt you to your very core.
Caught up in a moment of boyhood competition, William Bellman recklessly aims his slingshot at a rook resting on a branch, killing the bird instantly. It is a small but cruel act, and is soon forgotten. By the time he is grown, with a wife and children…
I’ve been obsessed with fantasy since my grandmother bought me the entire Dorothy and the Land of Oz series as a kid. I love discovering new types of fantasy characters, spins on characters, new lore in genres, and mythology woven in creative ways. For my fantasy group, I’ve researched many interpretations of fae, witches, elves, vampires, and shapeshifters. I’m always looking to add to my list, and I love finding Indie authors new to their niche. I feel so privileged to interview many authors like these and Jennifer L. Armentrout (squeal) for my podcast, The Finding the Magic Book Podcast. I hope you love these books as much as I did.
This book is a solid paranormal YA read with lots of great twists and surprises. I liked that this book shared a new type of paranormal being, at least to me, and that the plot wasn't predictable.
Wren, a sasayakimasu who can see departed souls, is damaged, and that aspect of the book is hard to read. I liked that we got two sides of the story from Wren and Jordan, her ghost. I loved that it’s hard to tell who saves who in this one.
The residents of the old Victorian are killing themselves. Or are they?
The girl in the bathtub didn’t kill herself for no reason. The guy by the lake didn’t drown by accident. But Wren has bigger questions than why they’re dead. Like why she can see them… and shatter lightbulbs with a scream. As if she’s not self-destructive enough, now she has feelings for one of them?
Someone is pulling Wren’s strings. She needs to find out why and soon, or there may not be an after-life for anyone. Ever again.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I write historical fiction about real people, and I found the subject of a medium who faced off against Harry Houdini altogether irresistible. Still, writing about a medium presented unique challenges. I had to ask myself: Did I believe it was possible to summon the dead? Would readers be skeptical if I pushed this belief on them? Or would readers who didn’t believe in spiritualism think I’d gone too far in representing otherworldly events? So I read many books and studied how other authors handled these questions. I hope this list of stories about mediums, seances, and ghosts will chill and thrill you.
Spiritualism was very popular in Victorian England, but it could be a cutthroat business. Mrs. Wood is held in high esteem by her customers, who are entertained in lavish seances, but then a young woman who wants to be her apprentice enters the picture. Things quickly get complicated.
Lucy Barker paints the Victorian period with all its fusty atmosphere—and she made me feel sympathy for these women trying to carve out a place in the world at a time when females’ options were limited. I believed these characters, and Barker does a great job showing the challenges they face, which all adds up to a suspenseful read.
'A charming debut that sparks with fun and fizz' GOOD HOUSEKEEPING
'A must read!' SOPHIE IRWIN
'Storytelling at its finest' STYLIST
A DAILY MAIL BOOK OF THE YEAR
LONGLISTED FOR THE HISTORICAL WRITERS' ASSOCIATION DEBUT CROWN PRIZE
Mrs Wood is London's most celebrated medium. She's managed to survive decades in the competitive world of contacting the Other Side, has avoided the dreaded slips that revealed others as frauds and is still hosting packed-out seances for Victorian high society.
Yet, some of her patrons have recently cancelled their…
I’m a professor of modern Britain with a specialty in nineteenth-century social history. I’m drawn to sources and topics that tell us about how everyday people lived and thought about their lives. One favorite part of my job is the challenge of discovering more about those groups, like working-class women or children, who weren’t the main focus of earlier histories. Since 2000, I’ve taught classes at Vassar College in Poughkeepsie, New York, on Victorian Britain, the British Empire, the First World War, and the history of childhood.
This is one of the first books that I remember buying for myself in graduate school. Cullwick’s descriptions of her relationship with upper-class Arthur Munby (whom she eventually married) and the photographs of her dressed as a maid-of-all-work, a lady, a “slave,” an agricultural worker, and a valet highlight Victorian power negotiations and performativity.
Cullwick started working as a servant at the age of eight. From her diaries, I learned much about the daily lives of domestic servants: their relationships with employers, the different levels of service and employment networks, and the sheer amount of hard, physical labor that it took to run a Victorian household.
"Hannah Cullwick (1833-1909) worked all her life as a maidservant, scullion, and pot-girl. In 1854 she met Arthur Munby, 'man of two worlds,' upper-class author and poet, with a lifelong obsession for lower-class women. And so began their strange and secret romance of eighteen years and marriage of thiry-six, lived largely apart. Hannah's diaries, written on Munby's suggestion, offer an obsorbing account of life 'below stairs' in Victorian England. But they reveal, too, a woman of extraordinary independence of will, whose chosen life of drudgery gave her the freedom not to 'play the Lady,' as Munby demanded. Rescued from obscurity.…
Ever since I can remember, I wanted to be a ghostbuster. I was the kid with the stack of ghost books and horror film obsession, sparked full of adrenaline and excitement. I knew about ouija boards and poltergeists before I knew my times tables and even now - older, more cynical, less drawn to graveyards - I still feel that same thrill when I am holding a horror novel in my hands. I write about discomfort, about fear. I’m well-acquainted with it. I like the feeling of being unnerved and want to evoke that in the stories I tell and the ones I read, like the books below. Hope you enjoy!
So good! A ghost story rich in texture, set in Britain during the seventies. Twins Tim and Abi live in an insular world, obsessed with the paranormal. After they prank a school friend with a fake ghost photograph events start to spiral out of control. Nostalgic without being syrupy, this book felt like stepping back into my own ghost-obsessed childhood. It’s that familiarity, as well as the slow burn of the strange and unnerving events, that kept me absolutely hooked.
'A delight for both the expert and the uninitiated, this creepy tale is a carapace of cosy nostalgia wrapped round a solid thread of dread ... A page turner that keeps you in dreaded suspense of what you are about to be shown ... A claustrophobic and entertaining read that left me breathless ... Horror for the connoisseur.' ALICE LOWE
'Hallucinatory brilliance ... The Apparition Phase may be the perfect novel for our phantom present.' GUARDIAN ___________________________________ Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats…
