Books like The Blue Room and Other Tales — picked by fans

Though the stories in this collection aren’t likely to scare you silly, they will almost certainly give you the creeps. The Victorians loved spending their cold, dark winter evenings with eerie tales of the unsettling, the uncanny, and the unholy. And who could blame them? The 13 tales collected here are diverse in content and tone, but they all offer an ideal candlelit escape when the days grow dark and the cold wind wails.

Mary Elizabeth Braddon (1835-1915) may not be known by most contemporary readers...and that's a shame because her stories often include pointed observations about human nature that remain as relevant today as they were when first published. This wonderful collection, part of the superb British Library Tales of the Weird series, begins with an eerie and tragic ghost story, "The Cold Embrace," and ends with the lengthy "Good Lady Ducayne," which is often classified as an early vampire tale. 

Actually, two novellas, it’s the first, "Morpho Eugenia," that’s always stayed in my mind. I loved how it handles discussions on such subjects as teleology, determinism/personal freedom, the nature of life after death, and so on, the post-On the Origin of the Species mindset.

I particularly like the ending, which, if you’re reasonably alert, you’ll work out well before our protagonist. I don’t think this is a weakness; observing the main character, Adamson (note the surname), flailing towards an inevitable ‘reveal’ is part of the book’s point, I think.

The prose imitates Victorian literature, very post-Modern, but don’t let that put you off. I found its style immersive, making me feel closer to the time.

I came across this anthology in my local library in the late 1980s or early 1990s. It is a real treasure trove of classic Christmas ghost stories from giants of the genre such as Dickens, Le Fanu, Peattie, Blackwood, and Nesbit. As an added bonus, it contains M. R. James’ only story actually set at Christmas, The Story of a Disappearance and an Appearance. One thing that I liked about this anthology was that it collected together stories ranging from the Victorian era through to what was then the present day. Although I never owned a copy of my own, it became an annual tradition to reserve it and borrow it from the library to read over the Christmas period. Now living in Japan, it has been several decades since I last read it. Despite the stories being available in many anthologies, this seems a perfect collection, and as… show more.

This has a very gothic kind of atmosphere and it is one that I recommend for the intricacies of 19th century dress etiquette.

It centres on the company of Bellman and Black, an emporium of mourning wares for the increasingly complicated garments and accessories required of grief in the 19th century. It gives such an insight into a world that is long gone but which was so important, where dress was able to communicate the stage of your life without a word spoken. 

I love an atmospheric Victorian novel.

Spiritualism was very popular in Victorian England, but it could be a cutthroat business. Mrs. Wood is held in high esteem by her customers, who are entertained in lavish seances, but then a young woman who wants to be her apprentice enters the picture. Things quickly get complicated.

Lucy Barker paints the Victorian period with all its fusty atmosphere—and she made me feel sympathy for these women trying to carve out a place in the world at a time when females’ options were limited. I believed these characters, and Barker does a great job showing the challenges they face, which all adds up to a suspenseful read.

This book is a solid paranormal YA read with lots of great twists and surprises. I liked that this book shared a new type of paranormal being, at least to me, and that the plot wasn't predictable.

Wren, a sasayakimasu who can see departed souls, is damaged, and that aspect of the book is hard to read. I liked that we got two sides of the story from Wren and Jordan, her ghost. I loved that it’s hard to tell who saves who in this one. 

We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.

Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.

Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.

Dickens was a Master. Even his humorous ghost stories have an edge of fear.

I love this book because nothing more perfectly proves the historian’s adage that the past is a foreign country; they did things differently there. Houghton understands the importance of mid-nineteenth century Great Britain’s cultural, economic, and social ascendancy in determining and understanding American attitudes from work to play, attitudes to class, race, taste in literature, and so on.

The ambition of wealth and power, which in the eighteenth century had destabilized the natural God-given order of things, was now seen as respectable and to be pursued. Weakness and poverty were now a source of shame and weakness. Above all, Houghton shows the importance of hero-worship to the generation coming of age in mid-nineteenth century, a cult of loyalty to a leader could exorcise the antisocial forces of class or individual ambition.

A hero could also act as a constraint on democracy in which the doctrines of liberty and democracy could… show more.

I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.

This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.

The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.

A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.