Here are 100 books that The Black Butterfly fans have personally recommended if you like
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I have spent most of my professional life trying to understand why the criminal justice system so often gets things wrong. For twenty-five years, I served as Director of the California Innocence Project and helped free innocent people from prison, including individuals serving life sentences and facing execution. Along the way, I became fascinated not only by wrongful convictions themselves, but by the larger cultural forces that shape how societies think about crime, punishment, race, fear, and justice. The books on this list deeply influenced both my work and my understanding of the human beings trapped inside the system. They are the books I return to when I want to remember why this work matters.
This is the book that forced me to rethink how deeply race and criminal punishment are intertwined in America.
I had already spent years representing innocent people when I first read it, but Michelle Alexander still managed to make me uncomfortable in the best possible way. I remember constantly putting the book down just to process what I had read. What I admire most is that it doesn’t rely on outrage alone. It connects history, politics, policing, and incarceration in a way that made me see patterns I had previously viewed as isolated failures.
Few books have changed national conversations the way this one has, and I think it remains essential reading for anyone trying to understand modern America.
Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it has been the winner of numerous prizes, including the NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists motivated by Michelle Alexander's unforgettable argument that 'we have not ended racial caste in America; we have merely redesigned it.'
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The slander and abuse of current political discourse does not even rise to the level of disagreement. After all, disagreement is an opposition between opinions, not a fight between opinionators. I do not express my disagreement with your views by threatening to kill you. In my book, The Art of Disagreement, I offer a guide to a better political rhetoric by showing that storytelling can create the social trust necessary for political arguments to be productive. I am now Professor of Government at Dartmouth College, where I teach political philosophy.
Victor Frankl was an Austrian psychologist who was sent to Auschwitz by the German Nazis because he was Jewish.
While in the camp, Frankl noticed that individual prisoners responded in totally different ways to the same appalling circumstances: some stole food from others, some hoarded their food, and some shared their food with others. He concludes that human freedom is ineradicable. He also learned from his camp experience that people want meaning in life as much as they want food or water. Human beings do not live for pleasure, but for the discovery of meaning.
I loved this very inspiring and compelling book about how some people, like Frankl, can rise above the most horrendous suffering.
One of the outstanding classics to emerge from the Holocaust, Man's Search for Meaning is Viktor Frankl's story of his struggle for survival in Auschwitz and other Nazi concentration camps. Today, this remarkable tribute to hope offers us an avenue to finding greater meaning and purpose in our own lives.
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
A former journalist, Antero Pietila delves into the history of Baltimore’s battles over housing and race since the 1880s. He shows how racism and antisemitism shaped who could live where in Baltimore, eventually consigning working-class Black people to disintegrating neighborhoods in the inner city. Where this book is especially good is on the history of blockbusting in the 1950s and 1960s.
Pietila introduces us to the real estate agents who preyed on Black people desperate to move out of slums and shows us how they panicked white people into selling their houses cheaply to get out before Black people moved in. Pietila draws connections between this history and the more recent example of speculators who lured Baltimore residents into subprime mortgages. Baltimore successfully sued Wells Fargo for discriminatory lending in 2012.
Baltimore is the setting for (and typifies) one of the most penetrating examinations of bigotry and residential segregation ever published in the United States. Antero Pietila shows how continued discrimination practices toward African Americans and Jews have shaped the cities in which we now live. Eugenics, racial thinking, and white supremacist attitudes influenced even the federal government's actions toward housing in the 20th century, dooming American cities to ghettoization. This all-American tale is told through the prism of Baltimore, from its early suburbanization in the 1880s to the consequences of "white flight" after World War II, and into the first…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In the space of two years, D. Watkins published two stunning books about Baltimore. The second, The Cook Up: A Crack Rock Memoir, is sharp and smart, but if I had to only choose one, it would be The Beast Side. In this slim volume of essays, Watkins invites us to explore the two worlds he lives within and between. He grew up on the tough east side, known locally as the beast side, and sold drugs, but also went to college and now teaches creative writing.
While there are many books by Black authors that use stories of poverty and despair to titillate or move white audiences to pity, Watkins does none of that. He speaks first to Black audiences, especially those who maybe don’t love to read, because literacy, he says, is a step towards liberation. The Beast Sidemay be the best way to see…
A New York Times Best Seller! Baltimore, one of our country's quintessential urban war zones, is brought powerfully to life by literary talent, D. Watkins
To many, the past 8 years under President Obama were meant to usher in a new post-racial American political era, dissolving the divisions of the past. However, when seventeen-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then Ferguson, Missouri, happened; and then South Carolina hit the headlines; and then Baltimore blew up, it was hard to find any evidence of a new post-racial order.
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
In The Wire and Homicide: Life on the Streets, David Simon, also an author of nonfiction books about Baltimore, depicted Baltimore cops as Sisyphean figures trying to fight an endless wave of crime and failing. Baynard Woods and Brandon Soderberg tell a much less positive story about the police. They examine an elite unit called the Gun Trace Task Force which became, under its leader Wayne Jenkins, a criminal syndicate. Using their badges as weapons, these police officers robbed drug dealers of tens of thousands of dollars, planted weapons and evidence, and terrorized Black Baltimore residents.
As media pundits were wringing their hands about whether Baltimore’s people had gone out of control when they rioted after Freddie Gray’s death, we learn that these cops were literally robbing prescription drugs to sell them on the street. Even if you’re suspicious about the role of police in inner-city communities, this book…
The explosive true story of America's most corrupt police unit, the Gun Trace Task Force (GTTF), which terrorized the city of Baltimore for half a decade.
When Baltimore police sergeant Wayne Jenkins said he had a monster, he meant he had found a big-time drug dealer―one that he wanted to rob. This is the story of Jenkins and the Gun Trace Task Force (GTTF), a super group of dirty detectives who exploited some of America’s greatest problems: guns, drugs, toxic masculinity, and hypersegregation.
In the upside-down world of the GTTF, cops were robbers and drug dealers were the perfect victims,…
As a cultural historian of 20th century America, I’m fascinated by how culture is used to rebel against the status quo and how the status quo fights back. In my first book, Class Acts: Young Men and the Rise of Lifestyle, I looked at greasers, hippies, and white hip hop lovers to understand how they used style and fashion to push back against being white and middle class. In Come and Be Shocked: Baltimore Beyond John Waters and The Wire, I went beyond looking at how individuals shape their identity to thinking about how artists and city leaders shape the identity of a place. Can artists counter the efforts of cities to create sanitized images of themselves?
The history that matters most to me is the history that can help explain the world we live in now. The editors of Baltimore Revisited, a collection of brilliant essays about the city, takes that to heart. Fascinating chapters trace the War on Drugs back to the 1910s, when the city outlawed cocaine, examine how Johns Hopkins University’s growth has displaced Black residents for decades, and surprise us with the fact that Maryland was home to the longest-running movie censorship board in the country (which only closed shop in 1981). More than curiosities, though, these authors reveal how race, gender, sexuality, and class have affected Baltimore.
Most importantly, the book focuses on how everyday people fought back against discrimination through acts as varied as pickets against segregation to dancing in gay bars. The book is good history, yes, but also a call to action.
Nicknamed both "Mobtown" and "Charm City" and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated-and more fascinating.
To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I have spent most of my professional life trying to understand why the criminal justice system so often gets things wrong. For twenty-five years, I served as Director of the California Innocence Project and helped free innocent people from prison, including individuals serving life sentences and facing execution. Along the way, I became fascinated not only by wrongful convictions themselves, but by the larger cultural forces that shape how societies think about crime, punishment, race, fear, and justice. The books on this list deeply influenced both my work and my understanding of the human beings trapped inside the system. They are the books I return to when I want to remember why this work matters.
I love this book because Bryan Stevenson combines moral clarity with genuine compassion, even for people who have done terrible things.
As someone who has spent decades working on wrongful convictions, I recognized so much of the emotional reality in these pages, the exhaustion, the small victories, the moments that restore your faith in humanity, and the crushing setbacks. What stayed with me most was Stevenson’s refusal to reduce anyone to the worst thing they had ever done. I think that perspective is desperately needed in modern discussions about crime and punishment.
This is one of the rare books that can genuinely change the way a reader sees both the legal system and the people trapped inside it.
NOW A MAJOR MOTION PICTURE, STARRING MICHAEL B. JORDAN, JAMIE FOXX, AND BRIE LARSON.
A NEW YORK TIMES, WASHINGTON POST, BOSTON GLOBE, ESQUIRE, AND TIME BOOK OF THE YEAR.
A #1 New York Times bestseller, this is a powerful, true story about the potential for mercy to redeem us, and a clarion call to fix America's broken justice system, as seen in the HBO documentary True Justice.
The US has the highest rate of incarceration in the world. One in every 15 people born there today is expected to go
to prison. For black men this figure rises to one…
I am a victim of the Criminal Industrial Complex. Before being sentenced to life in prison at 17, I lived in neighborhoods that were overpoliced and violent, I went to schools that were underfunded and didn’t have the resources to support my education, and the crack epidemic and subsequent War on Drugs did irreparable damage to my family. The systems discussed in these books are the ones that fundamentally changed the course of my life. In the long run, I was able to succeed despite these systems. Read these books and understand the many odds that are stacked against so many members of our society. People just like me.
Shaka Senghor is a friend and a personal inspiration of mine. This book is dear to me, not only because it’s the story of my friend, but also because, in many ways, it’s the story of my life as well. Shaka taught me so many valuable lessons in this book: the importance of writing down your goals, of having a plan, of overcoming the fear of failure. And it was just the beginning of all the flourishing I’ve seen Shaka do, and all the flourishing he has inspired from me.
While many books on my list will make you sad, angry, or both, I think this one will make you feel hopeful. It definitely did for me.
NEW YORK TIMES BESTSELLER • An “extraordinary, unforgettable” (Michelle Alexander, author of The New Jim Crow) memoir of redemption and second chances amidst America’s mass incarceration epidemic, from a member of Oprah’s SuperSoul 100
Shaka Senghor was raised in a middle-class neighborhood on Detroit’s east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctor—but at age eleven, his parents’ marriage began to unravel, and beatings from his mother worsened, which sent him on a downward spiral. He ran away from home, turned to drug dealing to…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
For several years, I’ve been teaching a course called the American Way of Death, and Sara Jensen Carr’s The Topography of Wellness features prominently on my syllabus.
Carr explores how soaring mortality rates in the nineteenth century, mostly from diseases like cholera and tuberculosis, prompted an army of public health reformers, urban planners, and municipal leaders to tackle the toxic urban landscape by envisioning and creating a new landscape with the kinds of infrastructure that today we take for granted. By the beginning of the twentieth century, the new and improved city, with its public water and sewer systems and public parks, was benefiting both rich and poor alike.
Carr is quick to point out, of course, that scientific and political notions of health and wellness continue to shape our nation’s landscape, with mixed outcomes, mostly as a result of systemic inequities and unequal access to the kinds of urban…
The COVID-19 pandemic has re-ignited discussions of how architects, landscapes, and urban planners can shape the environment in response to disease. This challenge is both a timely topic and one with an illuminating history. In The Topography of Wellness, Sara Jensen Carr offers a chronological narrative of how six epidemics transformed the American urban landscape, reflecting changing views of the power of design, pathology of disease, and the epidemiology of the environment. From the infectious diseases of cholera and tuberculosis, to so-called "social diseases" of idleness and crime, to the more complicated origins of today's chronic diseases, each illness and…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
I’m old enough to remember T.W. Rogers, the downtown department store that was still hanging on in Lynn, Massachusetts, in the early 1980s before finally succumbing to the same market and political forces that doomed so many similar enterprises during the postwar exodus of retail from the downtown to the suburbs.
This book pays tribute to the grand palaces of consumption, both large and small, that emerged in virtually every American city and town during the first half of the twentieth century. I was especially pleased that Howard chose to focus not only on the large urban retailers found in big cities but also on smaller establishments, similar to the one that I can still recall from my childhood.
Naturally, the younger generation today knows the department store as the anchor store at the mall, and once again, as happened more than half a century ago, it is under threat…
The geography of American retail has changed dramatically since the first luxurious department stores sprang up in nineteenth-century cities. Introducing light, color, and music to dry-goods emporia, these "palaces of consumption" transformed mere trade into occasions for pleasure and spectacle. Through the early twentieth century, department stores remained centers of social activity in local communities. But after World War II, suburban growth and the ubiquity of automobiles shifted the seat of economic prosperity to malls and shopping centers. The subsequent rise of discount big-box stores and electronic shopping accelerated the pace at which local department stores were shuttered or absorbed…