Here are 100 books that The Bin Ladens fans have personally recommended if you like
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I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I love how this book takes a familiar story and twists it in unexpected ways. In this classic of nonfiction on the Middle East, Scott Anderson tells the real story of Lawrence of Arabia.
I love how he does so by combining sound research with a writing style that makes the book read like a novel. Ten years after reading the book, I still remember its protagonists–T.E. Lawrence (obviously), the German agent of influence, the American oilman, and a Romanian-born Zionist agronomist. Their fates collide and unfold as the reader sees the Modern Middle East take shape.
The Arab Revolt against the Turks in World War One was, in the words of T.E. Lawrence, 'a sideshow of a sideshow'. Amidst the slaughter in European trenches, the Western combatants paid scant attention to the Middle Eastern theatre. As a result, the conflict was shaped to a remarkable degree by a small handful of adventurers and low-level officers far removed from the corridors of power.
At the centre of it all was Lawrence. In early 1914 he was an archaeologist excavating ruins in the sands of Syria; by 1917 he was battling both…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I bought Jeremy Bowen’s book by chance as I searched for books about the Middle East. I wanted something different from the traditional (and sometimes a bit difficult to read) academic nonfiction book. This book appealed to me because it was written in a journalistic style and because it was as much a book about recent history as one about Bowen’s own travels and encounters in the Middle East. Well, I was not disappointed.
I really enjoyed reading Bowen’s recollections of his time in the Middle East and critical reflections on great powers’ involvement there. That is a book I felt gave a good sense of how the West has mismanaged its policies in the region during the past fifty years.
A Spectator Book of the Year A New Statesman Book of the Year 'An illuminating and riveting read' - Jonathan Dimbleby
Jeremy Bowen, the International Editor of the BBC, has been covering the Middle East since 1989 and is uniquely placed to explain its complex past and its troubled present.
In The Making of the Modern Middle East - in part based on his acclaimed podcast, 'Our Man in the Middle East' - Bowen takes us on a journey across the Middle East and through its history. He meets ordinary men and women on the front line, their leaders, whether…
I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I think that this is the best book about the politics of the Soviet-Afghan War. Artemy Kalinovsky writes in a vivid style and shows the intricate behind-the-scenes discussions between Soviets and Americans that led to the Soviet withdrawal from Afghanistan in the late 1980s.
Many historical books are a dull read, but this book is not. I really like how Kalinovsky helps the reader feel as if they are at the center of the story.
The conflict in Afghanistan looms large in the collective consciousness of Americans. What has the United States achieved, and how will it withdraw without sacrificing those gains? The Soviet Union confronted these same questions in the 1980s, and Artemy Kalinovsky's history of the USSR's nine-year struggle to extricate itself from Afghanistan and bring its troops home provides a sobering perspective on exit options in the region.
What makes Kalinovsky's intense account both timely and important is its focus not on motives for initiating the conflict but on the factors that prevented the Soviet leadership from ending a demoralizing war. Why…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I liked Samuel Helfont’s book for the solidity of his research on the instrumentalization of Islam by the Saddam Hussein regime.
I personally feel that the 1980s is a key period in understanding how some of the problems that emerged during the late Cold War are still relevant today. This is certainly true for the Middle East, a region that is prone to conflicts and where the United States has been involved militarily over the past forty years.
Beyond that, I enjoyed Helfont’s writing which is strikingly dynamic.
Samuel Helfont draws on extensive research with Ba'thist archives to investigate the roots of the religious insurgencies that erupted in Iraq following the American-led invasion in 2003. In looking at Saddam Hussein's policies in the 1990s, many have interpreted his support for state-sponsored religion as evidence of a dramatic shift away from Arab nationalism toward political Islam. While Islam did play a greater role in the regime's symbols and Saddam's statements in the 1990s than it had in earlier decades, the regime's internal documents challenge this theory.
The "Faith Campaign" Saddam launched during this period was the culmination of a…
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
What I loved most about this book was how it told the rise of Nefertiti through the eyes of her quieter sister, Mutnodjmet. That perspective stayed with me.
It showed power and ambition not only from the throne, but from the shadow it cast on those forced to serve it. It reminded me that the greatest power struggles are never won without sacrifice, especially from those who never asked to play the game.
When the Crown Prince of Egypt needs a wife, the beautiful, charismatic, ambitious and connected Nefertiti is his mother's first choice. She quickly becomes accustomed to the opulence of her new life. As Queen of the world's first great empire at the height of its power, all her dreams are realised. Beguiling and wilful, Nefertiti is soon as powerful as the Pharaoh himself. But when her husband breaks with a thousand years of tradition, defying the priests and the military, it will take all Nefertiti's wiles to keep the nation from being torn apart. Watching from the shadows, her sister,…
I love stories where characters become more than what was expected of them, and where I can feel the human emotions they endure in their rise or fall. I write stories for the fearful, the voiceless, the broken, and the brave—reminders that pain can shape purpose, that hope can rise from heartbreak, and that no one endures alone. Ancient queens typically embody those truths. Dismissed as pawns, they carried dynasties on their shoulders, often at great personal cost. Their humanity—their love, fear, sacrifice, and imperfections—reminds me that beneath the crowns, we all bleed, we all long, and we all need each other to survive.
This book stayed with me long after I finished it.
What gripped me most was the way Signe Pike gave Languoreth fierce humanity, a woman, well, a girl, who was given to royal marriage, had a good husband, yet, for all her childish love affair, still took on a lover. This story pitted family against family, friend against friend, in the political upheaval of Christianity against paganism.
I felt Pike captured Languoreth's torn heart beautifully, with every unfairness to every heart entwined in her decisions. I also appreciated the deep dive into the Arthurian historicity of the story in the author's note at the end.
“Outlander meets Camelot” (Kirsty Logan, author of The Gracekeepers) in the first book of an exciting historical trilogy that reveals the untold story of Languoreth—a powerful and, until now, tragically forgotten queen of sixth-century Scotland—twin sister of the man who inspired the legendary character of Merlin.
Intelligent, passionate, rebellious, and brave, Languoreth is the unforgettable heroine of The Lost Queen, a tale of conflicted loves and survival set against the cinematic backdrop of ancient Scotland, a magical land of myths and superstition inspired by the beauty of the natural world. One of the most powerful early medieval queens in British…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I have always loved stories about King Arthur–what’s not to love–Arthurian stories are about the underdog triumphing, destiny, knights and quests, swords (and stones, or lakes), great heroes and villains, and magic. My university studies made me into a military historian (among other things–including an opera singer and a historian of film), and I loved revisiting my love of Arthur in various guises. I have sung him on stage, played him in roleplaying games and miniature wargames, and I have written articles and books about him in film and history. I hope my list of recommendations provokes you to think about King Arthur in new ways!
There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.
It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series.
Uther, the High King of Britain, has died, leaving the infant Mordred as his only heir. His uncle, the loyal and gifted warlord Arthur, now rules as caretaker for a country which has fallen into chaos - threats emerge from within the British kingdoms while vicious Saxon armies stand ready to invade. As he struggles to unite Britain and hold back the Saxon enemy, Arthur is embroiled in a doomed romance with beautiful Guinevere.
I am a father of grown children, and I once believed there would always be more time. The ordinary days felt endless, until they weren't. My children grew, and the days I wished away became the ones I missed. The loss of my son made time feel different. Since then, I see people differently. We spend much of life shaping, correcting, and comparing, while each person is already becoming who they are. I am drawn to stories that honor people as they are, imperfect, different, and unrepeatable, because simply being here is enough.
Those monsters with their yellow eyes and yellow teeth bring back all the memories. It reminds me of making tents with blankets under the table, and the adventures that would follow.
Even the boy's name, Max, feels like anything is possible. Max is snarky, and that's exactly who he is, wonderful in his own way. It's a treasure I still bring out today, to remember those glorious days.
Read-along with the story in this book and CD edition!
One night Max puts on his wolf suit and makes mischief of one kind and another, so his mother calls him 'Wild Thing' and sends him to bed without his supper.
That night a forest begins to grow in Max's room and an ocean rushes by with a boat to take Max to the place where the wild things are. Max tames the wild things and crowns himself as their king, and then the wild rumpus begins.
But when Max has sent the monsters to bed, and everything is quiet,…
I’ve been fascinated by the early modern period–the Tudors and the Stuarts–since falling in love with Mary Queen of Scots, Elizabeth, Henry VIII, and his wives when I was a child. I graduated from Horrible Histories as a child to lengthier nonfiction and fiction books about the era as a teenager before gaining a BA Honours, a Masters, and a PhD focussing on Elizabethan language and literature. I now teach English Literature at Strathclyde University. Because I never lost the urge to read everything I could about the Tudors and Stuarts, I began writing about them, too, and because I devour both fiction and nonfiction, I write both!
Sarah Gristwood is one of our leading experts in Tudor history, and in this nonfiction study, she lays bare the complexities of love and passion at the Tudor court.
This is such a refreshing book because it explores both the similarities and the wild differences between ourselves and our ancestors. Gristwood provides a rich sense of what love, marriage, passion, and the performance of emotion meant to the Tudors.
One cannot quite look at Henry VIII or any of his wives in quite the same way after reading.
'One of the most important books to be written about the Tudors in a generation.' Tracy Borman
In this groundbreaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the 'loyal and most assured servant' of Anne Boleyn to the poems lavished on Elizabeth I by her suitors, the Tudors re-enacted the roles of devoted lovers and capricious mistresses first laid out in the romances of medieval literature, but now with life-and-death consequences for the protagonists. The Tudors in…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I have been dreaming of dragons since I was a little girl, but I can never be certain what exactly drew me in–maybe it was Dragon Tales, a show from my childhood that haunts me to this day. They fascinate me more than anything in the world, and to be able to craft my own version of them has been my greatest joy. I have never wanted anything more than the ability to ride a dragon. To be connected to something so magical and powerful that there are legends about them throughout the world, to have even a glimpse of them. They’re everything to me.
The last book that left me staring at the wall, questioning my existence. The prologue drew me in, and the rest clawed into me like a dragon's talons. Those talons have yet to leave me. If “screaming, crying, throwing up” was a book, it would be this one. I have been wholly affected by it, and I don’t ever want that to change.
