Here are 100 books that The Baby's Catalogue fans have personally recommended if you like
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Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
The baby in this book won’t eat anything he’s offered – a situation most parents will identify with – until, in despair, his mother finds an avocado in the fruit bowl. From then on he has a favourite food – and it turns him into an immensely strong superhero!
The Hargraves want their new baby to grow up big and strong. But the puny mite will hardly eat a thing. One day Mrs Hargraves finds an avocado in the fruit bowl and the baby gobbles it up. Soon, the strangest things start to happen...
An engaging picture book for children that celebrates what it means to be American!
What does it mean to be American? Does it mean you like apple pie or fireworks? Not exactly. This patriotic picture book is perfect for Memorial Day, Independence Day, Election Day, or any day you want…
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
“Mog loves babies!” says the poor cat’s owners but this is not strictly true. Mog just wants to snooze undisturbed but a visiting baby soon puts paid to that. Her expressions are brilliantly done as the baby takes more and more liberties. When Mog escapes out the window, the baby follows, with almost catastrophic results in the road outside. But Mog saves the day - and the baby - and is rewarded with a gigantic fish.
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
It’s a family of badgers but Frances has some very human emotions about having a baby sibling. She is not outright hostile but does pack a rucksack with snacks and runs away – as far as under the dining table. Her very understanding parents handle it in an exemplary fashion and Frances sees there are advantages to being the older sister, since babies can’t eat chocolate cake.
One of a reissued series about the Badger family. With a new baby in the house, Frances thinks that no one pays much attention to her any more. So she decides to run away, but not so far that she won't be able to hear how much she'll be missed - even by baby Gloria.
Mamiachi & Me is a lyrical and empowering picture book about what it means to be a mariachi in an all‑female band.
Today, Rosa will take the stage next to her mami and play along with her popular mariachi band. But Rosa begins to worry. What if the audience doesn’t…
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
Two great talents came together to produce this classic story of a bored baby who annoys his parents by drawing on the walls. Only their home is a cave. In the night, he is whisked away by a mammoth, which could be terrifying, but the great beast just wants the baby to paint animals on his cave walls.
A hairy mammoth takes a cheeky little baby on a thrilling ride through a moonlit landscape populated by a sabre-toothed tiger, a leaping hare, a laughing hyena and even, just maybe, by a big brown bear . . . But where are they going? And what has it to do with the baby's scribblings on the cave wall?
Created by the critically acclaimed author Julia Donaldson and Kate Greenaway medal winner Emily Gravett, Cave Baby celebrates the messy creativity of babies!
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
At some point, every child is in a situation, maybe just for a few seconds, where they are not totally sure that their parent is coming back. I can still remember the look on my kids’ faces on their first day at nursery school! That feeling is no different for the young owl siblings in this story, left alone in the dark woods when their mother flies off in search of food.
I love the simplicity of this tale, and the language is beautiful. We often turned to it at bedtime in our house, and no matter how many times I read, “Soft and silent, she swooped through the trees to Sarah and Percy and Bill,” it never got old.
A special 25th anniversary edition of a modern classic, Owl Babies reassures young children that Mummy will always come home.
"The perfect picture book" Guardian
A special 25th anniversary board book edition of a bestselling modern classic, Owl Babies is a comforting read for any toddler who has ever worried about mum leaving them alone, or any child starting pre-school for the very first time. Sarah, Percy and Bill the baby owls wake one night to find their mother gone. And as the darkness gathers and they perch patiently on their branch waiting for her return, oh how they worry!…
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
You may have seen the movie, but, for me, there is absolutely nothing to compare to Beatrix Potter’s classic original tale. This story about a family of rabbits has been on my bookshelf since my mother introduced Peter Rabbit to me as a young child. Her copy has been read to my children, who I hope will pass it on again.
Even though this book was written well over a century ago, I think it really stands the test of time. Mrs. Rabbit is a busy single mom with three good-as-gold daughters and a naughty son called Peter. I find the intricate illustrations unrivaled–open the book to be transported straight into an English country garden.
"Now run along, and don't get into mischief," Mrs. Rabbit tells her bunnies. But frisky Peter runs straight to Mr.. McGregor's tasty garden and sneaks under the gate! This beloved classic is once again available in an 8x8 format, now with beautifully remastered artwork.
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This story is full of drama and laughs. I loved the detail in the artwork and the wit–the four beetles that patrol the garden are called . . . Ringo, John, Paul and George!
I had never really thought how much every tiny seed growing in our garden or in the park has to face before it grows up! There are worries and dangers around every corner, but, like a child, if that seed is nurtured and protected by friends and family, it can grow tall, bloom, and reach for the sky whilst grounded by strong roots we cannot see. Bud is a tale that brings tears to my eyes.
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This bold, punchy book was an absolute winner in our house. The pages are BIG, giving space for the striking illustrations, and the story is deliciously gasp-worthy!
The large, loud Shrimpton family just loves to be noticed, apart from Maude, who feels invisible in this houseful of flamboyant extroverts. We read this book a lot and gasped a little every time. Especially when it turned out to be a very good thing for Maude that she did blend in with her surroundings!
Maude was published in 2013 when my daughter was 8. She is 18 now and still loves it! But now she notices different things – how stylish the characters are and how striking the Shrimpton’s beautiful home is. Even the wallpaper is gorgeous!
Lauren Child teams up with a debut illustrator to tell a cautionary tale about the surprising perils of craving constant attention.
Meet the Shrimpton family — so talented, so eccentric, so larger than life, you couldn’t miss them if you wanted to. Mrs. Shrimpton wears flamboyant hats, and Mr. Shrimpton’s moustache makes quite a statement. The youngsters each have a stand-out quality: beauty, dancing, singing, a sense of humor that’s a laugh a minute. Indeed, the Shrimptons live to be noticed — all that is, except Maude, who prefers to blend into the wallpaper. But when Maude receives a ferocious…
In 2017, I lost one of my best friends. He was one of those magical people—charismatic, impossibly talented, hilariously funny. So, in the aftermath of his death, I noticed many people in his life competing for recognition of their bond with him. Unfortunately, he wasn’t there to recognize anyone. Though the stories are completely different, that experience inspired me to write Competitive Grieving, spotlighting the common—but rarely discussed—process of navigating someone’s life and relationships in their absence. For me, humor is the ultimate coping mechanism, as is the promise of brighter days, so the book attacks this serious topic with levity, honesty, and a bit of hope.
Okay. Fine. Maybe I only think this book is about loss because I know that, in later books, the same Glass family suffers losses and this sets the stage. But this isa story about a promise that is never realized and a relationship that is becoming progressively distant—and, in it, there is a sense of being lost if not having experienced a loss, specifically. In it, Buddy Glass takes Army leave to attend his brother’s wedding, but his brother never shows up. Somehow, Buddy winds up stuck in a limo with a group of disgruntled guests from whom he tries to hide his identity. In his sense of isolation, but also his awareness of the situation’s absurdity, we find humor and also sadness.
A Note from the Author: The two long pieces in this book originally came out in The New Yorker - RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR - An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my series about the Glass family. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
I was moved to tears reading about how Isabel Allende copes with her daughter’s coma in her memoir, Paula, a series of written letters telling her daughter about her own life and family history.
I was struck by how honest she was about her most vulnerable moments of despair when she was grieving and desperate for her daughter’s healing.
Allende’s reflections on her exile after the 1973 Chilean coup highlight the surreal nature of how we go through our daily lives when the world is literally falling apart around us in a larger political sense, and then she shows us how we cope when, on a much smaller scale, we lose the great loves of our lives.
When Isabel Allende's daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, and the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.
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