Here are 100 books that The Baby's Catalogue fans have personally recommended if you like
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Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
The baby in this book won’t eat anything he’s offered – a situation most parents will identify with – until, in despair, his mother finds an avocado in the fruit bowl. From then on he has a favourite food – and it turns him into an immensely strong superhero!
The Hargraves want their new baby to grow up big and strong. But the puny mite will hardly eat a thing. One day Mrs Hargraves finds an avocado in the fruit bowl and the baby gobbles it up. Soon, the strangest things start to happen...
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
“Mog loves babies!” says the poor cat’s owners but this is not strictly true. Mog just wants to snooze undisturbed but a visiting baby soon puts paid to that. Her expressions are brilliantly done as the baby takes more and more liberties. When Mog escapes out the window, the baby follows, with almost catastrophic results in the road outside. But Mog saves the day - and the baby - and is rewarded with a gigantic fish.
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
It’s a family of badgers but Frances has some very human emotions about having a baby sibling. She is not outright hostile but does pack a rucksack with snacks and runs away – as far as under the dining table. Her very understanding parents handle it in an exemplary fashion and Frances sees there are advantages to being the older sister, since babies can’t eat chocolate cake.
One of a reissued series about the Badger family. With a new baby in the house, Frances thinks that no one pays much attention to her any more. So she decides to run away, but not so far that she won't be able to hear how much she'll be missed - even by baby Gloria.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
Mary Hoffman is not exactly an expert on babies but she has had three of her own and five grandbabies. The youngest is two and Mary has made colourful blankets for each one. The four-year-old still takes hers everywhere. Mary is very good at sending babies to sleep, which Mog might have appreciated, but she has never fed any of them avocado. Mary has been making up stories for babies and children for as long as she can remember, long before she had any of her own. She does this because what she liked best herself as a small child was stories and she would have loved to have any of these books read to her when she was little.
Two great talents came together to produce this classic story of a bored baby who annoys his parents by drawing on the walls. Only their home is a cave. In the night, he is whisked away by a mammoth, which could be terrifying, but the great beast just wants the baby to paint animals on his cave walls.
A hairy mammoth takes a cheeky little baby on a thrilling ride through a moonlit landscape populated by a sabre-toothed tiger, a leaping hare, a laughing hyena and even, just maybe, by a big brown bear . . . But where are they going? And what has it to do with the baby's scribblings on the cave wall?
Created by the critically acclaimed author Julia Donaldson and Kate Greenaway medal winner Emily Gravett, Cave Baby celebrates the messy creativity of babies!
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
At some point, every child is in a situation, maybe just for a few seconds, where they are not totally sure that their parent is coming back. I can still remember the look on my kids’ faces on their first day at nursery school! That feeling is no different for the young owl siblings in this story, left alone in the dark woods when their mother flies off in search of food.
I love the simplicity of this tale, and the language is beautiful. We often turned to it at bedtime in our house, and no matter how many times I read, “Soft and silent, she swooped through the trees to Sarah and Percy and Bill,” it never got old.
A special 25th anniversary edition of a modern classic, Owl Babies reassures young children that Mummy will always come home.
"The perfect picture book" Guardian
A special 25th anniversary board book edition of a bestselling modern classic, Owl Babies is a comforting read for any toddler who has ever worried about mum leaving them alone, or any child starting pre-school for the very first time. Sarah, Percy and Bill the baby owls wake one night to find their mother gone. And as the darkness gathers and they perch patiently on their branch waiting for her return, oh how they worry!…
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
You may have seen the movie, but, for me, there is absolutely nothing to compare to Beatrix Potter’s classic original tale. This story about a family of rabbits has been on my bookshelf since my mother introduced Peter Rabbit to me as a young child. Her copy has been read to my children, who I hope will pass it on again.
Even though this book was written well over a century ago, I think it really stands the test of time. Mrs. Rabbit is a busy single mom with three good-as-gold daughters and a naughty son called Peter. I find the intricate illustrations unrivaled–open the book to be transported straight into an English country garden.
"Now run along, and don't get into mischief," Mrs. Rabbit tells her bunnies. But frisky Peter runs straight to Mr.. McGregor's tasty garden and sneaks under the gate! This beloved classic is once again available in an 8x8 format, now with beautifully remastered artwork.
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This story is full of drama and laughs. I loved the detail in the artwork and the wit–the four beetles that patrol the garden are called . . . Ringo, John, Paul and George!
I had never really thought how much every tiny seed growing in our garden or in the park has to face before it grows up! There are worries and dangers around every corner, but, like a child, if that seed is nurtured and protected by friends and family, it can grow tall, bloom, and reach for the sky whilst grounded by strong roots we cannot see. Bud is a tale that brings tears to my eyes.
Lots of us rely occasionally on technology to help us entertain a young child, but the connection we form when looking at a book together cannot be beaten. I have found, both personally and professionally, that great books are born when a kind of magical mix-up is created in a child’s imagination between the words you read and the pictures they see. It feels so wonderful when this happens that they want to revisit the book again and again. I have written many books for young children over more than 20 years, and I am always striving to help cast that magical spell.
This bold, punchy book was an absolute winner in our house. The pages are BIG, giving space for the striking illustrations, and the story is deliciously gasp-worthy!
The large, loud Shrimpton family just loves to be noticed, apart from Maude, who feels invisible in this houseful of flamboyant extroverts. We read this book a lot and gasped a little every time. Especially when it turned out to be a very good thing for Maude that she did blend in with her surroundings!
Maude was published in 2013 when my daughter was 8. She is 18 now and still loves it! But now she notices different things – how stylish the characters are and how striking the Shrimpton’s beautiful home is. Even the wallpaper is gorgeous!
Lauren Child teams up with a debut illustrator to tell a cautionary tale about the surprising perils of craving constant attention.
Meet the Shrimpton family — so talented, so eccentric, so larger than life, you couldn’t miss them if you wanted to. Mrs. Shrimpton wears flamboyant hats, and Mr. Shrimpton’s moustache makes quite a statement. The youngsters each have a stand-out quality: beauty, dancing, singing, a sense of humor that’s a laugh a minute. Indeed, the Shrimptons live to be noticed — all that is, except Maude, who prefers to blend into the wallpaper. But when Maude receives a ferocious…
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
I loved Ellen Raskin’s much-lauded The Westing Game when I was nine years old, but I never got around to reading her 1974 middle-grade book Figgs & Phantoms, until recently. It’s a weird and whimsical story about family and grief with a magical realist touch.
Once a month, Mona Lisa Newton stands on the shoulders of her diminutive Uncle Florence Figg and dons a cloak to form the “Figg-Newton giant” so they can reach the rare not-for-sale books on the top shelf of a local bookstore. Their family has its own private mythology, including a version of heaven called Capri, and when a death occurs, Mona is determined to follow the clues and find it.
The text and illustrations manifest Raskin’s wry sense of humor, though some of the book’s mature themes might be too much for younger readers.
From the Newbery Award-winning author of THE WESTING GAME, more clever riddles and wordplay, clues to be found, and mysteries to be solved!
A Newbery Honor book
The Amazing Dancing Figgs! While Mona hates all the attention her eccentric relatives bring to her in town, there is one Figg family member she likes: her Uncle Florence, the book dealer. But Uncle Florence keeps hinting that he's going to find his way to Capri, the Figg family heaven. And that means leaving Mona behind. Can Mona find Capri before it's too late, or will she learn that things are seldom what…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
This one I loved for the style as much as the character. I love the use of fragments to weave together a life and it felt true to the life of a mother—that a mother only gets snippets of time to piece together her story and her thoughts. I also loved that Offil was wrestling with such a big issue—how to hold onto oneself while giving so much of your self to a child.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
