Here are 72 books that The Artist’s Muse fans have personally recommended if you like
The Artist’s Muse.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a very realistic person, curious by nature, who loves a good thrill. A good twist—no matter the genre—that has all the above recommendations captures my attention. A feel-good chick flick or book does nothing for my curious side but adds a twist or two and you have me hooked. Love at war is that kind of book. It has a few twists that touch on important topics and leave you with a few thoughts to think about afterward. Life is not only marshmallows and sprinklers. Life is real and I like my books like that, too. Therefore, I call myself a multi-genre author. I don’t want to be bound by one genre.
This was a different book than the normal Erotic Romance. I loved the cover, it just says so much about the story itself.
When women started to die at a famous artist's castle, suspicion ran rampant in Alvarez and Elle's minds. Who did it? Who could they trust? The mystery surrounding them mounted and everyone was a suspect. With a woman locked in the attic and an older woman seeking human blood and human organs for her sacrifices, you had a suspenseful time dissecting all the twists and turns in the book.
On a hot July day in 1967, Odelle Bastien climbs the stone steps of the Skelton gallery in London, knowing that her life is about to change forever. Having struggled to find her place in the city since she arrived from Trinidad five years ago, she has been offered a job as a typist under the tutelage of the glamorous and enigmatic Marjorie Quick. But though Quick takes Odelle into her confidence, and unlocks a potential she didn't know she had, she remains a mystery…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
We all know that Picasso wasn't very nice to his muses – nothing unusual there. He was arrogant and with a massive sense of entitlement. Dora Maar had good reason to weep. She was an artist herself – a successful painter & photographer, gaining commissions historically awarded to men and creating a radical new image of the modern woman – that's until she met Picasso. When she started to cause trouble he had her put away. It's extraordinary how many muses ended up in asylums. Unlike Rodin's muse she did get out, however. In Valdes' novel the story doesn't exactly end happily but in reality she did go on working, as a photographer, up till her death at eighty-nine. Good for you, Dora.
Winner of the prestigious Azorin Prize for Fiction, the best-selling novel about love, sacrifice, and Picasso's mistress, Dora Maar.
A writer resembling Zoe Valdes a Cuban exile living in Paris with her husband and young daughter is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.
From the bestselling author of The Best Exotic Marigold Hotel comes a thrilling story of power, lust and deception...
Seventeenth-century Amsterdam - a city in the grip of tulip fever.
Sophia's husband Cornelis is one of the lucky ones grown rich from this exotic new flower. To celebrate, he commissions a talented young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between Sophia and the painter; and ambitions, desires and dreams breed an intricate deception and a reckless gamble.
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I repost art that catches my eye. I click when I see a piece of Egon Schiele on social media. It’s impossible to look away, which is saying something, considering the variety and audacity of modern art. Born in Tulln, Austria, in 1890, Schiele died of the Spanish Flu in 1918 at only 27.
A student of Gustav Klimt, Schiele’s art is expressionistic, graphic, and transformative. His imagination is a slap in the face, a Munch “Scream” of a crime scene photograph. Steiner has done a great service in producing this art book, in which all of Schiele’s work is reproduced in color. His commentary is, at the same time, chronological and thematic. Schiele survived derisive criticism and prison, and although his life was short, his imaginative punches still landed.
With his graphic style, figural distortion, and defiance of conventional standards of beauty, Egon Schiele (1890-1918) was a pioneer of Austrian Expressionism and one of the most startling portrait painters of the 20th century.
Mentored by Gustav Klimt, Schiele dabbled in a glittering Art Nouveau style before developing his own much more gritty and confrontational aesthetic of sharp lines, lurid shades, and mannered, elongated figures. His prolific portraits and self-portraits stunned the Viennese establishment with an unprecedented psychological and sexual intensity, favoring erotic, exposing, or unsettling poses in which he or his sitters cower on the floor, languish with legs…
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
Here is a story of persistence and justice that inspired the movie Woman in Gold. By taking on the Austrian government, the portrait painted by Gustav Klint is eventually returned to its rightful owner. Once more we witness the reluctance of authorities to acknowledge what was perpetrated during Nazi times.
Taking place in Vienna, the events coincide with the experiences of the protagonist in my own book. The mother fled Germany in late 1937 and lived in Vienna until early 1941. She met her husband there, married him while he was in prison, heard that the Jewish children in her orphanage were killed, and witnessed her mother’s death. “It was the worst experience in my life,” she says.
I wish that the perseverance and outcome shown in this story could be mirrored in my own book, but rules introduced by West Germany in the 1950s make this impossible.…
The true story that inspired the movie Woman in Gold starring Helen Mirren and Ryan Reynolds. The Award-Winning Nazi Art Theft Saga Winner of the Marfield National Award for Arts Writing Winner of a California Book Award Library Journal Top 10 Book of 2012 Christian Science Monitor Top 15 Nonfiction of 2012 Best Huffington Post Art Book 2012 Top 12 Nonfiction 2012 of Examiner.com
The spellbinding story, part fairy tale, part suspense, of Gustav Klimt's Portrait of Adele Bloch-Bauer, one of the most emblematic portraits of its time; of the beautiful, seductive Viennese Jewish salon hostess who sat for it;…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am a lifelong art appreciator. When I connect with a piece of art, I want to know more about the art, the time period, and the artist. I read history and biography to learn facts, but when I want to experience the art at the heart-level, I dive into historical fiction. I'm especially interested in the connection between love and creativity. As a writer, I know firsthand that love is what fuels me. I love it when I encounter stories that show I'm not alone in this; others across history have also been inspired to create by their own great emotions, whether love or anger or something else.
In this passionate and atmospheric debut novel, Elizabeth Hickey reimagines the tumultuous relationship between the Viennese painter Gustav Klimt and Emilie Floge, the woman who posed for Klimt's masterpiece The Kiss -- and whose name he uttered with his dying breath. Vienna in 1886 was a city of elegant cafes, grand opera houses, and a thriving and adventurous artistic community. It is here where the twelve-year-old Emilie meets the controversial libertine and painter. Hired by her bourgeois father for basic drawing lessons, Klimt introduces Emilie to a subculture of dissolute artists, wanton models, and decadent patrons that both terrifies and…
I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.
This unlikely story has a different focus from other Holocaust memoirs. After working in a slave labour camp, Edith Hahn, a Viennese Jew, was ordered to report for transport east, and probable death, but instead went into hiding with a new identity thanks to two Christian friends. Jews hiding in plain sight were called U-boats. Though trained as a lawyer, she worked as an ignorant nurse’s aide in a hospital and met a Nazi Party member who fell in love with her. She told him she was Jewish but he wanted to marry her anyway and became both a protector and a constant threat. In an unsentimental style and with surprising dark humour, Hahn has written a gripping account of that period when being found out would have been fatal.
Edith Hahn was an outspoken young woman studying law in Vienna when the Gestapo forced her and her mother into a ghetto, issuing them papers branded with a "J". Soon Edith was taken away to a labour camp and when she returned home after months away she found her mother had been deported. Her boyfriend, Pepi, proved too terrified to help her, but a Christian friend was not. Using the woman's identity papers, she fled to Munich. There she met Werner Vetter, a Nazi party member who fell in love with her and, despite her protests and even her eventual…
Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.
I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.
Speaking of psychoanalysis, like much of Stefan Zweig’s work, Fear was written at the dawn of the Freudian era, in 1913 (though it wasn’t published until 1920).
A married upper-class woman is blackmailed by the working-class girlfriend of her lover, and while the tale of her panic is sometimes just an illustration of the then-new concept of the subconscious, it’s riveting anyway.
In the fifties, it became the closest Roberto Rossellini ever came to making a film noir, with Ingrid Bergman.
A bourgeois housewife's affair is discovered, and a blackmailer turns her comfortable life into a nightmare of apprehension
Finding her comfortable bourgeois existence as wife and mother tedious after eight years of marriage, Irene Wagner brings a little excitement into it by starting an affair with a rising young pianist. Her lover's former mistress begins blackmailing her, threatening to give her secret away to her husband, meanwhile her husband seems to offer her numerous opportunities to confess and be forgiven. Irene is soon in the grip of agonizing fear. Written in the spring of 1913, and first published in 1920,…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Of the five books I recommended, four are memoirs, and one is a novel that reads like a memoir. I read these books because the subject, the maternal relationship, fascinates me, and also because I wanted to learn from these other writers. Each book gave me some ideas about how to approach my own exploration of my relationship with my mother. At the same time, the books reinforced my belief that each of us carries our family history forward, especially our maternal history. To live fully requires understanding and integrating that past.
This lyrical novel is told from the perspective of two characters—the mother, Genevieve, and the daughter, Elizabeth.
In her old age, the Austrian-born mother reveals the family's complex history to her American-born daughter. Though Jewish, Genevieve’s father denied that history to portray the family as Catholic. Much of the novel’s power turns on the unraveling of that history.
The book made me think about the secrets that exist within families and the ways in which people shape their histories to suit the stories they wish to believe about themselves. I thought, too, about the cost of silence within families. I was also fascinated by the portrait of Vienna, as my mother spent a number of years there during a similar time period.
In My Mother's House is a beautiful, haunting, and expertly told novel about a daughter's obsession to understand her mother's commitment to silence about their family's experiences during WWII Vienna. The story of Elizabeth and her mother Jenny is remarkable for its fullness of details: the pieces of family silver the grandmother mails to Jenny, piece by piece, over the years; Jenny's vivid memories of her uncle's viola d'amore lessons; the smell of the wood floors in the family's Vienna home. It's an emotional story of what is inherited from one generation to the next.
