100 Books Like The Affirmative Action Empire

Nikolai Gogol – or, in Ukrainian, Mykola Hohol – is considered a classic of Russian literature.

At the same time, he was born Ukrainian, wrote about Ukraine, and is considered their own by many Ukrainian literature lovers. Literary scholar Edyta Bojanowska has written a fascinating study about how Gogol knew to draw upon both Ukrainian and Russian cultural repertoires to appeal to readers and how he intentionally played with his intimate knowledge of both cultures.

This was one of the studies that inspired me as I tried to understand the complex cultural entanglements between nineteenth-century Russia and Ukraine, as I found them personified in my books’ protagonists.

If you want to understand why so many Russians today (including President Vladimir Putin) believe that their national identity has roots in Kyiv, Faith Hillis’s book is a must-read. As I wrote in a review for The Moscow Times, Russian colonial settlers in and around the Ukrainian city increasingly began to push a narrative that they were all “children of Rus’,” a reference to the political entity that existed in the region from the 9th to the 13th centuries.

From the 1830s until the outbreak of World War I, as Hillis writes, this group shaped imperial policies about the relationship between Russians and Ukrainians even while they urged the imperial government to “protect” them from the Poles, Jews, and Ukrainians living all around. When Putin justified the full-scale invasion of Ukraine as one where Russia needed to “return” the “lands of ancient Rus’” and to “protect” Russian-speakers in Ukraine,… show more.

When it first appeared, I reviewed this book for The Moscow Times and called it “the best account yet of the Soviet collapse.” Plokhy pays particular attention to how events in Ukraine during 1991 proved crucial to the final breakup of the USSR (“the last empire” of the title).

Moreover, Plokhy’s conclusions help to explain how the narratives about the collapse contributed to Russia’s aggression against its neighbor in the 2000s. Everything Plokhy writes is worth reading, including his Gates of Europe, Chernobyl, and The Russo-Ukrainian War (he is prolific), but The Last Empire’s details have remained with me: the fierce desire for independence Ukrainians expressed in 1991 has remained true ever since.

This is by no means an easy read. Ukrainian journalist Stanislav Aseyev experienced horrible things while he spent three years imprisoned in a torture camp of the Russian-supported so-called “Donetsk People’s Republic.”

While Aseyev refrains from including graphic details about his experiences, his account is harrowing. In his memoir, he not only takes up the best intellectual traditions of twentieth-century “camp literature” but also powerfully explains what is at stake as Ukrainians fight for their freedom against Putin’s authoritarian regime.

I met Aseyev last year and was simultaneously shocked and impressed to get to know someone who is about my age and has been forced to survive such horrors.

What strikes me most about this book is how prescient it is. Published in 2000, this assessment of the first few years of Ukrainian independence accurately flags that Russia never fully accepted it and explains why an independent Ukraine threatens Russia. The introduction provides an excellent, brief history of Ukraine. Later chapters focus on politics, economics, social and cultural issues, and foreign policy up to 1998. Dyczok, an academic, was an eyewitness to key historical events, reporting from Ukraine during its 1991 declaration of independence and after. I particularly recommend the chapter on Ukrainian-Russian relations. Although written long before Russia’s annexation of Crimea and subsequent invasion of Ukraine, much in that chapter foreshadows these critical events and helps account for why what happened did.

Dual timeline narratives connect young people’s lives today with those of family members in the past.

This one contrasts the fear and isolation Matthew feels during the 2020 Covid lockdown with the terror experienced by his great grandmother living in Kiev (now Kyiv, Ukraine) during the Holodomor. The futile efforts of a relative who escaped to alert Americans to Soviet oppression and Ukrainians’ starvation raises important questions for budding journalists who seek to tell the truth in the face of pressure and propaganda.

Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.

This is one of the first books in English on what we now call the Holodomor, the famine in Ukraine in the 1930s.

It’s now estimated that about 3.3 million people died in this famine, which Stalin imposed via a policy of “collectivization.” Under this policy, Ukrainian peasants had to turn over their entire harvests to the state, leaving nothing for themselves to eat: some even turned to cannibalism. Things were so bad that the government put up posters saying, “eating people is wrong.” 

When Conquest published this book in 1986, many people denounced him as a right-wing anti-communist, but since then many other scholars have proved him right. This was one of the first books I read when I started teaching courses on comparative genocide studies in the 1980s. 

I loved this highly readable history of Ukraine. Written in the early 1990s, when I too worked in Ukraine, Borderland begins with the newly independent nation’s struggle to build itself a national identity. Reid captures this time and its people so well – the peasant women in the covered market, the old men playing chess in Independent Square. Ukraine is literally translated as, ‘on the edge’ or ‘borderland’ and Reid explores the toll of its history – pograms, famine, purges, war, Holocaust, and Chernobyl… She travels through villages of whitewashed cottages, bringing their hardy inhabitants to life with her often quirky observations. She meets old folk who were alive during the famine of 1932/33, others who survived the gas chambers. At every turn, the magnificent Ukrainian spirit is in vibrant evidence. 

I enjoyed this book because it presents escapism, pure and simple. The story is much like the James Bond books and movies. Lots of violence and sex. Maybe it will someday be made into a movie.

I liked that the protagonist is a Ukrainian American woman. The author makes her very resourceful but somewhat jaded and sarcastic about everything. I found this to be a short, fun read.