100 Books Like The 400-Year Holocaust

I was born into the heart of American religious fundamentalism and spent years helping build the Religious Right before walking away from it. My book tells the story of that journey: from certainty to doubt, from dogma to paradox, from fear to love.

I’ve lived at the crossroads of faith, politics, family, and art—and these recommendations reflect the questions that still haunt me: How do we live with compassion in a divided world? How do we raise our children with tenderness in the absence of certainty? These books moved me because they don’t preach. They search. They speak in the voice of those of us who are done with black-and-white thinking, but still believe in grace.

My own collusion with white supremacy and anti-Blackness is a lifelong journey I mitigate for my soul’s redemption. I am a Mississippi-born redneck, alcoholic, psychotherapist, San Francisco Bay Area queer, higher education administrator with a Critical Race Theory doctorate. I first learned democracy by watching my Mississippi parents risk their lives and mine in the 1960s Civil Rights Movement. Three-Fifths Magazine recently published “My First English: The Vernacular of the KKK.” My book, “Twelve Steps for White America” won the BookFest 1st Place Gold Medal for “Society and Social Sciences: Race Culture Class and Religion.” I work to live in a USA where race no longer predicts outcomes. 

My own collusion with white supremacy and anti-Blackness is a lifelong journey I mitigate for my soul’s redemption. I am a Mississippi-born redneck, alcoholic, psychotherapist, San Francisco Bay Area queer, higher education administrator with a Critical Race Theory doctorate. I first learned democracy by watching my Mississippi parents risk their lives and mine in the 1960s Civil Rights Movement. Three-Fifths Magazine recently published “My First English: The Vernacular of the KKK.” My book, “Twelve Steps for White America” won the BookFest 1st Place Gold Medal for “Society and Social Sciences: Race Culture Class and Religion.” I work to live in a USA where race no longer predicts outcomes. 

My own collusion with white supremacy and anti-Blackness is a lifelong journey I mitigate for my soul’s redemption. I am a Mississippi-born redneck, alcoholic, psychotherapist, San Francisco Bay Area queer, higher education administrator with a Critical Race Theory doctorate. I first learned democracy by watching my Mississippi parents risk their lives and mine in the 1960s Civil Rights Movement. Three-Fifths Magazine recently published “My First English: The Vernacular of the KKK.” My book, “Twelve Steps for White America” won the BookFest 1st Place Gold Medal for “Society and Social Sciences: Race Culture Class and Religion.” I work to live in a USA where race no longer predicts outcomes. 

I'm a child of Holocaust survivors who spent three years in slave labour camps. My mother told me stories of her experiences a child should probably not hear. The result is that my philosophy of life, and sometimes my writing, can be dark. It’s no surprise that this period of history imbues my novels. I chose to write mysteries to reach a wider audience, the Holocaust connections integral to the stories. During my research, I discovered a wealth of information on the Holocaust but learned that memoirs revealed best what happened to people on the ground. Memoirs draw you into the microcosm of a person’s life with its nostalgia, yearning, and inevitable heartbreak.

I was born in Israel, a third generation to holocaust survivors and seventh generation to farmers from the Galilee, living with my family in Brooklyn, NY. I was raised by a concentration camp survivor grandfather, whose miraculous story I recorded and documented since early childhood. My painful family heritage made me passionate about 1930s and 1940s Europe, social and political processes that allowed fascism and nationalism to prevail over the frail democracies, and how ordinary people found their world shattered overnight, and had to find ways to stay alive. The books on my list represent small stories, about the human condition under inhumane conditions, told by talented storytellers. 

I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking. 

I am fascinated by the things people do and the reasons they give for doing them. That people also do things in culturally specific ways and that their culturally specific ways of doing things are related to their culturally specific ideas about what makes sense and what does not inspires in me a sense of awe. As a professor and historian, thinking anthropologically has always been an important tool, because it helps me look for the hidden, cultural logics that guided the behavior of people in history. It helps me ask different questions. And it sharpens my sense of humility for the fundamental unknowability of this world we call home.

I thought I knew everything I needed to know about the Holocaust, which is that my father lost some members of his family. An email from a nephew I didn’t know existed sent me on a trail of documents that led me to a much deeper understanding of not just the Holocaust as a historical event, but more broadly about the impact that it had on the families of survivors, of people who were spared internment for one reason or another, but were wracked by guilt, besieged by family members who were not so lucky, and who passed down their feelings of guilt, anger, and pessimism to future generations.

I am Professor Emeritus in the School of Social Sciences and Humanities at Loughborough University. I have written widely in the areas of social and cultural history, the sociology of art and culture, and media and communication studies. Recent projects have involved books on song and music in the workplace, popular culture, cultural studies, advertising and racism, and blackface minstrelsy. I co-wrote Media and the Management of Change with Emily Keightley, the last volume in a trilogy on media and memory and the interaction of memory and imagination.