Books like Tempered — picked by fans

I’m a retired IT manager and tech writer, a guy who studied political science and economics and ended up writing computer programs for a living. I’ve never lived fully inside my own lane, so to speak, so genre-crossing stories appeal to the nonconformist in me. Along these lines, my book crosses genre boundaries, a legal thriller without lawyers or judges, told from the perspective of a guilty everyman instead of the innocent, wrongly-accused defendant. Having served on a few juries, I’m fascinated by the role of the common person in this pivotal process that underpins democracy.

I’m a retired IT manager and tech writer, a guy who studied political science and economics and ended up writing computer programs for a living. I’ve never lived fully inside my own lane, so to speak, so genre-crossing stories appeal to the nonconformist in me. Along these lines, my book crosses genre boundaries, a legal thriller without lawyers or judges, told from the perspective of a guilty everyman instead of the innocent, wrongly-accused defendant. Having served on a few juries, I’m fascinated by the role of the common person in this pivotal process that underpins democracy.

I’m a retired IT manager and tech writer, a guy who studied political science and economics and ended up writing computer programs for a living. I’ve never lived fully inside my own lane, so to speak, so genre-crossing stories appeal to the nonconformist in me. Along these lines, my book crosses genre boundaries, a legal thriller without lawyers or judges, told from the perspective of a guilty everyman instead of the innocent, wrongly-accused defendant. Having served on a few juries, I’m fascinated by the role of the common person in this pivotal process that underpins democracy.

I’m a retired IT manager and tech writer, a guy who studied political science and economics and ended up writing computer programs for a living. I’ve never lived fully inside my own lane, so to speak, so genre-crossing stories appeal to the nonconformist in me. Along these lines, my book crosses genre boundaries, a legal thriller without lawyers or judges, told from the perspective of a guilty everyman instead of the innocent, wrongly-accused defendant. Having served on a few juries, I’m fascinated by the role of the common person in this pivotal process that underpins democracy.

I was born in a Jamaican far-district just before independence. That historical fact is only one aspect of my in-between childhood. My daily imaginative fare was European fairy tales; my mother’s stories of growing up; and folktales, rife with plantation monsters, that my grand-uncle told. There was no distance between life and those tales: our life was mythic. The district people were poor. So they understood inexactitudes profoundly enough to put two and two together and make five. They worshipped integrity, and church was central. Inevitably, genre-crossing, “impossible” realities, and the many ways love interrupts history, were set in my imagination by the time I was seven and knew I would write.

As host of ImmerseOrDie, I've tested over 600 indie novels so far, searching for books that can hold me in their spell for at least 40 minutes. Unfortunately, self-publishing is rife with the quirks and gaffs that burst such glamours: bad spelling, bad formatting, ludicrous dialogue... Even allowing three failures before bailing, only 9% survived. And reading those to completion whittled the herd still further. So here then are the surviving 1%. A glittering few, plucked from the muck so that you don't have to. I don't promise you'll love them, but I do make one guarantee: they do not suck. And in the Swamps of Indie, that is high praise indeed.

I moved to New York when I was 15 and fell in love with the city. I was starting high school then, and arriving in Manhattan felt like the world opened up to me. Suddenly, I could ride the subway anywhere I wanted, see the best theater in the world, and feel as if anything was possible. The female journey has also been a topic I have long been fascinated by, and when I began my journalism career and became a wife and mother, the need to explore those dynamics grew ever more pressing. I recommend these books because they combine my two favorite topics—New York and women’s history. 

In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.

Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands. 

I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.