100 Books Like Teak-Wallah

Amitav Ghosh is one of my favourite historical novelists and his ability to bring his characters to life draws readers into the web of this epic tale. The story begins in Burma in the shadow of the "Glass Palace" in Mandalay, from where King Thibaw has recently been exiled by the British. It then spans an entire century, following the lives of several characters, particularly Rajkumar, who begins as a food-stall assistant and after many years working in the teak forests, he manages to buy a timber yard of his own. If you enjoy this novel, don’t miss the Ibis Trilogy, about the opium trade in China and India.

A lifelong hero of mine, George Orwell is best known for his political allegories Animal Farm and 1984, but his first published novel, written after a five-year stint as a policeman in Burma, gave an indication of his direction as a writer, with a vicious swipe at colonial attitudes and manners. The main character, John Flory, is a jaded teak merchant who detests the colonial “lie that we’re here to uplift our Black brothers instead of to rob them”. He has no friends at the local colonial club, is unlucky in love and meets a tragic end—all part of Orwell’s drive to “tell it like it is.”

When I read this gripping biography of Samuel White from Bath in England, who rose from being an interloper in the trade of Southeast Asia to become ruler of a huge tract of land on the Andaman Coast of Siam/Burma, I was smiling and shaking my head at the improbability of it all. White’s outlandish and piratical adventures are comparable to the wild exploits of Pirates of the Caribbean, and at times left me gasping in disbelief. Maurice Collis is little known these days, yet his two decades (1912–1934) as an administrator in Burma made him the ideal candidate to recount this remarkable tale.

Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrim tells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.

I read this sultry and disturbing Thailand adventure story in one sitting. It transported me away from my out-of-work actor troubles that rainy day in London and took me to a beautiful and terrifying dreamscape, diving ever deeper into the backpacker protagonist’s murky quest. I can still picture the cut-glass water, the huts… the shark. I still feel the heat, the sting of mosquitoes, and the tang of blood.

I found it extraordinarily gripping, moody, and menacing. The speed at which the unexpected twists unfolded was mind-blowing.

Lost, confused, and feeling the victim, Ethan visits Thailand. He falls down a sinkhole into an alternate reality. Even more lost among really weird people, feeling even more confused and victimized, he learns the true meaning of life. But can he get back to live his real life?

Who hasn’t tumbled into Ethan’s emotions? We go along thinking we’re doing good and suddenly the worst happens. We didn’t deserve any of it yet we’re stuck alone and destitute in it.

Ethan meets an archaeologist who introduces him to indigenous people and their ghost stories. I love cultural studies, sociology,  archaeology, anthropology, and linguistics, all sciences represented in this story. Reality gets smudged and blurred, but love, loyalty, and forgiveness remain true and unshaken in this beautiful story of redemption.

I lived in Bangkok for six years. This is the rare novel that captures the sounds, the smells, the spirit, and spirituality of the place. Bangkok in fact is the main character, with supporting roles by humans who make their lives there, from the nineteenth century to the present and into the not-so-distant future, when water lays permanent claim to a city built more or less at sea level. You can expect lyrical writing and engaging characters, whether human or urban. 

Life and love among the Siamese well-off in the late 1930s. Broken hearts, vacations at the beach, flirtation on a tennis court. The story is driven by the return of a sister (Prisna) who has grown up in America and acquired shocking cosmopolitan ways—wearing shorts to the movies, for instance. It’s an entertaining read, yet deep in its own way, a favorite for someone (me) who lived in Thailand for six years. The book is well known there, but hardly gets noticed abroad. Prisna was written by a member of the Thai royal family, drawing from the world she inhabited. You should always be careful comparing things to Jane Austen, but this has many of the same classic attributes: a domestic focus, the search for a husband, characters drawn with poise and sympathy, prose that never contains a word more than needed.

This was my favorite read of 2024. I thought it was utterly wonderful and well-deserving of its Booker shortlisting. It’s full of gorgeous, subtle writing with a great deal of power contained both in and between its lines.

Wood uses prose with great precision, so that not a word is wasted and every sentence has an impact. I’m not usually someone who writes on my books, but Stone Yard Devotional made me want to grab a pencil and underline chunks of text so that I could reread them again and again. 

Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.