Here are 100 books that Take Me Home fans have personally recommended if you like
Take Me Home.
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As a mom and children’s author, I’ve seen how much children need reminders that they are already loved, already important, and already enough. I’ve written over 30 picture books that explore kindness, confidence, and emotional resilience, but my heart always comes back to one mission: helping kids see their worth.
I created this list because I believe books are powerful mirrors—they show children not only who they are but who they can grow to be. These stories encourage kids to embrace their differences, trust their voice, and carry the confidence that being themselves is the most beautiful thing of all.
This book is powerful because it talks openly about self-acceptance and learning to love yourself.
It shows the struggle of wanting to change who you are, only to discover that your beauty has been there all along. Paired with cute illustrations, it's a story that can help children see themselves with love.
5
authors picked
Sulwe
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
From Academy Award-winning actress Lupita Nyong'o comes a powerful, moving picture book about colourism, self-esteem and learning that true beauty comes from within.
Sulwe's skin is the colour of midnight. She's darker than everyone in her family, and everyone at school.
All she wants is to be beautiful and bright, like her mother and sister.
Then a magical journey through the night sky opens her eyes and changes everything.
In this stunning debut picture book, Lupita Nyong'o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Etabo dreams of being a camel racer but is thwarted by the fact that his family must now sell their camels because of impending drought.
What I find so interesting about this book is how the narrative does such an amazing job of showing a slice of life amongst the Turkana, a remote people in the deserts of Northwest Kenya. So very little of these amazing people have ever been shown in children’s literature and so I was so captivated by how this book gives such a great opportunity to peek into their world, illuminated by the tender illustrations and enthralling theme of not giving up on one's aspirations.
Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
This well acclaimed and award-winning book by Muriel Feelings is great for anyone interested in learning about culture through language. What I love so much about this book is its simplicity. The book teaches how to count up to ten in Swahili, using East African imagery and culture, and it has pronunciation keys as well. The detailed monochromatic illustrations create a mood of awe and reverie.
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Michela Wrong’s story centres on one country, Kenya, and one person, but it resonates throughout the continent and far beyond it – everywhere, where corruption is as systemic, as it is in Kenya. John Githongo, a journalist who fought corruption, was appointed to head an anti–corruption unit by a new president. As in every decent detective novel, involving corruption, the hero discovers that the roots lead to the very top, finds the proof and, after many adventures, publicizes it. Only this is not a novel, though it certainly reads like one. Wrong’s hero is a real person, who did what he did and who suffered for it. This is a story of personal honesty, decency, and courage. But this is also an inside story of how many African societies work.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.
When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.
Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this…
I’m a South African journalist turned novelist inspired to write biographical historical fiction about trailblazing women. As a lover of nature, I’m particularly drawn to characters who love animals and the outdoors and who are driven by curiosity. I’m fascinated not only by individuals but also by my continent and its history. Nothing gives me greater joy than to write about pioneering women from history and the interconnectedness of all living things.
Few other books romanticize Africa the way this book does. A great deal has changed since it was published in 1937, but Danish author Karen Blixen’s whimsical account of her eighteen years in Africa remains enchanting.
I am particularly partial to the theme of determined, independent women living largely alone in remote places, enjoying the wonders of the natural world, and being adventurous and resourceful. I grew up on a farm in Africa and relate to the associated joys and challenges.
In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, "Out of Africa" describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I grew up in the high plains mining towns of Montana and Wyoming but I couldn’t wait to get out and see the world. Peace Corps was my ticket. A teaching post in Chad, Africa, was open, but civil war and famine loomed, so I chose Afghanistan. After my two-year contract in Kabul, I continued traveling but my fascination with Africa never waned. A job teaching college English allowed me summers to continue traveling. However, I never did get to Africa, so when Carolyn suggested we write about Namibia, I agreed. Someday, I hope to visit before the magnificent black rhino has been wiped off the face of the planet.
Huxley’s parents go to Kenya to start a coffee plantation. And like Blixen and her husband, they know nothing about Africa or growing coffee and must depend on Africans to teach them. Huxley writes a delightful account of her life and the struggles they endure. Her portrayal of the people who work on the family’s plantation is brilliant as is the description of the environment and animals. Huxley also writes from the unsentimental eyes of a child.
When Elspeth Huxley's pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley's unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
I have loved reading since I was a child. Books can take you places you will never go otherwise. That’s why it’s so important to have good, clean books that take you places you want to go and books that don’t strand you somewhere you don’t want to be. As a YA author myself, I am passionate about providing literature for teens that is adventurous and relatable, without the spice that often flavors today’s books. I hope you love diving into this list of clean recommendations!
If I met Eric Walters, I would ask him how he, as a middle-aged male writer, got so effectively inside a teen girl’s head. I enjoyed following Alexandria’s journey from a rich suburb to a small non-profit in Kenya.
The dusty plains of Kenya are a far cry from her walk-in closets and piles of expensive clothes, but they hold valuable lessons for one used to being coddled by society. I loved the character development, the experiences, and the true friendship Alexandria discovered over the course of the story.
For Alexandria Hyatt having a fabulous life is easy: she knows what she wants and she knows how to get it. Being glamorous and rich is simply what she was born to be. When Alexandria is arrested for shoplifting, having to drag herself into court to face a judge just seems like a major inconvenience. But Alexandria has been in trouble before–and this time she can’t find a way to scheme out of the consequences. Before she knows it, she’s on a plane headed to Kenya where she has been ordered to work for an international charity.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
For more than two decades, I have been travelling to the wild places of this planet looking for stories. Africa in all its diversity has always been my first love. Whether I’m off the grid in the Kalahari, or scanning the far horizon of the Serengeti looking for lions, Africa feels like home to me, and I’m passionate about finding, and then telling the stories of the people I meet, and the wildlife I encounter, along the way. And driving me every step of the way is my great belief in the power of the written word and that of a good story to transform the way we think about, and interact with, the natural world.
Written and photographed by three of Britain’s leading wildlife personalities, The Marsh Lions remains a seminal text when it comes to lions. Scott’s and Jackman’s unrivalled knowledge of what is perhaps Africa’s most famous lion pride (which was immortalised in Big Cat Diary, hosted by Jonathan Scott) shines through in the writing, which is patient wildlife storytelling at its best.
A bestseller when first published in 1982, The Marsh Lions portrays a vivid picture of life and death on the African savannah through the story of a pride of lions in Kenya's world-famous Masai Mara game reserve. The story is essentially a true one. All the central characters are real, and most of the incidents described actually happened. For five years, Brian Jackman and Jonathan Scott followed the Marsh pride and their progeny, painstakingly recording the daily drama of life and death on the African plains. In time they came to regard them as old and familiar friends and real…