Books like Table for Two — picked by fans

I adored Charlotte and Rose’s heartbreaking friendship.

First, Charlotte and Rose come of age in the late nineties, a perfect pair with an inseparable bond taking on New York City. As they grow up, it’s their individual problems and decisions that loosen the bolts holding them together. Some friendships shape us into who we are, so losing a friend brings grief and anger.

Charlotte and Rose are both rich, fully realized characters with goals that don’t always align. Bauer’s brilliant prose makes this a book I could read again and again.

Lillian is an 84-years old woman walking around New York City on New Year’s Eve.

She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.

She remembers her life in pieces, the way one does, so the reader puts together the mystery.

I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come. 

In 2009, after years of writing Easy Rawlins novels set in a past Los Angeles, Walter Mosley began a new series set in contemporary New York. African-American Leonid McGill is a hard PI, with a complex seamy past who aspires to become a better person, despite the pressures of being a husband and family man caught in a near-loveless marriage. The New York in which McGill lives and struggles is the upscale but still gritty descendant of earlier versions of the city in the Mike Hammer novels of Mickey Spillane and the Matthew Scudder novels of Buffalo-born Lawrence Block. It is a land of wealth and culture but danger and deceit.

I like the grittiness and real-life issues addressed in this story. The pressures and joys of being students at an elite performing arts high school are described through the eyes of five friends: two actors, one writer/director, and two dancers. Aspirations, disintegrating friendships, budding romances, vengeance, and addiction interweave as the students forge ahead to the career-making (or breaking) Senior Showcase. Tragedy enfolds the friends in a dark ending as the dangers of the outside world pierce their high school bubble. 

Theatre Quotient: Medium. Plot is split between dance and theater, and the show gets minimal pages.

This is a book I have been recommending to teenagers and adults alike.

This is no ordinary romantic tale of girl meets boy; it is a very much contemporary take on the notion. Two very different protagonists, from two very different backgrounds are brought together in the immigrant ‘melting pot’ of New York City. In what could be seen as a modern-day Romeo and Juliet, the characters are much more self-aware than in Shakespeare’s original and thankfully this leads to a more enlightened outcome, for them, and the people they meet on their journey.

Using deceptively simple short chapters which chart the course of one day, it cleverly deals with so many of life's big issues (including migration) primarily through the two teenage narrators.

For me, the worst thing about New York is getting stuck in traffic.

In the New York of 2140, that’s not a problem because rising sea levels have drowned much of Manhattan and motorboats zip through the flooded streets like it’s a high-rise Venice. Future New York is also a city whose residents are coping with the planet’s new reality.

In the midst of climate gloom, it is refreshing to imagine a scenario where New Yorkers can come together through cooperative action to take control of their own future.

Having worked for a jewelry designer in the Washington, DC area, The Gem Thief caught my eye. The story took me back to my days in the shop (good memories!), and the author has obviously done her research, because her accuracy is impeccable. I liked all of the characters, but I bonded with one of the secondary characters so much that I felt we could be friends in “real life.” I’ve been to New York City often, so I also enjoyed revisiting the city. The book was both comfortable because of all the associations to “past lives,” and exciting as I turned pages wondering what would happen next.

“I saw a little boy on the street today, and he cried so eloquently that I will never forget him.” Maeve Brennan wrote for the New Yorker’s Talk of the Town section as ‘The Long-Winded Lady’ from 1954 to 1968. She roamed the city’s streets, bars, and restaurants, eyes wide open, weaving stories of vivid emotional detail from the most seemingly mundane moments. None of these are too long – in the waiting room concentration can be fleeting – but each sketch engages. Her story of the crying boy ends this way: “He might have been the last bird in the world, except that if he had been the last bird there would have been no one to hear him.”

This is a novel about Italian immigrants struggling to survive in New York City’s Little Italy during the early years of the twentieth century amid the growth of the Black Hand, the precursor to the American mafia. The book is unique in that most of the characters are the author’s actual ancestors and people with whom they had come into contact during that era. Similarly, the grisly central events described in the story all occurred.

It is beautifully written and filled with fascinating historical details. The characters and the descriptions of places and events come alive on the page. Fabiano includes an extensive Glossary of Italian Terms used in the book, as well as a multi-generational family tree. Elizabeth Street makes for very good reading!

Tough Jews is a short history of Jewish-American gangsters and their Italian colleagues with whom they made common cause. It is here for the first time that we understand why Arnold Rothstein was the most important gangster in America.  Having introduced "organized" into organized crime, he promised underworld figures the help of the famous attorney William Fallon if they landed in trouble and agreed to look after their families if they got sent up the Hudson (to Sing Sing). I am struck by the fact that Cohen makes his history personal, by means of his own contacts with the people who know the inside story of how the Jewish gangsters thrived—or didn't. He sits down with them; he eats with them; and he gets them to remember how it once was in the days of Dutch Schultz, Legs Diamond, and Arnold Rothstein.