Here are 100 books that Surviving the White Gaze fans have personally recommended if you like
Surviving the White Gaze.
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As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I love exploring the idea of how life might be completely different if… if I had made different choices, if my parents had made different choices, if something seemingly inconsequential had or hadn’t happened.
Shannon’s book took me on a fantastical journey into her own imaginings of the alternate lives she could have had as an adoptee, and by extension, it made me think about the possibilities for my own life differently. As adoptees, sometimes we don’t allow ourselves the luxury of even imagining these possibilities; Shannon’s book offered a safe space to do just that.
Dream Country author Shannon Gibney returns with The Girl I Am, Was, and Never Will Be, a book woven from her true story of growing up as a mixed-Black transracial adoptee and fictional story of Erin Powers, the name Shannon was given at birth, a child raised by a white, closeted lesbian.
At its core, the novel is a tale of two girls on two different timelines occasionally bridged by a mysterious portal and their shared search for a complete picture of their origins. Gibney surrounds that story with reproductions of her own adoption documents, letters, family photographs, interviews, medical…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
Chung was born and adopted five years after me, also in Washington state. Like me, she wrestled her whole life with feelings of shame and discomfort around her adoption. Unlike me, Chung is a woman of color, adopted into a white family in a super-white town where she stood out like a sore thumb. Unlike me, Chung took the brave step, before having her own children, of searching for her birth family.
While I read this vulnerable and beautifully written memoir, I felt like I was walking with Chung on her journey as an adoptee and mother, all the while wishing I could be as brave as Chung. This is a truly inspiring story.
This beloved memoir "is an extraordinary, honest, nuanced and compassionate look at adoption, race in America and families in general" (Jasmine Guillory, Code Switch, NPR)
What does it means to lose your roots—within your culture, within your family—and what happens when you find them?
Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of…
I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
When I picked up this book at a local bookstore in Indiana, I knew that it was going to take me places – the cover photo of two adorable children, one white and one black, standing in front of a yellow school bus told me that.
Julia Scheeres’s parents adopted an African American child her age named David, and the two became inseparable. Their extraordinary story – their intense commitment to each other as they move through dystopian settings ranging from the bleakness of rural Indiana to a strict religious reform school in the tropical Caribbean – was inspiring.
And the jaw-dropping ending of the book just broke me into pieces.
"A page turner . . . heart-stopping and enraging . . . focused, justified, and without a trace of self-pity. Shot through with poignancy." ––New York Times Book Review
Over a decade after its first publication, Jesus Land remains deeply resonant with readers. Now with a new preface by the author, this New York Times bestselling memoir is a gripping tale of rage and redemption, hope and humor, morality and malice―and most of all, the truth: that being a good person takes more than just going to church.
Julia and her adopted brother, David, are sixteen years old. Julia is…
Everyday Medical Miracles
by
Joseph S. Sanfilippo (editor),
Frontiers of Women from the healthcare perspective. A compilation of 60 true short stories written by an extensive array of healthcare providers, physicians, and advanced practice providers.
All designed to give you, the reader, a glimpse into the day-to-day activities of all of us who provide your health care. Come…
I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
I should have read this book years ago. This singularly brilliant memoir is an undoing of the most pernicious adoption myth: that which traces the success of adopted children to their new families.
In this case, a bright and talented young woman makes it out of the foster system before eventually going to Penn and becoming an accomplished journalist and professor, but her adoption out of foster care turns into yet another traumatic experience.
Ambitiously, Patton spins that trauma outward, expanding the background until it spans centuries. When, by the close, she makes the start of a career for herself, that triumph is pretty much hers alone.
An astonishing coming-of-age memoir by a young woman who survived the foster care system to become an award-winning journalist On a rainy night in November 1999, a shoeless Stacey Patton, promising student at NYU, approached her adoptive parents' house with a gun in her hand. She wanted to kill them. Or so she thought. No one would ever imagine that the vibrant, smart, and attractive Stacey had a childhood from hell. After all, with God-fearing, house-proud, and hardworking adoptive parents, she appeared to beat the odds. But her mother was tyrannical, and her father turned a blind eye to the…
I’m fascinated by our connections to animals, our similarities and differences, and how we communicate. Large mammals have always been my favorites, but like many people, I started noticing birds in my backyard during the pandemic lockdowns. As an author of middle-grade novels, my stories have been inspired by something interesting I’ve learned about a particular animal. I started writing my novel after learning that whooping cranes had nested in Texas for the first time in over a century. I knew I had to give that momentous nest sighting to a bird-loving girl who’d appreciate the visitation by these rare and majestic birds!
This book has so many of my favorite things—laughter and tears on the same page, a character with a strong connection to an animal, and a funny, caring, resilient kid who’s wrestling with a difficult decision.
I enjoy seeing characters who cause their own problems, like Coop does when he derails his basketball plans by climbing a tree to check out a bird's nest! I also love it when antagonists aren’t villains; Coop and his family might be at odds about what he should do with his mockingbird, but they’re loving parents and grandparents.
I cheered for Coop to discover where he fits in, and he's a character I’ll remember long after closing the book.
Coretta Scott King Honor winner Brenda Woods's poignant, heartfelt story of an adopted boy and the bird he rescues
Everyone expects Coop to be musical like his beloved parents, but he's not. That's one of the few things he finds awkward about being adopted-well, that and the fact that he sometimes wonders why his birth mother didn't love him enough to keep him. This summer, he's stuck at home with a broken arm after falling out of a tree trying to get a closer peek at a mockingbird nest. Later, when the eggs in the nest have hatched and the…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
A contemporary family saga, this book highlights the struggles of mothers and the difficult choices they face to keep their children safe.
A nature vs. nurture story that contains shocks and surprises and will bring you to tears. The structure is interesting as the reader knows more about what’s going on than the three main characters, creating suspense and tension.
What happens when two sisters who were torn apart when their young mother abandoned them-and grew up in tragically different circumstances-reunite thirty-five years later to find her? For readers who love Jodi Picoult, acclaimed author Amy Hatvany fearlessly explores complex family issues in her gripping, provocative new novel.
Natalie Clark knew never to ask her sensitive adoptive mother questions about her past. She doesn't even know her birth mother's name-only that the young woman signed parental rights over to the state when Natalie was a baby. Now Natalie's own daughter must complete a family tree project for school, and Natalie…
Odette Lefebvre is a serial killer stalking the shadows of Nazi-occupied Paris and must confront both the evils of those she murders and the darkness of her own past.
This young woman's childhood trauma shapes her complex journey through World War II France, where she walks a razor's edge…
As a Korean transracial adoptee, it seems like I’ve always been thinking about family, or even if I didn’t want to, other people’s intrusive questions about my family makeup forced me to. More than solely thinking about my own family–whether my Korean biological family or my white adoptive family–it led me to be curious about the broader systems, policies, and practices behind something that seems so personal and private. It’s no surprise that I formalized my inquiry into the social world by becoming a sociologist and professor. As a sociologist, my primary research interests are race, identity, and belonging, and yes, Korean transnational transracial adoption is part of that focus.
I vaguely remember hearing about the tragedy of the Hart children–six Black and mixed-race children who were adopted out of foster care and killed by their two white adoptive mothers. I wasn’t aware of all of the intricate details of their case or the foster care system that allowed this to happen.
I am in awe of Roxanna’s investigative journalism and the nuance and empathy in which she tells this story. While it is the Hart story that’s at the center of this book, I learned so much more about the child welfare system overall and how it’s set up to promote child separation. Heartbreaking.
“A riveting indictment of the child welfare system . . . [A] bracing gut punch of a book.” ―Robert Kolker, The Washington Post
“[A] moving and superbly reported book.” ―Jessica Winter, The New Yorker
“A harrowing account . . . [and] a powerful critique of [the] foster care system . . . We Were Once a Family is a wrenching book.” ―Jennifer Szalai, The New York Times
A New York Times Book Review Editors’ Choice
The shocking, deeply reported story of a murder-suicide that claimed the lives of six children―and a searing indictment of the American foster care system.
After my dad died, I didn’t know where to turn. People felt uncomfortable talking to a seventeen-year-old girl about her dead dad. They felt even more uncomfortable talking to me about it one, two, ten years later. Still, I couldn’t, can’t, stop thinking about it. I turned, then, to books. These books made and make me feel seen. They aren’t about “moving on” or “letting go” but the ways in which leaning into grief’s deep well connects us to love’s true depths. These books are honest and pure, and if you don’t know what to say to a friend who’s mourning, let these authors speak for you.
“I am writing into the rupture, the absence left there,” writes Mary-Kim Arnold in her book.
Framed through a Korean television questionnaire, the book investigates how loss (of parents, of a homeland, of language) dislocates us. This lyric essay collages personal and public documents, rifling through history in search of tethers, poetics rubbing against the barest of facts.
I’m still, over ten years later, combing through my father’s things, knowing, as this book does, that the only answer is the search. It’s the desire to know, not the knowing itself, that matters.
Literary Nonfiction. Asian & Asian American Studies. The orphan at the center of LITANY FOR THE LONG MOMENT is without homeland and without language. In three linked lyric essays, Arnold attempts to claim her own linguistic, cultural, and aesthetic lineage. Born in Korea and adopted to the US as a child, she explores the interconnectedness of language and identity through the lens of migration and cultural rupture. Invoking artists, writers, and thinkers—Theresa Hak Kyung Cha, Francesca Woodman, Susan Sontag, among others—LITANY FOR THE LONG MOMENT interweaves personal documents, images, and critical texts as a means to examine loss and longing.
I don’t know how much of who we are is determined by genetics, and how much is from the environment, but I enjoy using characters and stories to explore the question. My scientific and medical background allows me to pull from my training, clinical patients, and scientific studies to create stories that explore characters who are at the precipice of a problem and need to fight against their inner beliefs to learn who they truly are. It’s like a chess game, moving the pieces around the board to see which side will win!
I love the title, and the story takes off immediately after.
Three siblings, all put up for adoption, who have different families and meet for the first time as teenagers. I love how Benway explores the importance of blood relatives and how, most times, a found family may be more important.
But it’s the characters of this novel that are the true stars. They are emotionally raw and, at times, heartbreaking individuals who learn about who they are.
WINNER OF THE U.S. NATIONAL BOOK AWARD 2017 FOR YOUNG PEOPLE'S LITERATURE!
'Sometimes, family hurts each other. But after that's done you bandage each other up, and you move on. Together. So you can go and think that you're some lone wolf, but you're not. You've got us now, like it or not, and we've got you.'
When 16 year-old Grace gives up her baby for adoption, she decides that the time has come to find out more about her own biological mother. Although her biological mum proves elusive, her search leads her to two half-siblings she never knew existed.…
Can a free-spirited country girl navigate the world of intrigue, illicit affairs, and power-mongering that is the court of Louis XIV—the Sun King--and still keep her head?
France, 1670. Sixteen-year-old Sylvienne d’Aubert receives an invitation to attend the court of King Louis XIV. She eagerly accepts, unaware of her mother’s…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Although it begins in California, this novel develops into a story set in France. Two sisters, separated by their father after a violent incident, search for each other and eventually connect via a French recluse, whose life one sister is researching. I love Michael Ondaatje’s writing and this book in particular for its daring sweep of geographical and emotional territory.
It is the 1970s in Northern California. A farmer and his teenage daughters, Anna and Claire, work the land with the help of Coop, the enigmatic young man who lives with them. Theirs' is a makeshift family, until they are riven by an incident of violence - of both hand and heart - that 'sets fire to the rest of their lives'. This is a story of possession and loss, about the often discordant demands of family, love, and memory. Written in the sensuous prose for which Michael Ondaatje's fiction is celebrated, "Divisadero" is the work of a master story-teller.
