Here are 100 books that Surrealism and Magic fans have personally recommended if you like
Surrealism and Magic.
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My fascination with magic and the occult emerged from growing up in Scotland, which has a long, rich history of witchcraft, fairies, and the 19th century Celtic Revival, which saw a relation between art and magic. For me, the occult is primarily about liberating the imagination and this is what surrealism does. I became enchanted by surrealist art as a teenager which then led me to study History of Art at university. After graduating in 1989, I wrote my book at a time when there was so little available on the relationship between surrealism and occultism, determined to share my passion with other readers.
This well-researched and in-depth account has been translated from French and discusses the various occult movements which inspired the art and ideas of the surrealists. It covers a diverse range of topics including divination, astrology, myth, voodoo, Gnosticism, freemasonry, alchemy, secret societies, and Celticism and shows how various artists and writers took inspiration from these systems. The book contains a selection of images, copious notes, a substantial bibliography, and a good index making this an indispensable research tool for aspiring scholars of surrealism and the occult.
A profound understanding of the surrealists’ connections with alchemists and secret societies and the hermetic aspirations revealed in their works
• Explains how surrealist paintings and poems employed mythology, gnostic principles, tarot, voodoo, alchemy, and other hermetic sciences to seek out unexplored regions of the mind and recover lost “psychic” and magical powers
• Provides many examples of esoteric influence in surrealism, such as how Picasso’s Demoiselles d’Avignon was originally titled The Bath of the Philosophers
Not merely an artistic or literary movement as many believe, the surrealists rejected the labels of artist and author bestowed upon them by outsiders,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday
Mortality, desire, memory, and time are my favourite themes, not just in my writing but in my life. I also love anything—music, art, literature—that is evocative, bizarre, and surreal. As a meditator, lover, and writer of poetry and poetic prose, I love books that expand our minds and hearts in ways that conventional acts of writing and creative expressions fail to do.
Goytisolo’s narrative is about a fictitious poet. It is also about the truth about storytelling and the fundamental nature of truth. Different perspectives also conjure up a culture of “hysteria and persecution” surrounding the poet. Can we truly ever know anyone? The book is a perfect metaphor and parable for what happens when we mistake lies for undeniable facts.
Over three weeks twenty-eight story-tellers - one for each letter in the Arabic alphabet - meet in a Marrakesh garden to tell the story of a poet, Eusebio, arrested in Melilla in the early days of the Spanish Civil War. Eusebio, a friend of Garcia Lorca and his Circle, escapes assassination and his life then escapes the control of a single destiny. Some tales embroider his shadowy life with stories from Djemaa-el-Fna - the pasha's cook, the slave-market, Aysha and the stork... Does Eusebio betray his Fascist friends by confessing in a show-trial that they indulged in orgies with the…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
My first introduction to the surreal in art was Monty Python’s Flying Circus. My first introduction to the art movement of surrealism was seeing Max Ernst’s "Two Children Are Threatened by a Nightingale". I was astounded that you were allowed to do that. Then I discovered Magritte (and later Escher) and saw that the anarchy of surrealism could be put to the most profound use, that of exploring life beyond the material. Magritte uses conventional representation to undermine that very convention and puncture so-called reality in a way that is a joy to look at. This is a decent book on his life and work. Magritte reminds us things are not what they seem… and that’s a good thing.
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
Jean Muenchrath wrote down her story to heal herself from the trauma of a life-threatening mountaineering accident, an epic survival incident, and decades of chronic pain. She then published her memoir to inspire readers to follow their dreams and to encourage them to overcome whatever challenges their life presents. Before she became an author, Muenchrath was a park ranger with the National Park Service for over thirty years. She’s led trekking tours in Nepal and Thailand and worked in Bhutan with the World Wildlife Fund. Jean enjoys traveling to foreign lands, exploring wild places and sitting quietly in meditation.
This book is one of my all time favorite reads. Mount Analogue is a short poetic novel. Daumal’s rich descriptions and symbolism engaged my imagination and made me think deeply about the story’s meaning. The author takes readers on a journey to a mystical place with an unusual set of characters and strange circumstances. The story revolves around an adventurous sailing and climbing expedition to a mystical mountain hidden from the world’s inhabitants which is believed to link the earth to a higher sphere of reality. It’s full of intrigue and packed with pithy philosophical statements worth pondering. Daumal’s words and descriptions are so thought-provoking, that I used a quote from this book as the opening to my memoir, If I Live Until Morning.
This pataphysical journey up a mountain whose "summit must be inaccessible, but its base accessible to human beings" depicts an allegorical landscape akin to Alice in Wonderland
A beloved cult classic of surrealism, pataphysics and Gurdjieffian mysticism, René Daumal’s Mount Analogue is the allegorical tale of an expedition to a mountain whose existence can only be deduced, not observed. As its numerous editions (most now rare) over the decades attest, the book has been highly influential: Alejandro Jodorowsky's visionary 1973 film The Holy Mountain is a loose adaptation of the book, and John Zorn based an eponymous album on it.…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I’m still not certain you really are a woman?” Whenever Valerie has her period she is transported to a magical if sinister otherworld (yes, this novel was written by a man). A surreal, Freudian, East European coming-of-age fairytale that lies somewhere between Alice In Wonderland and a gothic pastiche. In the 70s it was also adapted into a film that apparently influenced Angela Carter. Not unjustifiably, the teenage experience is portrayed as a disorientating, eroticized nightmare from which Valerie must use all her wiles to escape, fending off vampiric family members after her inheritance and hypocritical authority figures keen to simultaneously sexualize her and burn her as a witch. At least she owns a set of magic earrings. “I’m acting like a sleepwalker. Is it all a dream?”
Written in 1935 at the height of Czech Surrealism but not published until 1945, Valerie and Her Week of Wonders is a bizarre erotic fantasy of a young girl's maturation into womanhood on the night of her first menstruation. Referencing Matthew Lewis's The Monk, Marquis de Sade's Justine, K. H. Macha's May, F. W. Murnau's film Nosferatu, Nezval employs the language of the pulp serial novel to construct a lyrical, menacing dream of sexual awakening involving a vampire with an insatiable appetite for chicken blood, changelings, lecherous priests, a malicious grandmother, and an androgynous merging of brother with sister.
I have been a professional illustrator for 20 years. In all this time I have gathered a vast collection of picture books, animated movie artbooks, children's books... I use them as a source of inspiration for my work, but I really collect them because they are my treasure. I don't just look for books with beautiful illustrations, but that really give me something, that make me think, or that stay in my memory. They are timeless books, that are not aimed at any age, that anyone can enjoy, but that at the same time have deep meaning if you know how to look at them. Not all picture books are just for kids.
Promenade is a gift for anyone who, like me, loves books. What I like most is the concept itself: a tribute to books, to what they make us feel. They can be the vehicle of a great journey, a refuge, or the door to a new world. The dreamlike and surreal illustrations are so evocative that they do not need accompanying text. Another concept that seems very interesting to me is that, in addition to presenting the book as a magical object, it also makes it an object of great value: it is a large-format book, with a very careful edition and a print that extols the beautiful illustrations. These are details that I love because they make it a perfect book gift.
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is a wonderful selection of short stories and novel extracts by early authors of strange, weird, surreal fiction; writers whose subject is the so-called supernatural and who rail against the reduction of life to rational materialism. These works would broadly now be referred to as weird fiction. They are only as weird as the world. The book also contains an excellent introduction by the editor, speaking up for the strange, weird, and surreal.
' Lachman presents a generous anthology of literary texts inspired by the weird, the supernatural and the gothic. From Beckford's Vathek to Gustav Meyrink's The Golem, there is a successful balance of the well-known, the esoteric and the curious.' Stuart Kelly in Scotland on Sunday 'The first item, from William Beckford's Vathek, indicates the feverish imaginings gathered in this "occult reader". It encompasses drugs, sacrifice, a genii and an Indian who becomes irresistibly arousing by transforming himself into a ball. ETA Hoffman's The Golden Flower Pot shows how this writer's fertile imagination can animate even everyday objects, as in his…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Hello. My name is Mike Russell. I write books (novels, short story collections, and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
This is the book I used to read with a torch under the bedcovers as a kid. It introduced me to many great science fiction writers. My copy had an excellent cover depicting an ice cream with an eyeball staring out of it. I loved entering the book’s different worlds. It inspired me to lie awake at night, speculating about the universe, only to awake the next morning wondering if this was the day when the school teacher would say, ‘OK enough of these spellings and sums, let’s talk about why life exists.’ I still don’t understand why it never happened.