Here are 100 books that Stork fans have personally recommended if you like
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I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Vera and Daniel are expecting their first child. To help supplement their income, Vera decides she can sell vacuum cleaners door-to-door. She’s very good at it, too. She plans to stop...after just one more house. Unfortunately, this particular house belongs to The Slob and things are about to get very, very ugly.
Beauregard puts the “gross” in “engrossing!” This may be the most disturbing book that I have ever read. What sets Beauregard apart from many other writers of extreme horror is his immense talent for creating well-developed, relatable characters within an actual horror story. I grew to care for Vera and Daniel. When you sympathize with and connect so well with the characters, the horrors become magnified and the tension grows palpable. This book is absolutely horrid—chock full of the worst atrocities. Yet, you will find yourself loving it nonetheless. It is truly unforgettable.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Sarah Temple has ended her relationship with an abusive boyfriend and is now stuck in a dingy apartment living next to some very peculiar people. When her ex is unsuccessful in his attempt at reconciliation, he hooks up with her neighbor. Several days later he emerges as a strange new man. Sarah decides to investigate. And so the adventure begins.
Sometimes extreme horror stories fall short because the authors just want to shock and disgust readers. That’s fine for some, I suppose. But when an author can create a truly good, horrific story and make it disturbing, to boot, It’s a truly winning combination. Harvey Click does just that in The Bad Box. This story is creepy, suspenseful, mysterious, full of action, gory, imaginative, and masterfully written with rich, descriptive language and great imagery:
"A stench of damp dirt and worms and fungus and rotting animals belched up from…
Sarah Temple hopes to find a bit of peace and quiet when she leaves her abusive boyfriend, but instead she finds a world of horror. It’s bad enough that a sadistic serial killer and another maniac are both trying to murder her, but what’s worse is the mysterious Solitary One who controls both of them, a malevolent entity that the serial killer describes as a living darkness, a man and yet not a man, something that’s alive and yet not alive, something that wants to appall the world. Trying to flee from the two killers, Sarah finds herself running deeper…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Some might say that this is a really crappy story. I will agree only to the extent that this book does, in fact, center on feces. Sara Todd is pregnant and she’s not craving pickles and ice cream!
This book is brilliantly written. McCluskey presents a most vile and disgusting story—one that is ripe with imagery and depravity. There’s not much that shocks and disturbs me, to be honest, but this book had me muttering, “No, oh no, no, no” in anticipation of the nasty deeds. Each one seemed progressively worse. It will likely turn your stomach and surely disgust you!
Sarah Todd doesn’t believe in cravings. She’s pregnant and determined to live the next seven months giving the baby all they nutrients it needs to grow into a healthy baby boy, or girl. The baby, however, has other plans. How far is she willing to go to succumb to her… CRAVINGS?From the dark mind of D E McCluskey, author of CRACK and The Twelve, comes this disturbing novelette. The baby must have what the baby needs…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I've been a passionate lover of all things horror. I strive to take my readers on an unforgettable journey, one that often places them well out of their comfort zone. I believe that horror should make readers uncomfortable, whether through a mounting sense of unease or full-blown exposure to gore and depravity. I do my best to pull readers into my stories so that they can almost personally experience the horrors. If I don’t make them cringe and wince, then I have failed. As outrageous as my books may be, they're not full of violence and gore for the sake of mere shock value. I do my best to create well-developed characters with thought-provoking and immersive storylines.
Who wouldn’t want to be granted wishes? Then again, it’s best to heed the old idiom, “Be careful what you wish for.”
Pam Wilkins lives a miserable life. When she encounters a Djinn who promises her happiness, beauty, wealth, and anything she can hope for, she is desperate enough to give in to temptation. The Djinn does, in fact, grant her wishes, but they come at a hefty cost.
Calling this book sick and twisted would be an understatement. West exceeds the boundaries of human decency. The scenes are downright vile and will surely make you gag. The story is engrossing, wildly imaginative, and has a great twist at the end.
Pam Wilkins hates her life. She doesn't have much going for her. Her boyfriend beats her, she looks like the back end of a bus and she's skint. To top it all off, she cleans up other people's sh*t for a living. While she's at work scrubbing a toilet, a Djinn appears in a puff of smoke and grants her six wishes. All she has to do to make her dreams come true, is commit the most heinous, atrocious acts imaginable. Six wishes for six atrocities. It's a no-brainer. Pam will do ANYTHING to get what she wants. But she…
I've been studying people at work for over 40 years, starting as an undergraduate at Cornell’s School of Labor Relations. As a student, I got involved with the trade union movement in the US, and worked as an assembly-line worker and fruit picker on kibbutzim in Israel. These hands-on experiences made me want to understand and have an impact on the way people spend most of their working hours. I’ve collected survey data from literally thousands of workers in dozens of studies conducted around the world. I’ve published more articles in scholarly journals than I ever imagined possible. And while I’m still passionate about the study of work, I’ve yet to really understand it.
Aside from my research on rewards management, pro-social organizational behavior, and employee substance misuse, I’ve focused a lot of my attention on workplace incivility.
Bob Sutton’s book was one of the factors leading me to look at this topic. We’ve all encountered incivility at work and all know – at least implicitly – how it impacts us. Sutton’s book was one of the first to make sense – at least for me – of such behavior, not only by identify the “dirty dozen” (12 highly prevalent manifestations of workplace incivility), but also by detailing how damaging such behavior can be to individuals and the organizations employing them.
Aside from giving me insight into the prevalence and nature of employee MIS-management, this book was the start of a personal journey to discover some of the less obvious (but potentially more robust) implications of such problematic organizational behavior.
When the Harvard Business Review asked Robert Sutton for suggestions for its annual list of Breakthrough Ideas, he told them that the best business practice he knew of was 'the no asshole rule'. Sutton's piece became one of the most popular articles ever to appear in the HBR. Spurred on by the fear and despair that people expressed, the tricks they used to survive with dignity in asshole-infested places, the revenge stories that made him laugh out loud and the other small wins that they celebrated against mean-spirited people, Sutton was persuaded to write THE NO ASSHOLE RULE. He believes…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Evan Stark’s book introduced me to the concept of ‘coercive control’.
It is a continued and malevolent pattern of domination and entrapment that makes family violence a human rights crime. He also noted that the perpetrator, often a man, uses gendered stereotypes to control the woman, to convince her that it is she who is at fault.
Evan Stark’s insights helped me connect the gendered cultural practices of money with family violence. When these cultural ways of dealing with money were used for entrapment and abuse, money as a medium of care became a medium of coercive control.
Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve women's long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern "coercive control". Drawing on sources that range from FBI statistics and film to dozens of…
On the morning of December 26, 2004, an undersea earthquake struck off the coast of Sumatra in the Indian Ocean. The resulting tsunami killed an estimated 230,000 people across fourteen countries, from Indonesia to Sri Lanka to Thailand to the Maldives to India and all the way to East Africa.…
I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
I blame a 90’s childhood spent devouring Bruce Coville and O.R. Melling, but I am obsessed with stories where our hero tumbles, slides, or wanders into another world. That’s why, even as an adult, I drink up the scene(s) in a speculative book where I get that first delicious glimmer of an uncanny separate world beneath “normal” life.
When it’s done well, it’s everything, and Sasha’s way-too-early morning swims in Vita Nostra evoke that feeling pitch-perfectly. I love how the authors describe the visceral discomfort of cold water, I love the industrial incongruity of the buoy she swims to, and mostly I love how they use the disorienting sensation of sneaking out to swim in wild and dangerous waters, to set the mood for the weirdness to come.
This made me feel like I was watching Sailor Moon and reading The Dark Tower again for the first time.
The definitive English language translation of the internationally bestselling Russian novel - a brilliant dark fantasy combining psychological suspense, enchantment, and terror that makes us consider human existence in a fresh and provocative way.
'A book that has the potential to become a modern classic.' - Lev Grossman, bestselling author of The Magicians
Our life is brief . . .
Sasha Samokhina has just met Farit Kozhenikov and her life will never be the same again.
Whilst on holiday, Sasha is asked by the mysterious Farit to undertake a strange task for him. Reluctantly, she obliges,…
I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I was deeply struck by the honest depiction of domestic violence and manipulation in this novel, which is based on the author’s own experience of marriage. The novel builds up slowly, with facts of the marriage interspersed with the retrospective analysis of the author.
The writing is lovely—stark, poetic, and, given the subject, improbably funny. Even with the humor, this is not at all an easy novel to read, but the reward is a haunting, visceral understanding of how even a well-educated woman can turn unlikely victim.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018 SHORTLISTED FOR THE JHALAK PRIZE 2018
Guardian's Best Books of 2017 Daily Telegraph's Best Books of 2017 Observer Best Books of 2017 Financial Times Best Books of 2017
"Meena Kandasamy's vivid, sharp and precise writing makes a triumph of When I Hit You: Or, a Portrait of the Writer as a Young Wife(Atlantic)"- Guardian
Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal…
I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!
Sometimes the most toxic relationships are born out of an all-consuming desire to become friends (or more).
So is the case for the narrator of Second Place, M, who becomes obsessed with impressing an artist, L, who stays in her home during the COVID-19 pandemic. L is an awful guest, but M is cringe-worthy in her attempts to impress him, as she begins to reflect on her relationship with her daughter, her husband, and her own body.
The novel is indebted to the Mabel Dodge Luhan’s 1932 memoir Lorenzo in Taos, about DH Lawrence’s stay at her artists’ colony in New Mexico. Lawrence threatened to ‘destroy’ his hostess, as L threatens M in this novel. With every twist and turn, Second Place becomes more surreal, horrifying, and darkly humorous.
A haunting fable of art, family, and fate from the author of the Outline trilogy.
A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma―and disrupts the calm of her secluded household.
Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the…
Nelson West, a former Chicago homicide detective, is hired by wealthy heir Lionel Bing to discreetly help “fix” scandals and legal problems for his father’s wealthy friends.
Bing, a brilliant but troubled investigator, suffers from PTSD symptoms as a result of being kidnapped and witnessing the murder of his mother…
I was in an emotionally abusive marriage for 20 years but didn’t realize what was happening to me. I tried to twist myself into a perfectly shaped pretzel to make my husband happy. It didn’t work. Reading some of these books gave me the courage to seek a restraining order and divorce my husband. Since then, I became a domestic violence advocate, author, blogger, and mental health counselor.
When I was in my emotionally abusive marriage, I didn’t fully realize I was being abused. I finally called the National Domestic Violence Hotline, and they recommended this book. It does an excellent job of explaining what verbal/ emotional abuse is, and how to recognize it. Reading this book set me on the path to finally getting the help I needed and getting free from my abuser.
In this fully expanded and updated third edition of the bestselling classic, you learn why verbal abuse is more widespread than ever, and how you can deal with it. You'll get more of the answers you need to recognize abuse when it happens, respond to abusers safely and appropriately, and most important, lead a happier, healthier life.
In two all-new chapters, Evans reveals the Outside Stresses driving the rise in verbal abuse - and shows you how you can mitigate the devastating effects on your relationships. She also outlines the Levels of Abuse that characterize this…