Here are 100 books that Stopping by Woods on a Snowy Evening fans have personally recommended if you like
Stopping by Woods on a Snowy Evening.
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The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
My memories of childhood are of white winters and deep snowfalls. Like anyone in a perfect snowstorm, I have often looked at the flakes on the shoulders and sleeves of my coat and wished I could preserve that perfect crystal. I also wondered if the saying was true—that no two snowflakes are alike—and how anyone could possibly know.
I had no idea as a child that a Vermont farmer, Wilson Bentley, studied and photographed snowflakes for years, leading to discoveries about these six-sided, fleeting jewels. In Snowflake Bentley (another Caldecott recipient), Jacqueline Martin introduces us to a time “In the days when farmers worked with ox and sled,” and a boy “who loved snow more than anything else in the world.” A fascinating, educational, and true story to explore.
From the time he was a small boy, Wilson Bentley saw snowflakes as small miracles. And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature.…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
My first memories are of sitting in the garden munching strawberries off the vine as my grandfather picked vegetables. Dad’s days off meant a trip to the nature reserve or sledding the town slopes. Vacations were for jumping in waves and exploring tidepools. Mom collected antique children’s books and instilled a passion for reading. When not exploring the woods across the railroad tracks with friends, I was reading. Childhood and my passion for nature intersect in my writing in two of my other books, A Beach Tail and Circles of Hope. Nowadays, my routine includes writing in my woodland cabin and daily hikes with my flat-coated retriever, Lowani.
I love snow! I love this book. The simple collage illustrations support a simple childhood experience that captures my childhood winter as much as it does the delight my grandchildren take in snow. I love that this is nature experienced in a city setting. It was a quiet day for making footprints in the snow, feet pointing out, and feet pointing in. The crunch, crunch, crunch, a stick just right for smacking snow-covered trees.
I want to climb into this book and be that child. And oh, the memories of a snow day, not a holiday but a day filled with magic like no other, a day to fully explore and enjoy the season, the natural world. The excitement I feel even now when snow falls at night, promising another snow day.
The magic and wonder of winter's first snowfall is perfectly captured in Ezra Jack Keat's Caldecott Medal-winning picture book. This celebrated classic has been shared by generations of readers and listeners, a must-have for every child's bookshelf and a perfect gift for the holiday season.
New York Public Library's #1 book on the list of "Top Check Outs of All Time"
In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
Both the poetry and prose of this beautiful book speaks to my heart; these are words I would have liked to have written myself: Softly, gently in the secret light/Down from the North came the quiet white./Drifting, sifting, silent flight,/Softly, gently in the secret night. After the first poetic introduction, the book moves into a perfect description of a neighborhood before, during and after a big snow, beginning with the first flakes of snow the children catch on their tongues, to the postman pulling on his boots; the snowfall so deep that the farmer must dig his way to the barn. In the night the stars come out when the snow stops. The next morning, bright light fills the barn where the farmer milks his cow, and children build a snowman, a snow fort, and have a snowball fight. The melting snow drips into icicles, as the neighborhood warms…
The classic Caldecott Medal–winning picture book about a neighborhood transformed by a delightful snowfall, from the legendary picture book duo Alvin Tresselt and Roger Duvoisin.
When the first flakes fell from the grey sky, the postman and the farmer and the policeman and his wife scurried about doing all the practical things grown-ups do when a snowstorm comes. But the children laughed and danced, and caught the lacy snowflakes on their tongues.
All the wonder and delight a child feels in a snowfall is caught in the pages of this book—the…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
The world opened to me in a safe space when I learned to read as a child, and by 6th grade I regularly hauled home stacks of books from the library and, inspired by Jo March, hoped to be an author. I put aside my dream of writing and pursued other career goals until my marriage to Mark Buehner. It was his career as an illustrator that opened a path for me to write, and together we have created many picture books, including the Snowmen at Night series. I’ve learned that stories are told with pictures as well as words, and beautiful picture books can be savored at any age.
Local to me, I’ve been familiar with the gorgeous poster and mural art of Greg Newbold. More recently he has teamed up with his wife Amy to create a series of picture books showcasing the styles of renowned artists. This first book takes snowmen and imagines what they would look like if painted by artists such as Van Gogh, Dali, Picasso, O’Keefe, and others. An excellent introduction to the painting styles of famous artists, with informative text to reinforce the idea that “not all artists paint the same.”
From that simple premise flows this delightful, whimsical, educational picture book that shows how the artist's imagination can summon magic from a prosaic subject. Greg Newbold's chameleon-like artistry shows us Roy Lichtenstein's snow hero saving the day, Georgia O'Keefe's snowman blooming in the desert, Claude Monet's snowmen among haystacks, Grant Wood's American Gothic snowman, Jackson Pollock's snowman in ten thousand splats, Salvador Dali's snowmen dripping like melty cheese, and snowmen as they might have been rendered by J. M. W. Turner, Gustav Klimt, Paul Klee, Marc Chagall, Georges Seurat, Pablita Velarde, Piet Mondrian, Sonia Delaunay, Jacob Lawrence, and Vincent van…
I am Frederick L. McKay, the youngest son of the composer and author George Frederick McKay (1899-1970), and I have re-issued and edited Professor McKay’s theory books and also authored his biography titled McKay’s Music: The Composer Chronicles. George Frederick McKay hoped to have more American music performed in the concert halls of our country and also involved cultural elements from around the world in his musical works, including poetry and whimsical pieces for young people studying music. His other works include Creative Harmony, How Music Begins and Grows, and Workbook for Creative Orchestration.
McKay had great respect and love for Frost’s artistry and his contribution to American culture. He composed choral music related to Frost’s poetry, along with other works related to Whitman, Poe, Sandburg, and others.
These works still exist in libraries worldwide and are recorded in some cases. McKay specifically put to music Frost's poem A Prayer in Spring, published by J. Fischer, New York 1950.
Several other Frost poems are utilized in McKay's compositions, which exist in manuscript form and have had live performances in various parts of the US over several decades.
This is the only comprehensive volume of Robert Frost's published verse; in it are the contents of all eleven of his individual books of poetry-from A Boy's Will (1913) to In the Clearing (1962). The editor, Edward Connery Lathem, has scrupulously annotated the more than 350 poems in this book.
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best,Love That Dogwill enchant readers while using only a few special words.
The Newbery Medal-winning author of Walk Two Moons, Sharon Creech, brings readers a story with enormous heart.
Love That Dog shows how one boy named Jack finds his voice with the help of a teacher, a pencil, some yellow paper, and of course, a dog. Written as a series of free-verse poems from Jack's point of view, and with classic poetry included in the back matter, this novel is perfect for kids and teachers, too.
Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Miss Stretchberry, won't stop giving…
I am passionate about integrating individual, organizational, and community needs to create a better world for the benefit of us all. I am an author and founder of organizations in the career and workforce development fields. My four books (Affiliation in the Workplace, Building Workforce Strength, Business Behaving Well, and How to Build a Nontraditional Career Path) and much of my career explored bringing work to life for those close to us, for ourselves, for our organizations, and for our communities. My social activism has been expressed through community volunteer work and promoting a range of social causes. I hope you enjoy the books I have chosen for you!
I loved this book as soon as I started reading it. And yet, I came across it almost by accident at a talk given by Parker Palmer, who wrote the introduction. It is a meditation on leadership, blending reflections by many leaders on how poems they each choose speak to them.
I was fascinated by the depth of emotion and thinking and have returned to this book many times over the years for quotes. It is a hidden gem.
Leading from Within is a wonderful collection of ninety-three poems from well-loved poets, each of which is accompanied by a brief personal commentary from a leader explaining the significance and meaning of the poem in his or her life and work. The contributors represent a wide range of professions including Vanguard Group founder John Bogle, MoveOn.org cofounder Joan Blades, several members of Congress, Christian activist Brian McLaren, business guru Peter Senge, and many other leaders from business, medicine, education, nonprofits, law, politics and government, and religion. In their reflections, these leaders explore how they have been inspired by poets such…
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
A full-length rewrite of Walt Whitman’s “Song of Myself” that preserves only the first and last letter of each line, Shelfis a consummate work of potential literature—from the “why on earth would someone do that” all the way to the “wait, this is actually dope.” Without ever estranging himself from Whitman’s transcendentalist trumpeting, Quintavalle burrows deep into the poem’s form and instills a disenchanted eloquence all his own.
Poetry. In this poem, Rufo Quintavalle has rewritten Walt Whitman's Song of Myself keeping the first and last letter of each line, and replacing the middle. Within this strict constraint, Quintavalle the poet has achieved a remarkable and touching intimacy at a distance with Whitman's inner world.
I’ve always been preternaturally attentive to the way words work—as components of meaning, but also as visual, aural, and functional objects with their own erratic behaviors. Since joining the Oulipo in 2009, I’ve had even more occasion to think and talk about how those behaviors can be pointed in a literary direction, and to recognize successful experiments when I read them.
I truly never thought I’d laugh out loud at an erasure poem. ThenInk Earl came along. Holbrook starts with a hundred copies of the original fifties ad pitch for the Pink Pearl eraser—get it yet?—and hacks away different parts of each, yielding a series of meditations and diatribes and bouts of spirited near-nonsense. The poems are consistently clever delights, and the project’s conceptual wholeness is icing on the cake.
ink earl takes the popular subgenre of erasure poetry to its illogical conclusion.
Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families.
The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
