Here are 100 books that Stop That Girl fans have personally recommended if you like
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I love stories so much I majored in English at UVa. Though I showed up in New York with only reading and waitressing skills, I’ve somehow enjoyed the privilege of working in the arts at some of the greatest institutions (Paul Taylor, Cooper Union, ABT). I respond to art, people and especially art-people. Encountering their deep love (and glorious dysfunction) in books enables me to extend the special communion that grows around audiences and artists. This is central to me. It reminds me that beauty is important. It helps me hold on.
This is such an insightful glimpse into what happens when an artist—in this case, an architect—stops creating, that’s both hilarious and heartbreaking.
Describing the price of privilege, but without preciousness, Maria Semple illustrates the decline of a mother and professional, doing what seem like the right things while producing disastrous results that really ring true.
Fatigued by the priorities of high-tech Seattle, Bernadette loses her confidence and misplaces her trust. Then it’s her daughter who has to pull her back from the brink. Their love withstands the tests of culture, community, and commodity, reminding us of the remarkable symbiosis between mothers and daughters while showcasing Semple’s irrepressible, satiric wit.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Maybe it's me, but the stories I tell are often about people who insist they're absolutely fine. When they're not. Perhaps that's the most British thing in the world: to paint on a smile, say 'I'm fine,' and hope nobody asks again. The novels on my list have stayed with me because they catch people in the middle of pretending. They've made me laugh out loud on crowded trains. And nudge my sleeping husband because I had to tell him what just happened. More than anything, they reminded me that when we stop pretending… that's when the real story starts.
Bridget turns private humiliation into public comedy without ever giving up on her bruised heart.
I like to kid on that I read the classics, and Fielding's book is a true modern classic. Bridget Jones is the uber-loser turned winner. I remember reading this and feeling that delicious shock of recognition: my terrible choices, my doomed self-improvement plans, the way one bad decision always blossomed into five.
What I still love is how Fielding catches the gap between who Bridget thinks she ought to be and first-rate hopeful hot mess.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.
Humor wielded with ill intention is a cruel weapon. Yet in thoughtful and caring hands, laughter is such a balm.
This is a hard story, yet I’m not sure I can count how often I laughed out loud while reading—not at someone’s expense but at Gail Honeyman’s ability to adeptly portray so many of the odd moments that come along with being a human on this earth.
Most importantly, this story beautifully illustrates how one person with more emotional baggage than anyone should have to carry is able to walk herself into a peaceful life so different than the one that nearly crippled her. And of the help she gets along the way.
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I fell in love with quirky, funny, female protagonists early in my reading life, starting with Ramona Quimby and her unique way of seeing the world. As a kid, I always felt different, you know? I was sensitive, shy, and observant, and I delighted in finding characters in books who also bucked up against what I thought of as typical. As a writer, I love writing interesting, unconventional women, and I love using humor to elevate my characters’ voices. I think humor is one of the best ways to establish voice and also, paradoxically, to navigate tragedy. I hope to write many more quirky, funny female characters in future books.
I laughed out loud reading Sara Pritchard’s Crackpots, the story of spunky Ruby Reese and her complicated coming-of-age. This book was a huge influence on the structure of my own novel. Pritchard plays with chronology and point of view in a way that made me think, wow, I didn’t know you could do that. And then, ooh, I want to do that. Lyrical, detailed, and hilarious, this ranks as one of my all-time faves.
When we first meet Ruby Reese she’s a spunky kid in a cowgirl hat, tap dancing her way through a slightly off-kilter 1950s childhood. With an insomniac mother and a demolitions-expert father, her entire family is what the residents of her small town would call "a bunch of crackpots." Despite the dramas of her upbringing, Ruby matures into a creative, introspective, and wholly beguiling woman. But her adulthood is marked by complex relationships and romantic missteps -- three unsuitable marriages, dramatic crushes, the complicated love between siblings. As Sara Pritchard deftly guides us through Ruby's story, from the present to…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
When I read, I want to read something that’s going to make me feel something. My friends make fun of me because, whether it is music or books, I want to have my heart shattered into a million pieces and then put back together. And when a little magic is added to the mix, it only makes the story richer and more heartbreaking. This list is everything I love about magical middle grades that makes me feel something on a deeper level about what it means to be human.
I knew I was going to love this book as soon as I saw the breathtaking cover. (Yes, sometimes I do judge a book by its cover!) This story takes place on a spaceship in the future that feels a bit too close to home in some ways, but I was completely drawn in by the mixing of science fiction, Mexican folklore, and storytelling.
Petra is a storyteller, like her abuelita, who was left on Earth when a comet destroyed it. I couldn’t get enough of the fast-paced stakes, heartbreaking realities, twists and turns, and beautiful storytelling. This is my ten-year-old's favorite book!
An unforgettable journey through the stars, to the very heart of what makes us human. The incredible Newbery Medal-winning novel from Donna Barba Higuera.
"Gripping in its twists and turns, and moving in its themes - truly a beautiful cuento." - NEW YORK TIMES
Habia una vez . . .
There lived a girl named Petra Pena, who wanted nothing more than to be a storyteller, like her abuelita.
But Petra's world is ending. Earth will soon be destroyed by a comet, and only a few hundred scientists and their children - among them Petra and her family - have…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I am a teacher, writer, mother, and grandmother who sees the debilitating effects of meanness and the healing effects of kindness daily. In case that isn’t reason enough for writingA Flood of Kindness, I’m also what some call “A Floodie.” Like my character’s home flooded, so did mine. As devastating as it was, the kindness of others was overwhelming. I spent time with children whose homes also flooded. Aside from losing material things, it is easy to feel powerless. Like myself, I found that the children began their healing when they were able to give back, even in very small ways. I knew this had to be my book.
I love the sweet kindness of this book, and of course, the overarching message that with heart and compassion, we can build bridges connecting us together. This book focuses on three girls of different faiths who meet on the first day of school. They help each other through difficulties without ever thinking about their differences. What makes this book unique is that the three authors are each from the same faith tradition of the girls about which they write. How does this book demonstrate the healing power of kindness? Although there is no major trauma in this story itself, I think that perhaps we can emulate these children and begin to heal the world itself with kindness.
When they meet on the first day of school, three girls realize they are different from each other - Molly is Christian, Savera is Muslim, and Hannah is Jewish. Through a class planting project, the girls' friendship blossoms, and they learn they are more alike than they thought. Written by three women authors from the same faith traditions as the girls in the story, this book brings more kindness and understanding into the world.
I guess it would be true to say I am one of the first generation of white, English-speaking South Africans who identify as African. I got that red dust in my veins at an early age, and it hit me hard. I have spent almost all my professional life as a travel journalist and writer of natural history books, all about South Africa and beyond. I have traveled the world, but I really only love and can live in this place. Also, it’s the only place I ever want to write about. So, as you can guess, I like to read about it too. And I hope you do as much.
The word “visceral” comes to mind when I attempt to distill what this book is about. A not-so-fictional auto-biography opens in the slum called Paradise, where Chipo, Bastard, Sbho, Stina, and “I” are headed to the–relatively–more affluent area of Budapest to steal fruit. These dirt-poor kids don’t know it, but they are victims of the far-off, murderous regime of President Robert Mugabe–but that always remains hidden in the background. They are brutalized and never know it or know why.
Courtesy of an invite from an Aunt in the United States, the protagonist eventually escapes Zimbabwe. But once there, while things get materially much better, in reality, it is no less bewildering and bereft of meaning: she and her friends spend their afternoons watching hard-core porn while eating popcorn and discussing inane stuff, like “what the hell are they doing?!” It’s funny in parts, but it also hurts in parts. The…
'To play the country-game, we have to choose a country. Everybody wants to be the USA and Britain and Canada and Australia and Switzerland and them. Nobody wants to be rags of countries like Congo, like Somalia, like Iraq, like Sudan, like Haiti and not even this one we live in - who wants to be a terrible place of hunger and things falling apart?'
Darling and her friends live in a shanty called Paradise, which…
Angela Burke Kunkel is an author, school librarian, and former English Language Arts teacher. She has experience working with all types of young readers, from the reluctant to the voracious, and has taught in both alternative and public schools, including a New Mexico middle school with a nationally-recognized dual education program. She is passionate about ensuring equitable book access for all children, and has published articles and participated as a panelist on these issues.
The Library Bus offers a glimpse into the importance of mobile libraries, showing how one bus run by a mother and daughter delivers books, school supplies, and lessons to other young girls in Afghanistan. Told of the course of one day, with the bus leaving Kabul in the very early morning and ending at bedtime, the story explains the restrictions women and girls faced under Taliban rule in a clear and age-appropriate way.
Author Bahram Rahman grew up in Afghanistan during years of civil war and the restrictive Taliban regime of 1996-2001. He wrote The Library Bus to tell new generations about the struggles of women who, like his own sister, were forbidden to learn.
It is still dark in Kabul, Afghanistan when the library bus rumbles out of the city. There are no bus seats-instead there are chairs and tables and shelves of books. And there are no passengers-instead there is Pari, who is nervously starting her first day as Mama's library helper. Pari stands tall to hand out notebooks and…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Figuring out who we are, figuring out our identity and where we fit in the scheme of things is one of the great themes in our lives, and in literature. In my life, I’ve gone through many identity crises, some recounted in my memoirs. These are five books that had a profound effect on me—sometimes emotionally, sometimes psychologically, and sometimes led me to think differently about my own life. In all of these books, characters have to make decisions, face struggles, and figure out who they are and how to find themselves and their authentic identity.
This book gets inside the mind of a 12-year-old as she tries to figure out where she belongs within the family structure. She believes that if she can only go off on the honeymoon with her brother and his new wife everything will then fit. Obviously, that is not going to be the resolution.
This book took me back to the age of 12, and I realized what thinkers 12-year-olds can be and that this is an age of starting to find our identity, to find the authentic Me. There is a curiosity, tenacity, and energy that goes into this kind of search.
From the master of Southern Gothic, Carson McCullers's coming-of-age story like no other about a young girl's fascination with her brother's wedding.
Twelve-year-old Frankie is utterly, hopelessly bored with life until she hears about her older brother’s wedding. Bolstered by lively conversations with her family maid, Berenice, and her six-year-old cousin—not to mention her own unbridled imagination—Frankie takes on an overly active role in the wedding, hoping even to go, uninvited, on the honeymoon, so deep is her desire to be a member of something larger, more accepting than herself.
