75 Books Like Stolen Songbird

As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below). 

I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.

My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’ve always been fascinated by stories about ghosts, monsters, and witches because I grew up in a family that believes in them. While writing my graphic novel Manu, I researched and spoke to Latinx friends and colleagues about their personal experiences with brujería (the Spanish word for witchcraft) to try and learn more about it across different cultures. I love comics because, like oral storytelling, it’s just another way for people to share their stories with each other!

I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.

I’ve been writing fantasy since I was a very young child. My need to escape a world that I viewed with fear was satiated by writing worlds that gave me control over how I could create and master them. I would read books that I adored but wanted to implement changes to better fit my own personal feelings and perception. For example, unicorns were terrifying creatures in my head, so I gave them fire-covered horns and eyes of flames. Nothing in the world felt pure or safe to me, so I write in a way that gives a dark twist to any and all mythological creatures and magical realms.

Indie authors and presses are sometimes dismissed as “lesser-than” and not carried by bookstores. The stories are labeled as “amateurish” or “boring.” (Some are, but so are some books coming from big publishers!) Size doesn’t really matter in the world of publishing. Being published with a small press showed me a realm beyond the huge, traditional publishing houses—it’s populated with fantastic books written by gifted authors who often write, not for fame or money, but because they love writing. I’ve found many hours of enjoyment in indie books (and lost hours of sleep, as well!) I hope, with this list, you find the same.

I once thought I was broken, because I became so invested in the characters I read about. I carried them with me out into the real world, where their struggles kept me from focusing on my own tasks. Then I learned this connection is a feature of reading, not a bug. While some people collect book boy/girl-friends–and I do enjoy swooning over a love interest–I am more drawn to those characters I’d want to share a rum with or meet for a beer. Authentic characters show us we’re not alone and inspire us to grow. They become so much more to us than mere words on the page.

I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.  

Ever since I was a child, I’ve loved anything fantasy-related, and I especially loved stories where the world around you would completely melt away as you read. I used to write my own stories then, too, and I’ve always had a passion for diving into it headfirst and immersing myself in the world entirely. I went through a period in my life where I was dealing with depression, and fantasy books that I could escape into were very important to me at that time. 

I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.