100 Books Like Stephen

This is a fantastic introduction to what was going on in the British Isles during the medieval period. The scholarship is up-to-the-minute, the writing is witty and engaging, and it is teeming with original ideas. It’s not a political history, plodding predictably from one reign to the next, but a sweeping overview, covering diverse topics such as the decline of slavery, the rise of parliament, kingship and queenship, religion, education, leisure, crime, and chivalry.

I was trained as a historian of the thirteenth century, and three of my books have been on thirteenth-century topics. One of the most influential figures in this period was Simon de Montfort, earl of Leicester, who first befriended and then rebelled against King Henry III, reducing the king to a cipher and effectively ruling in his place. Montfort was also highly controversial, driven by a mix of high-minded altruism and personal ambition that divided people at the time and still has historians arguing to this day. Sophie Ambler tells his tale in an exciting fashion, emphasizing the violence and the drama, but this is also a book with real academic ballast. In particular, it brings out how different Montfort was by virtue of being raised in southern France during the Albigensian crusade, and why political violence in England increased in the wake of Montfort’s own bloody demise.

When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.

In my own writing I’ve recently ventured into the Anglo-Saxon period, so I know how hard it is to conjure the history of these early medieval centuries from the meagre source material that survives. Rory Naismith manages this brilliantly in his highly engaging history of London in the centuries between the end of Roman Britain and the Norman Conquest. Naismith’s earlier books are on coins and coinage, but he does not allow his specialism to pull the book off balance. It’s a comparatively short volume, but it provides a comprehensive overview of the emerging capital, and it wears its considerable learning lightly.

A medieval murder mystery set in a brothel! Prostitution was one of the few ways in which a woman might earn an independent living in the Middle Ages.

Not that I’m recommending it as a career choice, mind you. Roberta Gellis has created quite the unusual whorehouse under her unfortunately beautiful Madam, Magdalene. Her employees include a blind woman, a mute Saracen, a woman of childlike intelligence, and the brothel’s cook too is deaf. Magdalene herself was accused of murder and has to live in disguise.

This is a wonderfully well-researched historical mystery that illuminates the circumstances that might force a medieval woman into prostitution. 

I was living in Madrid, Spain, when one of my friends and fellow English-language teachers, Heather, nudged me and said, “James, you have to read this.”

I was in my “James only reads highbrow literature” era, so I told her that the cover looked too pulpy (yes, I was guilty of judging a book by its cover). Thankfully, my respect for Heather forced me to overlook my biases and give Pillars a shot. I’m so glad I did.

The prose style is simple and accessible (obeying Animal Farm author George Orwell’s advice to write prose as transparent as a “windowpane”). And that’s good, because the content draws you in completely.

A village in Medieval England decides to build a cathedral. The characters range from evil knights to noble monks to savvy businesswomen to scheming clerics. The world is rich with detail and the pages are addicting, almost turning themselves. It’s… show more.

I stumbled on this book in Raven secondhand bookstore in Cambridge, Massachusetts.

I was researching for my 12th-century trilogy, Conquest, and this book is a brilliant critical study of the Anglo-Norman chronicler, Orderic Vitalis. The book is wonderfully written and conveys the astonishing beauty of Orderic’s own work.

Orderic, as he writes, ranged far and wide across the Anglo-Norman kingdom in his imagination and then returned to his ‘black-clad life’ as a monk.

Raven and Shakespeare and Co. Bookshop in Paris are amongst my top favourites. I love to visit Shakespeare for its cramped unevenly floored labyrinth and intelligent array of books.

I greatly enjoy a bookshop – these two and Victoria Bookshop in Haverfordwest spring to mind – where the staff is obviously as lovestruck by books as I am.

Most books covering the early Middle Ages in Britain start with the fifth century and end around the tenth or eleventh. Edward James’s Britain is different, in that it embraces the Roman period too. Breadth on this level is stimulating, especially when (as here) it is accompanied by elegant and insightful prose that takes care to pay attention to diverse constituencies in society. 

I first came across this short book when researching for stories set in the Anglo-Saxon kingdom of Northumbria. Kathleen Herbert, (herself a historical novelist) provided not only excellent information, but also a practical vision of the period specifically from a woman’s point of view. It is easy to read and presents the information in an accessible way; perhaps one of the earliest books focussed on women’s history.

There are so many reasons to love Crusaders and Revolutionaries of the Thirteenth Century: De Montfort by Darren Baker. The foremost reason is that it is a fabulous, enjoyable, and entertaining read. Darren Baker has fast become the ‘go-to’ historian for all things De Montfort. His research is thorough, and the story is recounted in an accessible manner that draws the reader in. Told in chronological order, the narrative flows freely, drawing the reader into the lives of this incredible family.

The second reason is the cover. If there ever was a cover to attract a reader, this is it. It is stunning! And the artwork was done by a de Montfort descendant, Rosana de Montfort. It epitomises the ethos of the medieval barons, their sense of duty, and dedication to the crusading ideal. It is a wonderful book for anyone interested in medieval history, either for leisure, research,… show more.