66 Books Like State of Terror

I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. It’s how I make sense of the world.  

When I went to law school, so many of the stories we heard in class treated men’s experiences as the ordinary baseline and women’s experiences as something to skip over or briefly mention as a footnote. This narrow perspective warps our understanding of the past, present, and future, and helps perpetuate women’s inequality. I have been studying and writing about sex discrimination for more than two decades. I wanted to write a book that included women in the center of American law and history. In the process, I learned about scores of fascinating women who Americans know too little about or forget entirely.

As a teacher of US women’s history and educational history, I have long been interested in women’s colleges—in their faculties, administrators, students, alumnae, goals, and achievements. Most recently, as the biographer of a woman educator (a dean of Barnard College in the early 20th century), I became more deeply involved with the literature on single-sex schools. Major books focus on the older women’s colleges, the “Seven Sisters,” but devote attention to other colleges as well. I am impressed with the talents of historians, with their skill at asking questions of their subjects, with the intensity of mission at the women’s schools, and with changing styles of campus culture.

My passion for leadership and aspiring women leaders comes from my own leadership experiences and working with women and men executives and aspiring executives, every day. I had to make some difficult work choices in my 20s and 30s (with four young children) and was wonderfully supported by some wise women. Many of my choices were different from my peers and we continue to have to make more difficult choices than our male colleagues. We need to help each other, every day. I lead a blended life co-leading an executive search and leadership advisory firm, while also being a mother, grandmother, wife, mentor, friend, and lover of good music, theatre, food, wine, and curious people. 

Things may have gotten better for women compared to our mothers’ and grandmothers’ generations, but that is not to say that it’s easy to navigate work and life, the weight of others’ expectations, and the expectations we place on ourselves. Women of color have a particular set of challenges that others often can’t even see. I have been lucky: I have found wonderful guides and sources of inspiration, and I have been able to pass along what I have learned. Nobody should have to navigate these challenging waters on their own. We need buddies, confidantes, truth-tellers, and sources of inspiration.

From my days as editor of The Barret Banner in sixth grade, I wanted to find out about people and tell their stories. Through decades as a newspaper reporter and editor, I discovered again and again how much stories matter—and how fascinating in-depth research and interviews are. Everyone has a story, and capturing the voices of real people is important. Getting to know ordinary families whose lives were turned inside-out by an adoption scandal has been a great honor. Listen to someone’s story. You may be surprised what you learn. 

Mike Thorn is the author of Shelter for the Damned, Darkest Hours, and Peel Back and See. His fiction has appeared in numerous magazines, anthologies, and podcasts, including Vastarien, Dark Moon Digest, and The NoSleep Podcast. His books have earned praise from Jamie Blanks (director of Urban Legend and Valentine), Jeffrey Reddick (creator of Final Destination), and Daniel Goldhaber (director of Cam). His essays and articles have been published in American Twilight: The Cinema of Tobe Hooper (University of Texas Press), The Film Stage, and elsewhere. 

As a career journalist who has worked in print, online, on the radio and on television, I’ve long been intrigued by the influence of mass media and the vast technological changes in how information is transmitted that have occurred over the course of my career. Burnt out from the daily deadlines and transformed by a chance to work in the Kingdom of Bhutan, I began writing books and gravitate toward the “origin stories” of influential US entities.

My passion is to prepare clients' investments for the impending debt crisis. That is why I started Pento Portfolio Strategies and created the Inflation/Deflation and Economic Cycle Model. The US faces an entirely new paradigm – due to onerous debt, central banks are forced to either massively monetize the nation's debt or allow a cathartic deflationary depression to reset the economy. Our government is now compelled to seek a condition of perpetual inflation to maintain the illusion of prosperity and solvency. Our central bank is now walking the economy on a tightrope between inflation and deflation. This will require a vastly different and active investment strategy to fit the new dynamic.

I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.