Here are 100 books that Staging the Third Reich fans have personally recommended if you like
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Spending my childhood in Nazi Germany, the nature and the horrific consequences of Nazi ideology have occupied me as a student of German history and later as a teacher of intellectual and literary history. In 1933 Car Schmitt opted to support the Nazis. While he was banned from the public sohere in post-war Germany, his ideas remained influential on the far right and the far left, fortunately without significantly impacting the democratic reconstruction of West Germany. It was the growing international visibility of Schmitt’s writings that became my personal concern after 2000. In particular, Schmitt’s increasing influence in the United States energized me to reread and respond to his writings.
Lately, the news about China and the West has been discouraging. The media focus on the dangers of authoritarianism. But was this always the case? This book tells the fascinating story of the unexpected and multifaceted influence of classical Chinese culture on early modern Europe (1600-1800) and in particular Germany. German thinkers and writers felt that they could learn from China. The study was an eye-opener for me that changed my understanding of the intellectual formation of modern Europe and especially modern Germany. It is a crucial narrative that contrasts with the well-known narrative of European expansion and domination.
Chinese Sympathies examines how Europeans-German-speaking writers and thinkers in particular-identified with Chinese intellectual and literary traditions following the circulation of Marco Polo's Travels. This sense of affinity expanded and deepened, Daniel Leonhard Purdy shows, as generations of Jesuit missionaries, baroque encyclopedists, Enlightenment moralists, and translators established intellectual regimes that framed China as being fundamentally similar to Europe.
Analyzing key German literary texts-theological treatises, imperial histories, tragic dramas, moral philosophies, literary translations, and poetic cycles-Chinese Sympathies traces the paths from baroque-era missionary reports that accommodated Christianity with Confucianism to Goethe's concept of world literature, bridged by Enlightenment debates over cosmopolitanism and…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
Spending my childhood in Nazi Germany, the nature and the horrific consequences of Nazi ideology have occupied me as a student of German history and later as a teacher of intellectual and literary history. In 1933 Car Schmitt opted to support the Nazis. While he was banned from the public sohere in post-war Germany, his ideas remained influential on the far right and the far left, fortunately without significantly impacting the democratic reconstruction of West Germany. It was the growing international visibility of Schmitt’s writings that became my personal concern after 2000. In particular, Schmitt’s increasing influence in the United States energized me to reread and respond to his writings.
Do you know Alexander Kluge? If you don’t, it’s high time for you to learn more about this brilliant German storyteller, filmmaker, and essayist. He was influenced by thinkers like Adorno and Benjamin and has been a crucial part of the European intellectual scene for the last generation. Leslie Adelson is the best American guide for this exciting task. The central question of her book is: What is the meaning of hope in our catastrophic time? And how does one think, write, and talk about the future as a challenging dimension of time? Interpreting and guiding us through Kluge’s radical narrative and essayistic prose also enables Adelson to discuss the possibility of hope as a collective historical concept.
Alexander Kluge's revolutionary storytelling for the 21st-century pivots on the production of anti-realist hope under conditions of real catastrophe. Rather than relying on possibility alone, his experimental miniatures engender counterfactual horizons of futurity that are made incrementally accessible to lived experience through narrative form. Innovative close readings and theoretical reflection alike illuminate the dimensional quality of future time in Kluge's radical prose, where off-worldly orientation and unnatural narrative together yield new sensory perspectives on associative networks, futurity, scale, and perspective itself. This study also affords new perspectives on the importance of Kluge's creative writing for critical studies of German thought…
Spending my childhood in Nazi Germany, the nature and the horrific consequences of Nazi ideology have occupied me as a student of German history and later as a teacher of intellectual and literary history. In 1933 Car Schmitt opted to support the Nazis. While he was banned from the public sohere in post-war Germany, his ideas remained influential on the far right and the far left, fortunately without significantly impacting the democratic reconstruction of West Germany. It was the growing international visibility of Schmitt’s writings that became my personal concern after 2000. In particular, Schmitt’s increasing influence in the United States energized me to reread and respond to his writings.
Most of us are familiar with or have at least heard of the novelist Thomas Mann, the author of Buddenbrooks (for which he received the Nobel Prize) and The Magic Mountain. He is less remembered for his important work as a public intellectual, as a formidable defender of liberal democracy and bold critic of Nazism during World War II. Tobias Boes’s lucid and well-researched study focuses on Mann’s critical contributions to the public discourse in the United States from 1938 until 1948, first as a refugee and later as an American citizen, through public lectures, numerous essays, and radio addresses. This is the fascinating story of a writer who started out as a German conservative and turned into Hitler’s most vocal critic. Thomas Mann’s War is a timely book, reminding us of what it meant to stand up for democracy and defeat Fascism in the 1940s and what it takes…
In Thomas Mann's War, Tobias Boes traces how the acclaimed and bestselling author became one of America's most prominent anti-fascists and the spokesperson for a German cultural ideal that Nazism had perverted.
Thomas Mann, winner of the 1929 Nobel Prize in literature and author of such world-renowned novels as Buddenbrooks and The Magic Mountain, began his self-imposed exile in the United States in 1938, having fled his native Germany in the wake of Nazi persecution and public burnings of his books. Mann embraced his role as a public intellectual, deftly using his literary reputation and his connections in an increasingly…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Written during the Third Reich itself, this is the hard-hitting book that told the world just how heinous Nazi education policy was – although it was only heeded by a prescient few at the time. Anyone who is worried about how easily schooling can become subject to ideology should definitely read this book!
Published in 1938, when Nazi power was approaching its zenith, this well-documented indictment reveals the systematic brainwashing of Germany's youth. The Nazi program prepared for its future with a fanatical focus on national preeminence and warlike readiness that dominated every department and phase of education. Methods included alienating children from their parents, promoting notions of racial superiority instead of science, and developing a cult of personality centered on Hitler. Erika Mann, a member of the World War II generation of German youth, observed firsthand the Third Reich's perversion of a once-proud school system and the systematic poisoning of family life.…
Unlike most children of immigrants who were told nothing about the past, I grew up surrounded by family history—my grandfather’s village in Russia, my father’s memories of 1930s Europe, and my mother’s childhood on a migrant worker farm during the Great Depression. I realized that history isn’t just names and dates but a unique opportunity to study human behavior. I wrote Hammer of the Gods about the Thule Society because Thule was often mentioned in passing by historians of Nazi Germany, as if they were uncomfortable delving into an occult group recognized as influential on the Nazis. I decided I wanted to learn who they were and what they wanted.
I found this book by the German scholar Joachim Fest many years ago at a flea market. Fest’s portrait of Hitler and a dozen high-ranking officials of the Third Reich became models for my own writing. Fest maps out the range of personalities—their cruelty, greed, and misplaced ideals—and the way in which Hitler encouraged rivalry among them to preserve absolute power for himself.
The ethnobotanist Richard Evans Schultes noted that botanists should write history because so much history involves plants. Coincidentally, I am a botanist with a deep interest in history. I began as a child botanizing abandoned farmers’ fields, and now I am always on the lookout for topics at the intersection of plants and human affairs. The books on my list are among many I read while researching for my book. In exploring the role of plants in warfare, I have synthesized vast information about human and military needs, from rationed foods to camouflage and battlefront medicine. Germany provided many unexpected findings.
Science collapses when scientists ignore objectivity and unbiased analysis, and Robert N. Proctor argues this effectively in this book.
I had long assumed (incorrectly) that racial doctrine during the Third Reich came directly from Hitler, but many German scientists actively espoused racial policies with supposed scientific justification. It may be hard to accept that some scientists became sympathizers overnight, no doubt for their own welfare and survival.
Proctor illustrates that pure science can be adapted for evil intent and that a self-centered agenda can result in illegitimate outcomes.
Scholars exploring the history of science under the Nazis have generally concentrated on the Nazi destruction of science or the corruption of intellectual and liberal values. Racial Hygiene focuses on how scientists themselves participated in the construction of Nazi racial policy. Robert Proctor demonstrates that the common picture of a passive scientific community coerced into cooperation with the Nazis fails to grasp the reality of what actually happened-namely, that many of the political initiatives of the Nazis arose from within the scientific community, and that medical scientists actively designed and administered key elements of National Socialist policy.
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I am a professor of English and Visual Culture at St. John’s University in New York. My research in recent years has focused on reexamining the fate of modernist art in Hitler’s Germany. I have chosen five books that have shaped our understanding of Nazi art and have new resonance with the present resurgence of fascism and authoritarian governments around the world.
This is one of the most influential studies of cultural politics in Nazi Germany which takes as its focus the bureaucracy Joseph Goebbels charged with integrating pre-National Socialist artists and their organizations into the new cultural and political order. Noteworthy, of course, throughout Steinweis’s masterpiece of institutional reconstruction, is the revelation that National Socialist aesthetic preferences were not novel but represented the appropriation of the prevailing conservative taste dominant in the late Weimar Republic.
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theatre and the visual arts in this study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables.
When I find a big story that has not come out, which has massive relevance for history and for the entire world, I go all out to bring it to light, as I have done with this book. Most of the books I have written have been devoted to telling big, unknown stories that concern the world. (Examples: alien intelligence, the origins of ancient civilisations, the Chinese contribution to the history of inventions, the existence of optical technology in antiquity, who were the people who tried and executed King Charles I and why did they do it.) I simply had to expose this information to the public.
This book was originally published by Doubleday, New York, in 1944. This book also contains material obtained from Heinrich Pfeifer, not only from Pfeifer’s own experience but from Pfeifer’s secret network of sympathisers and informants deep within the Nazi Establishment.
It is alarming in the extreme, detailing as it does how the Nazis of the SS and SD had since 1943 started planning to metastasize their doctrines all round the world, and found a Nazi International organisation, with the eventual hope of creating a Fourth Reich which was not dependent upon the territory of Germany, but was spread across the world invisibly, so that no armies could ever conquer it.
They planned the ratlines and escape routes to all the friendly countries such as Argentina and Chile. Their ratline HQ was in Madrid, with the full cooperation of the Franco Government. One of the two chief organisers was SS Lieutenant…
'Its existence is known only by the effects of its action.' Author Curt Riess on what happens when an organisation goes underground. Written in 1944, thus contemporary to the events of the Second World War and Nazi Germany, The Nazis Go Underground describes how the Nazis planned and organised their descent into the underground as early as 1943. At this stage of the war, the situation for the Third Reich looked grim. With Bormann and Himmler as its architects, the Nazi party would go underground and prepare for World War III from the shattered ruins of Berlin. German generals were…
Because I have devoted my life to the study of two major topics: sexuality and radical politics like Nazism, and trying to understand the connection to both, it is both a fascinating and a taboo subject. In the past, the saying went: gentlemen simply did not discuss such subjects. As a historian and sociology for the past fifty-plus years, but also as a child survivor of the Holocaust, I have had a lifelong interest in Nazism and the mind of Nazis—both men and women. Usually most histories of the Holocaust or Shoah avoid the sex lives of Nazis and their victims.
This 1973 book got me started in this field over 50 years ago, and is still endlessly fascinating. Bleuel examines nearly every aspect of Nazi culture: male and female roles, the good wife and mother. There was even special medals (I have one) called Mutters Medal—a bronze for five children; a silver for 7; and a gold medal for 10 or more kids; divorce (actually quite common if the wife could not bear children); adultery (also quite common, as long as it produced babies); legal brothels; and of course “degeneracy” (perverted sex that did not produce Aryan blonds for the Fatherland (homosexuality, abortion, transvestism).
The movie and play Cabaret and the Roku series Berlin Babylon perfectly describe the forces of fascism trying to destroy “abnormal” sex.
Compare this book to Peter Gay’s Weimar Culture and Robert Beachy’s Gay Berlin.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.
Prior to its publication, Nazism was commonly perceived asanti-modernandanti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!
In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic.
In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism…
