Books like St. Patrick's Gargoyle — picked by fans

Brave mice defend a monastery from marauding pirate rats! An evil snake haunts the forest, eating gentle beasts!

Redwall is a medieval Viking tale populated by animals. But what animals! Speedy hares with bottomless appetites evoke British Army captains. Quarreling shrews must pass around an object to speak at the council, reminding us of The Lord of the Flies. We meet tiny sparrows who follow a Spartan warrior ethos, and Friar Tuck-like fieldmice who cook great feasts that will make you salivate.

Yes, it’s a young adult book, but it’s also one of the reasons I became a writer in the first place. Let me throw down a glove here: the vitality of Redwall’s characters equals anything found in Dickens, Dumas, or Stevenson. 

Sidenote: the first piece of fiction I produced was an imitation of this very title, fulfilling an elementary school assignment. I folded ten pages of… show more.

My dad gave me these books too. For the same reason—he had loved them.

What child wouldn’t?—A baby, lost in the jungle, is threatened by a tiger. A wolf pack rescues and raises him. His school-teacher is a bear and his mentor a black panther, Bagheera. (I loved Bagheera.)

Today, Kipling is often called "racist." I can’t totally defend him, but—he could easily have made Mowgli a white English lord, as Burroughs did Tarzan. Instead, Kipling made Mowgli the child of poor Indian villagers—and also handsome, athletic, courageous, strong, honourable, and fiercely intelligent. Racist?

Not all the stories are about Mowgli. "Rikki-tikki-tavi," a favourite, is about a mongoose. Another is "Quiquern," set in the Arctic. Classics.

A unicorn believes she’s the last of her kind and undertakes a quest to find where the others have gone. This might be my favorite book!

It plays with the fantasy genre in a way that few books can. It seamlessly mixes the whimsical with the mundane and it gives us memorable characters who are unique twists on old tropes.

What I love most about this book is seeing life through the eyes of the unicorn protagonist. She’s a timeless creature—unaging, unchanging—who finds navigating a mortal world to be puzzling, inconvenient, and, at times, terrifying.

Can you imagine being immortal and suddenly being forced to confront your own impossible mortality? Read this book and you will.

When you’re in the mood for pure adventure-driven fantasy with a noble, troubled hero beleaguered on all sides, this is the one to pick up. Going back to when I first read about Theseus in grammar school and all the way through my Dungeons & Dragons years, I have always thought that minotaurs were cool and full of untapped potential. Herein lies the tale that proves I was right. It will evolve your feeling about minotaurs from mindless beasts in the labyrinth to courageous knights of quality and mettle. Don’t worry about the massive scope of the Dragon Lance Chronicles, this one can be read on its own.

I laughed out loud a bunch, and I don’t do that very often (I ought to.) I also learned a lot about lower-class Dublin life. I cared about McDonnell’s characters even as they become tangled up in absurd situations as they try to solve several crimes.

I know how hard it is to mix truly funny humor and a suspenseful plot. This author is a maestro. Perhaps it’s because he’s a well-known comedian in Ireland. McDonnell also has a keen ear for dialogue, which always sounds real and true to his characters—a very colorful array of quirky police, truant children, and creepy villains.

I picked this because it showed me – and still does – that the most foreign journey is within, and that when the body stops travelling, the spirit takes over the trek.

Brennan is a fabulous writer – at her best, among the best – and in her head (she wore a beehive that according to a colleague at The New Yorker was taller than she was) she is travelling all the time.

She ought to be better known. 

This book is one of the best at capturing the impact of myth on history, culture, and politics. Thompson starts long before the Easter 1916 Rising, the book’s central event, and examines how Celticity became a focal point of reclaiming an Irish identity separate from the British. Just as Jack Zipes’ Grimm Legacies demonstrates how the collection of folklore developed a unified German cultural identity, Thompson illustrates how collecting (and in many cases updating) the myths of the land gave Ireland not only a new identity but also a new history. The heroes of those mythic stories would be used for the next three centuries as allegories for both Ireland and the Irish in art, literature, theatre, and political rhetoric. It is the blueprint of all my worldbuilding.

The story of a curious young woman on a quest for knowledge and insights into the deeper mysteries of the world.

With the guidance of a wise shaman and a witch who have both walked the path of truth before her in different ways, she learns magic and how to overcome fear. It is a book that takes the reader on a journey alongside Brida and leaves space for one’s own moments of self-discovery, learning, and growth.

This book has so much I love about it: it’s set in Dublin, the home of my father and therefore part of my heritage.

It features a group of feisty women, the youngest of whom is in her fifties (way younger than me), while the rest are old enough to know better. It’s packed full of humour—who wouldn’t laugh at the idea of the older generation behaving worse than the teenagers. And there’s a huge dollop of old Irish magic to add to the mix.

Despite the fact that this wonderful group of women seem to attract dead bodies like magnets, this is definitely in the cosy sub-genre. And I loved every word of this book and the rest of the series.

This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.