Books like Spock's World — picked by fans

It was this book that disabused me of the notion that fantasy had to be written in a specific way, often in highfalutin or profound language. It encouraged me to put my own stories into writing.

Though very much a historical fantasy novel, this book was easy to understand despite the unfamiliar terms and background details of a fantastical universe. I think it’s due to Katheryn Kurtz’s initial use of simple, down-to-earth language and a fairly straightforward story, which, looking back now, was probably aimed at teenagers or young adults. I was sometimes reminded of the first volume of JRR Tolkien’s epic novel, especially because the succeeding books got progressively darker and more complex.

In this introductory book, the world of the Deryni, a race of mortals with magical powers, is fleshed out so well that the kingdom of Gwynedd, its people, and its neighboring realms feel so real that… show more.

I love this book because it demands my full attention and rewards me for giving it.

I first read it as a teenager, long before the films became the version most people knew, and I was struck by how much deeper the world felt on the page. I consider Tolkien’s writing masterful, especially in the way he gives every place, history, and character a sense of age and importance.

I loved discovering characters like Tom Bombadil and Goldberry, and I loved the feeling that Tolkien’s world was not merely invented, but ancient, layered, and connected to our own. I know the long passages and dense exposition can test modern readers, but that is exactly what I value. I want fantasy to pull me completely into another world, not linger in the background like a television left on while I do chores.

I didn’t know Georgette Heyer wrote outside of Regency romances until I read The Conqueror. The period covering William the Conqueror’s life, from his accession as Duke of Normandy to his invasion and conquest of England, captivated me.

Heyer’s portrayal not only of the romances of William and Matilda of Flanders and a Norman vassal and English lady but also of the bond of friendship and loyalty between William and Raoul, the aforementioned vassal, were so plausibly written I almost believed both bond and fictional characters existed. Even better, she depicted 11th-century Normandy, England, and France in such riveting detail without sounding like an encyclopedia, often using her characters to help recreate that era. This book remains one of my favorites, and frequently re-read historical romances.

The Roselynde Chronicles aren’t just historical romances; they’re a deep dive into English life during the reigns of Richard the Lionheart and King John. Because Roberta Gellis didn’t prettify the traditions and conditions of the era and toned down only the practices and language that would confound modern readers, I was almost effortlessly transported back to that period.

My favorite book in the series is the third novel, Joanna, largely because of a hero who doesn’t fit the romance archetype of devastatingly tall, dark, and handsome. Not that Geoffrey isn’t one of the three, but he’s presented as the most ordinary-looking of the leading men in the series. That made him feel more real to me. Joanna, on the other hand, isn’t the stereotypical, sometimes anachronistically independent, and feisty beauty I’d come to associate with historical romances. Thanks to the superb writing and lavish yet realistic depiction of the era,… show more.

One of my favorite “But what happened after that?” moments of the original series was the challenge Kirk issued the goateed Spock at the end of "Mirror, Mirror": What will it be? Past or future? Tyranny or freedom? It's up to you. David Mack weaves a three-decade-long epic that answers the questions—with shades of the psychohistory of Asimov’s classic Foundation trilogy—as Spock plays a three-dimensional chess game of moves and countermoves to bring about the downfall of an empire.

The Sorrows of Empire has everything I want from a Mirror Universe story: revolutionary intrigue, imperial treachery, and a cast of interesting mirror versions of characters we know and often love from the “true” universe. It also deftly incorporates the increasingly complicated canon of the Mirror Universe introduced by the other series over the years.

I always wanted to know what happened after the episode "The Corbomite Maneuver," which ended with a young crew member sent off to the mysterious First Federation—never to be heard from again in the shows. I always enjoy Christopher L. Bennett’s meticulous sci-fi world-building, and in his hands, the First Federation is revealed to be a suitably fascinating, if isolated, society.

I loved the sense of vastness achieved by getting beyond the United Federation of Planets. I also enjoy when a story takes full advantage of the continuity of the franchise, and The Face of the Unknown smoothly sets up elements of the often overlooked Animated Series of the 1970s as well as Star Trek: The Motion Picture.

Much of what I learned about real friendship I learned from Star Trek. From the many episodes of the original series I saw in syndication to the heartbreaking ending of Wrath of Kahn, the principle of “I am, and forever will be, your friend,” has influenced many of my friendships over the years. 

This book explores those friendships we have seen on screen, from Kirk and Spock, to Picard and Data, from Janeway and Seven of Nine to Bashir and Garak. Told through the eyes of fans, this is a great gift to yourself or your best friend if you want to make them jealous.

I love a great Spock story, especially when his struggle between logic and emotion is at the forefront. That struggle is externalized and emphasized in this book when he discovers he has an adult son who has not been raised as a Vulcan. The tension between father and son plays off Spock’s troubled relationship with his own father.

It came out just a year after Star Trek II, four years prior to The Next Generation, so I eagerly awaited each book for my Trek fix, especially when they played off an episode because it was often a challenge to see the old shows in the eighties. In the episode “All Our Yesterdays,” Spock, stranded in the distant past, had reverted to a pre-logic Vulcan and fallen in love, providing Crispin with her setup; she eventually wrote a follow-up, Time for Yesterday.

Benjamin Spock's Baby and Child Care (first published in 1946 and then frequently updated and reissued after) is the most important childcare and advice manual of the twentieth century.

Beginning after World War II during the baby boom, tens of millions of mothers turned to Spock for advice about the physical and psychological care of their children. As childrearing advice, Spock’s calm insights into matters like feeding, responding to crying, and identifying the signs of disease remain invaluable to parents struggling to understand their daily challenges. 

And Spock’s level-headed confidence in parents can help to tame the bewildering torrent of contemporary conflicting views on how best to raise children.

My mom and I are competing to see who can give away more copies of this book; we love it that much. Both of us have been bedside caregivers for dying relatives and have seen firsthand how beautiful that process can be if people are prepared.

I love how the book is designed with nice, large print, lovely illustrations, and little snacks of insight sprinkled throughout in boxes and “fast facts.” This book is the essential What to Expect When You’re Expecting–but for death.