Here are 100 books that Split Tooth fans have personally recommended if you like
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When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
This chronicle of arctic life and landscape enchanted me from the beginning.
Here is the true story of Christiane Ritter, an Austrian painter with no outdoor experience who travels to the remote northern coast of Svalbard to spend the winter of 1933-34 with her scientist husband.
Ritter’s frank voice and wry humor drew me right in; at first, she’s hilariously unimpressed by the pack ice and endless snow! But soon she’s deeply transformed by the same things that inspire me to write about the far north: the land’s vast scale, the aurora borealis, arctic foxes, and night skies brimming with stars.
A few weeks into winter’s polar night she describes herself as “moonstruck” and the following rapturous chapters kept me breathlessly reading until the end.
"Conjures the rasp of the skin runner, the scent of burning blubber and the rippling iridescence of the Northern Lights..." Sara Wheeler, author of Terra Incognita: Travels in Antarctica
"Ritter manages to articulate all the terrible beauty and elemental power of a polar winter" Gavin Francis, author of Empire Antarctica
In 1934, the painter Christiane Ritter leaves her comfortable life in Austria and travels to the remote Arctic island of Spitsbergen, to spend a year there with her husband. She thinks it will be a relaxing trip, a chance to "read thick books in the remote quiet and, not least,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
This may be a surprise coming from a historical novelist, but near-future dystopian stories are among my favorites, and Migrations is a great example of why I love this genre.
The novel’s magic is in showing all we could lose if we don’t protect our planet’s biodiversity, including in the polar regions. It is a haunting page-turner about a troubled protagonist who sets off by boat from Greenland to follow what could be the very last migration of arctic terns – birds with the longest known migratory path in the world.
There’s no way around it: Migrations is bleak. But its finely drawn characters and emotional impact make it a masterful work of eco-fiction that has undoubtedly sparked action among its readers to help reduce the destructive forces the book depicts.
'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John Mandel
A dark past. An impossible journey. The will to survive.
Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.
As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool.
When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
As a writer obsessed with folklore and magical realist fiction, I adore this book!
Based loosely on the Russian fairy tale of the same name, The Snow Child is set in 1920s Alaska and balances the ethereal arrival of a magical child with the harsh reality faced by homesteaders in an unforgiving landscape. My favorite elements in this book are also primary themes I aspire to in my own writing: characters who face hardship with grit, perseverance, and a deep connection to their wild home.
The author was born and raised in Alaska, and you can tell by the detail and specificity in her writing. In this novel, the natural world truly is the main character, to breathtaking effect.
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
When I was nine, my family kayaked 100 miles on the Yukon River. Each night from my sleeping bag, I heard wolves howling, and each day we saw moose, grizzly bears, and even a fur-clad trapper. I was utterly enchanted by the wilderness and the experience of moving through the landscape silently, without disturbing the wildlife. I have never shaken the awestruck feeling of seeing those animals, free in their ample territory, and my work as a writer has remained entwined with wild nature and the far north ever since. I am deeply inspired by women writers who approach these subjects with reverence, passion, and unique perspectives.
I was swept away by Gretel Ehrlich’s profound fascination with Greenland as expressed in this book; I read This Cold Heaven in great gulps over the course of a single weekend.
In its masterful weaving of natural history, Inuit lifeways, and personal experience, the book stands as a powerful, compelling testament to the far north and inspiration to me as a writer.
In addition to expressing a unique, deep love of the landscape, Ehrlich offers her experiences living with a community of Inuit Greenlanders, whose ancient and persevering culture lives and thrives in one of earth’s most stunning, and most overlooked, land- and sea-scapes.
In a tribute to the far latitudes, Gretel Ehrlich travels across Greenland, the largest island on earth. All but five per cent of the island is covered by a vast ice sheet, an enduring remnant of the last ice age. Despite a uniquely hostile environment, it has been inhabited continuously for thousands of years. Greenlanders retain many of their traditional practices: some still hunt on sleds made from whale and caribou with packs of dogs; others fashion harpoons from Narwhal tusks; and entranced shamans make soul fights under the ice. Ehrlich mixes stories of European anthropologists who have recorded the…
Ever since I was a child, I’ve been dismayed by the humdrum monotony of everyday life. Of course, that is why one is drawn to books. The books on this list are historical fiction with otherworldly wonder. The world of the imagination is not an escape; it’s a portal to a new view of life. I’ve written four books set in the Italian Renaissance and two set in ancient Britain. Because of the depth of research, each one has taken about eight years. I’m constantly astonished at how imagination can fill the gaps history leaves. Striving always for plausibility, it is encouraging to count historians and archaeologists amongst my readers, cheering me on.
I was still at school when I came across Mary Renault’s The King Must Die and was absorbed into the world of ancient Greece.
I knew then what was missing from history lessons: any sense of being there, of feeling emotion for the characters, of being gripped. I went on to read all her books and took to philosophy and Platonism because of them.
When I put the book back on the library shelf, I made a vow: let me do for others what this author has done for me.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
Currently, the world seems concerned that artificial intelligence (AI) will destroy the world or at least put many of us out of jobs. Only a few years ago, a significant part of the population believed that COVID-19 was made in a Chinese laboratory and intentionally or accidentally leashed on the world, killing millions. This isn’t just a theme in tech thrillers; it’s a theme in life. Whether it’s nuclear weapons, genetic engineering, AI, or some other type of technology, there’s always a fear that it’ll do more damage than good and, at its worst, bring an end to the world.
I’ve long been fascinated by the mysteries of the Anasazi, or the Pueblo Dwellers of southwestern Utah. How and why did a thriving culture of literally thousands of people who had built stone buildings into cliff faces suddenly and inexplicably disappear? Having read numerous books by archaeologists on the subject, I was really no closer to an answer. But when Preston and Child wrote a novel, a combination of adventure, tech thriller, and mythology, I was completely on board.
Archaeologist Nora Kelly’s father disappeared without a trace 16 years earlier in the remote desert, searching for the legendary Quivira, a city of gold and wonder, the lost city of the Anasazi Indians. Pulling together a team, using some NASA satellite research to find a starting place, Nora leads a team into the desolate canyonlands in search of the city—only to find extraordinary mythology, life-threatening natural events, and a deadly, dangerous…
On a visit to her family's abandoned Santa Fe ranch, archaeologist Nora Kelly discovers an old letter, written from her father to her mother, now both dead. What perplexes Nora is the fact that the faded envelope was mailed and postmarked only a few weeks earlier. Her father had vanished into the remote canyon country of Utah 16 years before, searching for Quivira, the fabled Lost City of Gold, whose legend has captivated explorers since the days of Coronado. Upon reading the letter, Nora learns that her father believed he had, in fact, located the lost city. But what happened…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
Joseph, a Berkeley student and the son of a Jewish mother and a Muslim father, receives a mysterious package from his estranged father. He embarks on a journey to understand a family mystery that can be traced back a thousand years.
I really cared about all of the characters who strive to lead good lives and demonstrate the many ways in which responsibility, forgiveness, love, and kindness shape the way we see and act in the world.
In this “wonderfully rich” (San Francisco Chronicle) novel from the author of the internationally bestselling The Oracle of Stamboul, a young man journeys from California to Cairo to unravel centuries-old family secrets.
“This book is a joy.”—Rabih Alameddine, author of the National Book Award finalist An Unnecessary Woman
WINNER OF: THE AMERICAN LIBRARY ASSOCIATION’S SOPHIE BRODY AWARD • THE NATIONAL JEWISH BOOK AWARD IN FICTION • THE SAMI ROHR PRIZE FOR JEWISH LITERATURE • Named One of the Ten Best Books of the Year by the BBC • Longlisted for the Northern California Independent Booksellers Association Fiction Prize •…
I’ve been into spy stories for many years. I love the intrigue, the deception, the secrecy of that world. Of course, real spying may involve lots of periods of doing nothing, possibly followed by manic, dangerous action. All while dealing with the anxiety of hiding the fact that you might be a traitor to your country or simply not the person the world thinks you are. It’s a fascinating world, and that fascination is what draws me in.
I really love the characters in this book. It’s the fourth book in a series, but I read this out of order, which meant I didn’t have the benefit of some of the backstory for one or two people. This is a story of treachery and betrayal, and spies that stay in the game for years before getting out or getting caught.
From "quite possibly the best historical novelist we have" (Philadelphia Inquirer), the fourth Joe Wilderness spy thriller, moving from Red Scare-era Washington, D.C. to a KGB prison near Moscow's Kremlin
In Moscow Exile, John Lawton departs from his usual stomping grounds of England and Germany to jump across the Atlantic to Washington, D.C., in the fragile postwar period where the Red Scare is growing noisier every day.
Charlotte is a British expatriate who has recently settled in the nation's capital with her second husband, a man who looks intriguingly like Clark Gable, but her enviable dinner parties and soirees aren't…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.
Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I teach and publish short stories, novels, and flash fiction. I’m also interested in the language people use to critique writing. Concepts (suspense, for example) can be helpful, but they often co-opt the imagination and become gold standards for what good fiction should be. In addition to the writer’s voice, I’m interested in the alchemy of the story, which is always greater than the sum of its parts. Right now, I’m writing a book called Accordion Fiction. It's about the shape and rhythm of stories—how they contract and expand like an accordion.
I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)
This model stifles the voices of writers from other cultures.
Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.
This national bestseller is "a significant contribution to discussions of the art of fiction and a necessary challenge to received views about whose stories are told, how they are told and for whom they are intended" (Laila Lalami, The New York Times Book Review).
The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts.…
