100 Books Like Spin the Dawn

This story is set in Việt Nam and paints a clear picture of the people who lived there in the 1930-1980 timeframe of the story. The family faced hardships and tragedies, including being separated for several months when they were forced to flee for their lives. One thing I really appreciated was seeing the impact and impressions of the Việt Nam war on the people of that country. My brother fought over there—he was a Ranger in the Army—during that conflict and came home very different. In fact, he’s estranged himself from the family for the past 30+ years. Reading about the conflict from the other side gives me a clearer idea of what he might have seen or done that he never would tell me about.

The Ones We’re Meant to Find is a young adult dystopian eco-thriller that tells the story of two sisters across alternating timelines.

One timeline follows Cee, who wakes up one day colorblind and devoid of memories, stranded on a deserted island. The other timeline follows Kasey as she tries to understand her sister’s disappearance from within the rank-based eco-city she calls home (a city that rewards citizens who demand the least of the Earth’s dwindling resources).

Though the novel takes impending ecological doom as its ever-present backdrop, it tells a complex, surprising, human story about the quest for meaning and responsibility in an intricately interconnected world.

This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.

This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.

Everything about this book feels exquisite for me, from the rich worldbuilding, the slow burn romance, to the intricate magic system.

I rooted for the main characters from the beginning–a village girl in possession of forbidden magic, trying to protect her grandmother, and an exiled prince looking for vengeance. They start off as reluctant allies, but as they go through hardship and danger together, their relationship develops into something beautiful and meaningful.

I love how the story focuses on their personal growth, dealing with their past and coming to terms with what the future may hold for them.

I’ve always wanted to write a book about an underwater town. Sea Change is as close as I’ve come, though there are no actual residential structures beneath the waves in my story.

But in The Girl Who Fell Beneath the Sea there is a whole, vibrant, beautifully-detailed underwater city, where various kinds of beings carry on with the business of their lives—working; eating; socializing with friends; making love, and making war. Nobody has gills or underwater breathing gear, but you come to this place after jumping into the sea, and schools of brightly colored fish swim through the air, while whales float like clouds in the sky above.  

Aside from people, spirits, and sea animals of various kinds, there are the magnificent sea dragons. They have scales of a vibrant, dazzling blue and move freely through the (underwater) air—buoyant, joyous. They have whiskered mouths, and eyes so large and dark… show more.

A steaming hot cup of tea is one of my favourite things in the world, and Judy’s book features a magical tea master’s competition. The tea magic was utterly captivating and inventive.

This isn’t a cosy fantasy though. Ning runs away from home to enter the competition, to save her sister from a mysterious illness, but she quickly encounters sabotage, jealousy, and a mysterious stranger who may or may not be on her side. I also have a soft spot for stories about sisters, so this one really had me invested.

I adore an anti-heroine story, and Dao delivers in this Asian-inspired reimagining of the Evil Queen about one peasant girl’s quest to become Empress by unleashing the darkness inside her.

The worldbuilding is lush, full of vivid details. The characters have amazing depth, never becoming one-dimensional stereotypes.

The protagonist is wonderfully complex. You sympathize with her at one point and then, in the next, she does something totally hateful. Her dark jealousies and obsession with her own beauty would make you despise her, but you’d also feel her frustration for having her ambition smothered as a woman in a patriarchal world.

I loved how this wholesome romance novel effectively captured the essence of frontier life through its relatable characters and their interactions within a close-knit community. I especially liked the heroine, Hannah, who stands out due to her occupation as a tailor, which was quite unusual for women during that era. Initially, the hero misjudges Hannah, perceiving her as someone who prioritizes fashion over more serious matters.

This created much of the romantic tension that kept me turning pages. I really enjoyed the humor of Hannah’s attempts to assist the hero’s sister in finding a beau. This subplot not only provided me with laughter but also impressed me with how it enriched character relationships and showcased Hannah’s resourcefulness. 

I have read several John Le Carre novels, but I chose this one because of its ingenious depiction of the psychological traps of spydom.

It’s a satire, and as it moves through a mire of lies and deceit, it digs deeply into the twists and turns of the life of a tailor seemingly forced by bribery and blackmail to be a spy. His only freedom is to release his creativity into a vast new domain of endless deceit, in which, among other things, he drenches his handler with lies.

The story is brimming with surprises, including the fact that there’s no violence, which is one of the reasons I liked it so much. I read this one twice, years ago, and both times, I could barely take a break.

This historical novel has been heralded as a fresh look at the era of the Little House books, and it does a wonderful job of looking at frontier life in Dakota Territory in 1880 from the perspective of Chinese-American Hanna. It’s also an examination of a daughter trying to navigate an often prickly relationship with her white father, made even more difficult after the death of Hanna’s Chinese-Korean mother. I love Hanna’s careful study of everyone around her—observances that are borne from a need to protect herself from racism, but which are also windows to empathy and understanding. Despite her father’s resistance to Hanna following her dream to become a dressmaker, Hanna prevails, using her knowledge of her father’s own nature to win him over.