87 Books Like Small Town Monsters

This novel reimagines the events of the Jonestown massacre with lushly beautiful prose and a magical realist twist that offers the possibility of escape and redemption from the most horrific circumstances.

It’s a wonderfully immersive story that sucks you in with sensory detail and a hope-against-hope that the main characters won’t “drink the Kool-Aid”. One of those books where you need to sit still and catch your breath after turning the last page…

I love any book that delves into the psychology of cults. This is a fictional account of a real-life cult that existed not far from where I live, and I have grown up hearing about the victims. The charismatic and highly disturbed female leader was an unusual twist on the standard stories we read about cults that are often led by men. 

Her determination to be the ‘mother’ of every child, have them all look the same (blond hair cut into a bob), and worship her was infuriating and intriguing. Taking vulnerable women, who were also mothers, and luring them into her secret commune, forcing them to make sacrifices, including their own children, deeply affected me as a woman and a mother.

Deliciously evil.  

Once again I became interested in a book thanks to a documentary!

When I watched the documentary about Sarah Lawrence College, I wanted to know more. Daniel Barban Levin’s story really demonstrates how a fragile young mind can be influenced by someone with sinister intentions.

He vividly describes his time spent with a manipulative cult leader (Larry Ray), and his narrative disturbingly shows us just how easily something like this could've happened to us. Very sadly relatable, for people who lose their voice when they fall victim to gaslighting or abusive friends, mentors, or partners. 

It was a brilliant decision on Natalie's part to create a graphic novel that lays out the many facets and layers that make up the dynamics of cults. It has been a pleasure for me to get to know Natalie. A former member of the Jehovah's Witnesses, she is now a dynamic and independent individual. This graphic novel explores a wide variety of aspects of the tactics used by Jehovah's Witnesses, including shunning, the reasons why cult family members will disavow non-cult family members, and a great deal more. This seemed to me to be an excellent option for storytelling geared for minds that have a tendency to gravitate toward visuals.

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

For a theoretical and psychological understanding of the workings of cults, I would strongly recommend the work of Robert Jay Lifton, in particular, his most recent book Losing Reality: On Cults, Cultism, and the Mindset of Political and Religious Zealoutry, which brings together many of his writings over the years on the subject of cults and what he called “totalizing” groups, ones which demand absolute commitment.

Lifton, who wrote about “Nazi Doctors," the Chinese cultural revolution, and the Aum Shinrikyo cult in Japan, which carried out a deadly sarin attack on a Tokyo subway in 1987, grasped that the mechanism of belief and allegiance that bind both political and religious movements are essentially the same.

Lifton worked out eight criteria for thought control that groups commonly used that went from “Milieu Control,” (isolating members and control the information they are exposed to) and “Demand for Purity” (in which the good… show more.

I absolutely love Sharon Shinn’s writing, both her luscious, sophisticated prose and the way she writes relationships between characters. She hits the perfect balance between well-planned, interesting plots, rich fantasy worlds, and the exact right amount of romantic subplot and character development.

This book—which follows a group of magic-wielding mystics and the reluctant, militaristic King’s Riders assigned to protect them as they travel the land, investigating a rise in anti-magic sentiment—is my favorite of her books, not least because it has some of the coziest found family dynamics and campfire friendships to be found outside of classics like The Lord of the Rings!

Although this book is ostensibly set in the future, countercultural enthusiasts of the sixties were quick to claim it for their own, with its references to transcendental enlightenment, out-of-body experiences, communal living, and free sex.

It became a best-selling phenomenon as contemporary young people reacted positively to its iconoclastic attitudes. That's what happened to me, too, when I came across the book shortly before the move to the Bay Area that opened my eyes to the reality of the psychedelic sixties.

Anyone who knows me well or has read my first two books knows I’m a sucker for a thriller about a cult. Blood and Salt by Kim Liggett is my young adult Midsommar dream novel. The main character, Ash Larkin, goes looking for the commune her mother escaped only to find herself physically trapped there by the cornfield (and cult) from hell. As a child I used to play hide and seek in cornfields. This book brought me back to those moments spent listening for my friends, worrying that they wouldn’t find me. Kim’s writing is beautiful and lyrical. I will literally read anything she writes. Besides, she has the coolest author bio ever. She spent the eighties singing backup for rock bands. 

This is a brilliant scholarly examination of the Neopagan movement. What differentiates this book from other Witchy titles is that, although Ms. Adler was, in fact, a Pagan herself, this is not a “how-to” book. Instead, the author uses her background in anthropology, journalism, and historical academia to offer much-needed perspectives.

I was fortunate to have met the author at a large Neopagan convention called PantheaCon back in 2008, where I expressed profound gratitude for this book and for her poignant journalism. Not only was she an incredible journalist for NPR (National Public Radio), but her book was imperative in my early years of realizing and recognizing myself as a natural Witch. During my early Pagan studies, this book helped offer me a well-rounded approach to the Craft, even having influenced my future calling to pursue a degree in cultural anthropology!