Books like Small Town Monsters — picked by fans

New York in the 1830s was a modern city on the make, where you could find Irish immigrant neighborhoods, white-collar workers, fire insurance, social reformers...and the bizarre religious cult of the Prophet Matthias.

I find Matthias reactionary and creepy, but I am fascinated by how he sees modern life through a dark mirror. His loathing of the rising middle-class world was so specific! He hated new-fangled cast-iron stoves, "women who do not keep at home," and "men who wear spectacles." Johnson and Wilentz refuse to spell out all the lessons of this book; instead, they dump you into a strange environment where the most unsettling moments are actually the ones when something suddenly feels familiar.

It was a brilliant decision on Natalie's part to create a graphic novel that lays out the many facets and layers that make up the dynamics of cults. It has been a pleasure for me to get to know Natalie. A former member of the Jehovah's Witnesses, she is now a dynamic and independent individual. This graphic novel explores a wide variety of aspects of the tactics used by Jehovah's Witnesses, including shunning, the reasons why cult family members will disavow non-cult family members, and a great deal more. This seemed to me to be an excellent option for storytelling geared for minds that have a tendency to gravitate toward visuals.

I came to this one after watching and loving the television version and found the book even more fulfilling (although very different). It focuses on what happens when millions of people suddenly disappear from the world’s population and it looks not only at how people deal with this massive loss but also how they deal with the mystery of it, the not knowing why. People don’t only lose loved ones in this book but also their own sense of how the world should work, leaving them with a lot to deal with. I loved the characters, the tight focus on one community (and mostly one family within that community), and I loved how Perrotta made such a wild possibility seem entirely plausible.

Writer Adam Morris picks up the mantle of Gilbert Seldes and revisits the exploits and lasting impact of early American New Religious Movements noted in The Stammering Century with more detail and new 20th Century “messiahs.” Morris, unencumbered by academic constraints, allows his active mind to make connections and see what makes men (mostly men) claim the mantle of divine inspiration.

Beautifully written and laser-focused, Morris traces the growth of rogue religionists with an unsparing assessment of the impact they’ve had on American culture.

I had the privilege of spending some time with Dr. Lalich, and during that time I found her to be witty, funny, and extremely interested in the experiences of children who were raised in cults. As someone who grew up in a cult, I am grateful that she spent the time to concentrate on the children, as they are the ones who almost always fare the worst. This book chronicles the lives of several people who were raised under the sway of repressive religions. I am honored to be one of those people.

Dr. Lalich conducted the first in-depth study of its kind, conducting interviews with sixty-five individuals who were either born into or raised in thirty-nine distinct cultic groups spread across more than a dozen countries. Many of these individuals eventually made the decision to leave the cultic lifestyle on their own, which is something that is very unique… show more.

Raven is the best, most comprehensive, and most thoroughly researched book on Jim Jones, Jonestown, and Peoples Temple. Reiterman is a fine investigative journalist who was part of a group to visit Jonestown, Guyana in November of 1978. The visitors included, among others, eight members of the press; Congressman Leo Ryan and his aide Jackie Speier; and thirteen representatives of the “Concerned Relatives,” their own name for the group. Every member of the group had defected from the Temple in San Francisco. Only some of these visitors—Reiterman and a few of the other journalists, Ryan and Speier, and a small number of the group of relatives—were finally and reluctantly admitted in by Jones, on the stern advice of Jones’s lawyers. The Concerned Relatives were there to see if—as they strongly suspected—those in Jonestown were being held against their will.  The journalists wanted to find the truth about life in the… show more.

Anyone who knows me well or has read my first two books knows I’m a sucker for a thriller about a cult. Blood and Salt by Kim Liggett is my young adult Midsommar dream novel. The main character, Ash Larkin, goes looking for the commune her mother escaped only to find herself physically trapped there by the cornfield (and cult) from hell. As a child I used to play hide and seek in cornfields. This book brought me back to those moments spent listening for my friends, worrying that they wouldn’t find me. Kim’s writing is beautiful and lyrical. I will literally read anything she writes. Besides, she has the coolest author bio ever. She spent the eighties singing backup for rock bands. 

Although this book is ostensibly set in the future, countercultural enthusiasts of the sixties were quick to claim it for their own, with its references to transcendental enlightenment, out-of-body experiences, communal living, and free sex.

It became a best-selling phenomenon as contemporary young people reacted positively to its iconoclastic attitudes. That's what happened to me, too, when I came across the book shortly before the move to the Bay Area that opened my eyes to the reality of the psychedelic sixties.

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

The story follows Jack and Elizabeth who meet when they are young, struggling artists in Chicago and moves into their midlife years where their marriage strains amid parenting, the wellness culture, polyamory, and a yearning for their ‘best lives’.

What I found most intriguing first was the great writing, but also the contrast between pre-digital life and the way our immediate environment shapes our self-perception, and in that, the ways we relate to each other.