Books like Sister Carrie — picked by fans

I first became aware of the 1920s through movies such as Some Like it Hot and Thoroughly Modern Millie. I was immediately attracted to what I call the “Booze, beads, and boas.” I felt a kinship with the flappers who were experiencing freedom from the restrictions of the Victorian Era and living their best lives. They were making their own rules and doing it with style! As professor of library science, I researched the history of the American public library and of women in the 1850s-1920s. Today, I write historical cozy mysteries to live out my own glamorous flapper dreams.

Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.

I was born in Macon, Georgia, in 1942. My father was a druggist and my mother a housewife until his illness put her to work as a newspaper reporter and eventually as a school teacher. After spending four years in the U.S. Air Force I earned a B.A. and a M.A. in English. After teaching English for thirty-one years, I retired in 2006. My wife and I live in Savannah and have two daughters, five grandchildren, and a black Lab. Among the many novels that I taught during my years as an English professor, the five on my list were invariably the ones to which my students most actively responded.

My passions lean toward American history, Americana, and skepticism. My creed is that "Conventional wisdom is neither." I am a member of the Skeptics Society, and I often litigate and lecture on copyright and celebrity rights issues. I have been a trial lawyer for 45 years and try cases in front of flesh and blood judges and juries. My clientele runs from supermodels to celebrities, photographers, performers, directors, model agencies, photographers, and artists.

I've suffered from insomnia since I was a child, and the best way to pass the dark hours is to keep my mind engaged. Whether that means reading a thriller, murder mystery, or deep-rooted, life-altering tale, a novel has to do more than entertain me. It has to capture me. Draw my thoughts away from my bedroom’s black corners. Always, an e-book reader and paperback sit on my nightstand. If it’s past midnight and I’m awake, I hear them calling. If they are thought-provoking with lots of moving parts to keep me guessing? I can’t stop turning pages. I am CJ Zahner and I’m a true suspense junkie. 

I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.

Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.

As a kindergarten teacher and a mother of three boys, I live at the intersection of weird and wonderful, so I expect nothing less from my library. Indie authors offer unique points of view, aren’t afraid to break the rules, and are motivated by their passion for the craft of writing. I'm drawn to those writers who let the voices in their heads lead the way, creating characters you become invested in from page one. I love writing around my characters, because once I have them developed, the books tend to write themselves. Some of my best storylines are ones where my characters took over and led me in weird and wonderful directions.

I love hip hop. It’s basically poetry with a beat. I'm always thinking of literature in terms of rhythm and delivery. Creatively, my inspirations come from lyricists. I look at poets the same way. They accomplish wonderful feats with words. From years of listening to classic albums, I can feel the aliveness of a good verse. It’s also an element I try to tap into as a fiction writer. I'm a recipient of the 2023 Whiting Award and was also named an Emerging Writer Fellow at the Center for Fiction in 2018. My work has appeared in the Sewanee Review and Granta. He is the author of Stories from the Tenants Downstairs. 

My first career in archaeology fed my love of history and cultures, giving me insight into human motivations. As a writer, I also love a good action scene, and I began taking mixed martial arts when I was writing the Emma Fielding archaeology mysteries and then the “Fangborn” urban fantasy novels. I soon realized I wanted to write a thriller with female characters who were badass—tough and smart—women I’d want to have at my back in a fight. I found them when I wrote Exit Interview. I love a book where a woman takes charge to change things, whether it's in her community or more globally.