83 Books Like Singing Earth

I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty. 

Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.

I have read books of various genres but the dominating theme has always been stories that haunted me and remained in my memory like a movie song lyric. These books are ones that made me feel the story as if the characters lived next door and were well known to me. The nostalgic feel and unexpressed emotions of women, when brought out in the form of stories keep my mind occupied and impacted my life changes too. As a teacher, meeting students of various ages, I am able to subtly identify the feelings that cross children and understand the emotions that dominate their parents and their lives in a family. 

I have read books of various genres but the dominating theme has always been stories that haunted me and remained in my memory like a movie song lyric. These books are ones that made me feel the story as if the characters lived next door and were well known to me. The nostalgic feel and unexpressed emotions of women, when brought out in the form of stories keep my mind occupied and impacted my life changes too. As a teacher, meeting students of various ages, I am able to subtly identify the feelings that cross children and understand the emotions that dominate their parents and their lives in a family. 

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

Not only am I the author of seven women’s fiction novels, I’m a voracious reader who believes she was raised by Judy Blume and Sidney Sheldon. In our broken home, reading was an escape, a salve for the wound, a place where I felt heard and understood. My novels touch on deep emotions—real and relatable. If I don’t capture that feeling when I’m reading through my drafts, I dig deeper. And that’s the thing about a great book, that gut punch, that slide under my skin, I get you. There’s no better read than the one that pulls the heartstrings and gives you all the feels.    

When I was about ten, my mother brought home our one and only outdoor Christmas decoration, a plastic choir boy. One blustery night, we saw something streak by the living room windows. Rushing outside, we were shocked to see our choirboy lying amongst the shrubbery, his plastic neck broken. My father made several valiant attempts at surgery with various kinds of glue and tape, but the poor little choir boy was never really the same and eventually he was thrown into the trash. This childhood memory inspired me to write Candy Cane Lane and fortunately I was about to give it a much happier ending.

There is something about a 'happily ever after' that, no matter how hard it is to get there, it is so satisfying when you do. If there is a little humor mixed in with mystery that can take your emotions on a rollercoaster, that’s all the better. I decided to write romance because I do believe in fairy tales. I believe love is a choice. You make it what you want. I am a romantic suspense author because I love the thrill of solving the crime. In many cases, truth is stranger than fiction. Many times I use real-life issues and moments in time in my writing to pique the readers' curiosity. 

Ever since I was a young girl, I always turned to writing to work through anything that was happening in my life, ranging from the first time I experienced loss to my parents’ divorce. I have since published three children’s books on tough topics as I have aimed to provide parents, children, and teachers with tools to discuss loss and change. My most recent book, Goodbye, Gus is specifically about the loss of a pet. My dad died when I was 21, and that was the first death (other than my dogs) that I ever experienced. I was able to experience first-hand the fact that the loss of my pets helped prepare me to cope with grief, and I also learned that we can all focus on what we did have and hang on to those memories forever. 

I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it. As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.