Here are 100 books that Sing Backwards and Weep fans have personally recommended if you like
Sing Backwards and Weep.
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As a genre reader since childhood, I’m all-too-familiar with the tropes of the Chosen One, the Prophecy and all those things that lead the unsuspecting child of humble birth to fulfil their Great Destiny. I’ve no complaint against it, it’s been the source of many rich and inventive stories, but I find myself increasingly drawn to stories where the protagonist is an ordinary Joe (or Jo), sucked into uncommon events beyond their normal lives and forced to find a way to survive. It’s easy to grab attention with the threatened destruction of the galaxy. How much more satisfying, then, to make a reader care about the soul of one character.
For all the highly enjoyable shenanigans around using time travel to prevent JFK’s assassination, I came away loving this book for reasons I don’t normally associate with King–I genuinely loved his characters. Jake Epping is a sympathetic lead, and I became far more invested in his love for Sadie than in the assassination-thwarting.
I’d hesitate to say this is King’s finest book, but of those I’ve read, it’s definitely my favourite. I found the climax so emotionally satisfying; it genuinely moved me.
Now a major TV series from JJ Abrams and Stephen King, starring James Franco (Hulu US, Fox UK and Europe, Stan Australia, SKY New Zealand).
WHAT IF you could go back in time and change the course of history? WHAT IF the watershed moment you could change was the JFK assassination? 11.22.63, the date that Kennedy was shot - unless . . .
King takes his protagonist Jake Epping, a high school English teacher from Lisbon Falls, Maine, 2011, on a fascinating journey back to 1958 - from a world of mobile phones and iPods to a new world of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A wonderful coming-of-age novel set against the tumultuous backdrop of the Vietnam War.
Two young men are lucky enough to find kindred spirits in one another and then suddenly, they are wrenched apart – one off to college in Wisconsin, and the other drafted off to fight in the Vietnam War.
The two men take up a correspondence, leaning on each other and sharing their thoughts, fears, hopes, and dreams through the only avenue available to them: the written word. Their letters are a lifeline for both.
This novel is a journey through the heart and mind of two young disillusioned men who learn all about friendship and love through letters, finding themselves again through each other.
An LGBTQ coming of age story about fighting for someone you love, brought to life in this Vietnam War era historical fiction.
It seemed as though Anthony and Sam had just found each other, and now they were already being torn apart. Sam to college in Wisconsin; Anthony across the world fighting in the Vietnam War. Through their separate journeys, they discover themselves, and rely on the one way to share their secret together. Corresponding with secret messages, scary truths, and fears about the war, readers will follow Anthony and Sam’s path to friendship, love, and survival.
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A tale of close sisters who find themselves at odds as their belief systems are challenged during the height of the Vietnam War; their lives deviating from one another as their priorities change.
A poignant novel about how even the strongest of familial relationships can be torn asunder in times of turmoil and upheaval, but how the purest love can bring them back together again.
Rosa and Esther march through downtown Detroit in August 1968 to protest the war in Vietnam. When a bloodied teenager reports that mounted police are beating protestors a few blocks away, the young women hurry to offer assistance. They try to stop the violence, but an officer is injured and the sisters are arrested. Rosa sees an opportunity to protest the war in court. Esther has an infant daughter and wants to avoid prison, which means accepting a plea bargain and testifying against her sister. Told from multiple points of view and through the sisters' never-mailed letters, Her Sister's Tattoo…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
As an author of historical fiction, I have a number of time periods that I go back to again and again. Both the 1960s (specifically, the late 1960s) and the 1990s are two of those eras that I just can’t get enough of. The parallels between these two time periods are very compelling: both were times of political upheaval and amazing music, with young people leading the charge, hoping to create a better world than the one they were disenchanted with.
A sweet story of a young woman named Joanne, coming of age in California during the height of the Flower Power movement, who meets and falls in love with a “hippie”, much to the chagrin of her parents.
Martin introduces her to a world of drugs, protests, and music, and her life will never be the same.
It's 1967 and fifteen-year-old Joanne's San Francisco neighborhood of Haight-Ashbury has become inundated with hippies for the "Summer of Love," which thrills her but appalls the rest of her family. In the midst of preparations for her sister's wedding, Joanne meets Martin, an enigmatic and irresistible hippie, and begins to see him secretly. Over the course of the next year, Joanne discovers a world of drugs, antiwar demonstrations, and psychedelic dances that both fascinates and frightens her. As this world collides with her family's values, Joanne must decide whether to stay with her middle-class family and pursue her love of…
I’ve always been fascinated by the stories of outsiders. I’m probably attracted to the topic because I come from a couple of misfits who reared me in a small town in the deeply conservative South. My mom is an irreverent, Socialist, Croatian immigrant with half a dozen kids, and my dad a curmudgeonly polyglot who loves books more than people. First as a journalist, then as a historian, I’ve long studied the economies and cultures created by those systematically marginalized or merely with a healthy disdain for the mainstream—enslaved people, queers, disenfranchised women, downtrodden artists, poor immigrants. The books here all capture things that make our society beautifully textured, diverse, and resilient.
Thanks to this book, I know that a great biography can also serve as a penetrating lens into an era. Yes, this is a book about Janis Joplin, but I do not value it because I care particularly much about the tragic specifics of her life, as much as I respect her music.
I love this book because it serves as a deep dive into the links between the often tritely-considered 1960s triumvirate: sex, drugs, and rock ‘n’ roll. Echols does not lightly throw around the word “counterculture”—that’s a big pet peeve of mine—but takes the reader on a tour of the making of a clear and specific cultural divide that’s still very much with us today.
No mistake, though; it is also an empathetic tale of a sensitive and era-defining musician.
The undisputed queen of sex, drugs and rock n' roll was also the voice of a generation who, when she overdosed on heroin at the age of twenty-seven in October 1970; became the posthumous icon of bad girl femininity for millions around the world. Drawing on hundreds of interviews Echols renders Joplin in all her complexity, revealing how this sweet-voiced girl from Texas recreated herself, first as a gravely-voiced bluesy folksinger, and then as rock n' roll's first female superstar. Echols examines the roots of her musicianship and her efforts to probe the outer limits of life; declaring herself the…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.
It was the loudest show I’d ever attended. And it was phenomenal.
Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.
It’s no surprise that Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.
Born the son of Scotland's last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most ground-breaking post-rock bands of the past three decades.
Modestly delinquent at school, Stuart developed an early appetite for 'alternative' music in what might arguably be described as its halcyon days, the late '80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features)…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’m a singer/songwriter and I grew up in a rock’n’roll household. My family has always traded great books about music between us, memoirs, biographies, scientific studies, deep dives into subcultures, industry exposes – I love them all and find a good music book impossible to resist. I always get excited when I find books written by other obsessive music-loving kindred spirits––if I can feel the love I’m right in there with them. I especially love the behind-the-scenes stories and insights into the work and fascinations that helped forge an artist’s career.
A tender meditation on all the disparate threads, sounds, loves, conversations, and lessons that meld together to create an artist. Watching Bob trying to throw off the accolades and labels that want to pin him down like butterfly and explore whatever takes his fancy is my favorite part of this trip, weaving through all the stolen records and ghosts and signposts and colored lights beckoning.
Building on the success of Bob Dylan in His Own Words, an autobiographical portrait of the acclaimed musical performer recounts personal and professional experiences and features black-and-white photography. 250,000 first printing.
Over many years of being an African American fan of rock music, I’ve learned that the combination of my gender, race, and musical taste can be disconcerting to people who expect Black women to adhere to a limited set of cultural interests. My frustration with these kinds of assumptions, my awareness that rock has deep roots in African American musical culture, my curiosity about the experiences of African American women who participated in rock and roll, and my desire to make sure that they are part of the stories we tell about the music’s history led me to write Black Diamond Queens: African American Women and Rock and Roll.
One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty.
One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.
I am a writer and an Arabic to English translator, with a PhD in Arabic Theatre from the University of Edinburgh. In recent years, I have gravitated towards the history of popular culture and the demi-monde in the Middle East. The stories of singers and dancers say much more to me than the conventional subjects of histories of the Arab world – politicians, soldiers, etc. Through them, we can see the Middle East in a way that we seldom see in the West means much more to a lot of the people who live there.
The essential biography of Umm Kulthum for the English reader. Danielson tells the story of the Arab world’s most famous singer, one of the greatest performers of the 20th century. This book charts her life from the small village in the Nile Delta where she grew up to the heights of global superstardom. It also paints a picture of the world that she moved through, which intersected with the world depicted in Midnight in Cairo. This is a necessary read for anyone interested in Arabic music.
Umm Kuthum was a celebrated musical performer in the Arab world, and her songs still permeate the international airwaves. This, the first English-language biography, chronicles her life and career. In particular, it examines her popularity in a society which discouraged women from public performance. The text examines the careful construction of Kulthum's popularity; from childhood her mentors honed her abilities to accord with Arab and Muslim practice, but ultimately, she created her own idiom from local precedents and traditions, and developed original song styles from both populist and neo-classical traditions. Danielson seeks to show how Umm Kulthum's music and public…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
This enduring LGBTQ icon might have been famously enigmatic, but O’Brien presents the story of the cool queen of blue-eyed soul with depth, precision, and humanity, qualities present in all of O’Brien’s books. Dusty’s tale is multi-faceted, often troubled, and tremendously relatable, but her profound strength comes through in this meticulously researched book, which also features an array of interviews with contemporaries and colleagues such as Tom Jones, Lulu, and Jerry Wexler.
FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.
'Provocative and deadly accurate' - Time Out
Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female…
