Here are 87 books that Sidewalks fans have personally recommended if you like
Sidewalks.
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COVID killed my father early on during the pandemic. Every day, I blogged about him. First, when he was in the ICU and I was begging the universe to save him. Then, after he died, as I grieved in a world that seemed cold and lonely. I wrote about Dad, telling stories of happier times, to keep him alive through my memories and to share his life with others. Soon, friends started recommending books about grief. In reading, feeling, and absorbing the pain of others, I somehow felt less alone.
I loved this book because it brought me into a the heart of Ward’s culture.
She brilliantly depicted the discrimination African-American men experience in America. Her love for her brother was endearing. I cried when she wove in the story of his death, and the deaths of other men she knew while growing up.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else. They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”
"Hands-down one of the most beautiful books of the year." -NPR
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit…
As a fiction writer and animal studies scholar, I’m always looking for strange historical anecdotes about human/animal relationships and literary works that help me view humanity’s complex historical relationship with our fellow creatures through fresh eyes. As these books show, whenever humans write about animals, we also write about personhood, bodily autonomy, coexistence, partnership, symbiosis, spectacle, sentience, and exploitation—themes perpetually relevant to what it means to be human!
This book immediately caught my eye with its cheeky Prince quote-as-title, then blew me away with Passarello’s meticulously researched, elegantly crafted essays, each centering around a different animal from world history.
Passarello’s prose is lyrical, whether she’s dramatizing Mozart’s creative correspondence with his pet starling, introducing us to “Mike, the headless chicken,” or whimsically “finishing” Christopher Smart’s famed 18th-century paean to his beloved cat Jeoffry.
Reading this book feels like visiting a combination zoo/museum with my smartest animal-loving friend.
Beginning with Yuka, a 39,000 year old mummified woolly mammoth recently found in the Siberian permafrost, each of the 16 essays in Animals Strike Curious Poses investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these witty, playful, whipsmart essays traverse history, myth, science, and more, bringing each beast vibrantly to life.
Elena Passarello is an actor, a writer, and recipient of a 2015 Whiting Fellowship in nonfiction. Her first collection with Sarabande Books, Let Me Clear My Throat, won the gold medal for nonfiction at the 2013 Independent Publisher Awards. She lives…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Awe can make me feel simultaneously insignificant and fully, freshly alive. Witnessing a total solar eclipse or reading a story of remarkable human endurance, it’s easy to feel awestruck. It takes more patience and practice to experience awe in the subtle and ordinary, but it’s there too, in abundance, if I can see the mystery in the familiar. As a writer, longtime meditator, and lover of the natural world, I believe we can’t live meaningfully without wonder. We’re meant to be lit up, humbled, and curious about this life. To me, the world is magic, and we’ve been called on stage to participate in the trick.
In these turbulent and often-dour times, Ross Gay’s book is in my medicine cabinet. Primarily a poet, Gay takes up a daily practice of finding delight and recording it, developing what he calls a “delight muscle.” I think of delight as awe’s less flamboyant cousin: not flashy, but definitely related.
I love these short, spirited, funny, loose-limbed essays in which Gay shares discovered delights, often many more than one per essay, from the praying mantis on an abandoned pint glass at a café to the tomato seedling carried onto a plane, from the hard-to-break habit of annoyance to the surprisingly clean and pleasant porta potty—and I get to go along for the ride.
A NEW YORK TIMES BESTSELLER As Heard on NPR's This American Life 'The delights he extols here (music, laughter, generosity, poetry, lots of nature) are bulwarks against casual cruelties . . . contagious in their joy' New York Times
The winner of the NBCC Award for Poetry offers up a spirited collection of short lyric essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders.
Among Gay's funny, poetic, philosophical delights: a friend's unabashed use of air quotes, cradling a tomato seedling aboard an aeroplane, the silent nod of…
Ever since I was a little guy, I've been told that I complicate things unnecessarily. I overthink and over-communicate, and often, my feelings are outsized to the situation. These are not things I do on purpose, but involuntary, like a sneeze or the way you reflexively clench with cuteness aggression when you see a grizzly bear’s little ears, even though you know it can hurt and eat and kill you. I love to find books with narrators who seemingly share this affliction. It makes me feel less alone, but more importantly, I love to see how other people's Rube Goldberg machines function.
I didn't realize a book could get the zoomies. América del Norte has instilled in me such great wonder and vicious prose envy that I may never recover. Rambunctious, bombastic, and sprawling, this work of autofiction left me saying things like, “No way!” and “What the hell?!” out loud like a complete buffoon. Sometimes because of the story and sometimes because of the audacity of the sentence structures.
Medina Mora weaves history, literature, politics, translation, and much more into a grand chronicle. Amid devastating historical narratives and global tragedy, I still laughed out loud at some parts and startled my little cat, who then also got the zoomies.
Moving between New York City, Mexico City, and Iowa City, a young member of the Mexican elite sees his life splinter in a centuries-spanning debut that blends the Latin American traditions of Roberto Bolaño and Fernanda Melchor with the autofiction of US writers like Ben Lerner and Teju Cole.
Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa’s MFA program.
But Sebastián’s life is shaken by the Trump administration’s restrictions on immigrants, his mother’s terminal cancer, the cracks in…
Hello! My name is Flavia Z. Drago and I'm a Mexican picturebook maker currently living with my partner and my cat in the UK. As a child, most of the books that I read came from foreign countries, particularly Europe and the US, and these have had a huge influence on my work as an author and illustrator. However, now that I'm in charge of making the books that I would have liked as a child, I enjoy adding details of my Mexican culture whenever possible. To some extent, the books that I've shared with you collect some of the stories, experiences, and emotions that as a Mexican have impacted my life.
As a Mexican living in the UK, this story deeply speaks to me, as I truly identify with the characters in Tania’s book. This story reminded me of all of the complicated emotions of migrating, the things that I miss when I am not in Mexico, while reminding me of appreciating the present even more, as there are always things to appreciate, enjoy, and love wherever you are.
The illustrations of Tania are full of life, delicate, and convey in amazing detail the lively atmospheres of Mexico City and New York; the city where she was born, and the city where she currently lives.
As a girl in Mexico City and a boy in New York City ponder moving to each other’s locale, it becomes clear that the two cities — and the two children — are more alike than they might think.
But I’m not sure I want to leave my home. I’m going to miss so much.
Moving to a new city can be exciting. But what if your new home isn’t anything like your old home? Will you make friends? What will you eat? Where will you play? In a cleverly combined voice — accompanied by wonderfully detailed illustrations depicting parallel…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love learning about history, and the more I learn, the more I appreciate my place in this world. While military history, particularly from pre-WW1 to the end of WW2, was what made me first plant my nose in a book, I can geek out on pretty much any historical period: the rise of human civilization, Rome, the conquest of the New World, the development of airplanes. But it’s the personal element that most draws me in, and the fact that we humans remain fundamentally the same in how we cope with another through the ages. It’s through fiction that we see the past in a way that makes sense.
I’ve tried several times to understand the Mexican Revolution, with its cast of martyrs and rouges scrambling in a violent tornado of noble intentions and bloody treachery. Nava artfully demonstrates his chops as a writer by paring this seemingly incomprehensible sweep of Mexican history into an accessible and compelling narrative.
His characters are complicated and nuanced—Nava gives us no easy answers—and we watch them flail for salvation and fleeting promises even as society collapses around them.
In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Diaz, the ruthless and inscrutable president of the Republic.
Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilan. Miguel is a principled young doctor, only recently returned from Europe…
Writing my history of the 1746 earthquake and tsunami that walloped much of Peru taught me that disasters serve as great entryways into society. They not only provide a snapshot (today's selfie) of where people were and what they were doing at a given moment (think Pompei) but also bring to light and even accentuate social and political tensions. I have lived my adult life between Peru and California and have experienced plenty of earthquakes. I continue to teach on "natural" disasters and have begun a project on the 1600 Huaynaputina volcano that affected the global climate.
This book showcases the extraordinary writing of the novelist and journalist Elena Poniatowska. She weaves together the voices of multiple journalists, her own reflections, and above all the testimonies of dozens of survivors of the two earthquakes that battered Mexico City and surrounding areas on September 19 and 20, 1985. It is both a moving report of people's suffering as well as a stirring portrait of how common people stepped in and created search and rescue teams and offered relief when government efforts failed. Poniatowska masterfully captures what many historians consider a key before and after moment in modern Mexican history.
In September 19, 1985, a powerful earthquake hit Mexico City in the early morning hours. As the city collapses, the government fails to respond. Long a voice of social conscience, prominent Mexican journalist, Elena Poniatowska chronicles the disintegration of the city's physical and social structure, the widespread grassroots organizing against government corruption and incompetence, and the reliency of the human spirit. As a transformative moment in the life of Mexican society, the earthquake is as much a component of the country's current crisis as the 1982 debt crisis, the problematic economic of the last ten years, and the recent elections.…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Juan Villoro’s memoir takes readers on a tour of contemporary Mexico City that is also a meditation on chilangos’ (Mexico City residents) relationship with the past. The book bounces between the author’s childhood in the neighborhoods of Mixcoac and Del Valle and the present day, traversing the sprawling metropolis and giving readers a sense of its scale and complexity. Through Villoro, we meet the sewer cleaners and tire repairmen who keep the city humming. We visit monuments like the Angel of Independence and Chapultepec Castle and the bustling spaces of Santo Domingo Plaza and Tepito—places that seem to hover between past and present and myth and reality. At once spry and erudite, the book is an immensely satisfying rumination on the city and its people.
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city.
Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I grew up hearing stories about Mexico City from my grandmother, who spent her childhood in the 1930s there after emigrating from the Soviet Union. I fell in love with the city’s neighborhoods during my first visit in 2006, and I am still mesmerized by its scale and its extremes. I am especially interested in the city’s public spaces and the ways people have used them for work and pleasure over the centuries. Those activities often take place in the gray areas of the law, a dynamic I explored in the research for my Ph.D. in History and in my book, Black Market Capital.
Few scholars have done more to demystify the nature of crime in Mexico than Pablo Piccato. His book City of Suspectsis a nuanced history that reveals that the very meaning of crime was contested in early twentieth-century Mexico City. While Mexican elites tried to define criminals as a social class, the urban poor, who experienced crime as a part of their everyday lives, saw crime as an individual phenomenon. This book, like the others on this list, is also a story about the ways people used and thought about public space. At a time when Mexico’s government sought to transform the capital into a modern metropolis along the lines of Paris or New York, the poor resisted efforts to exclude them from that future.
In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners' letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing…
