Books like Shostakovich — picked by fans

Leo Tolstoy’s follow-up project to the massive War and Peace explores the meaning of human existence and the interplay of socio-political events and individual free will through the medium of infatuation, marriage, and love.

It’s also a real page-turner. When she finished it, Elisabeth Elliot called it the greatest book she had ever read, writing that Anna Karenina’s character had held a mirror up to her soul and showed her what her own heart was capable of. 

I came across Early Memoirs when I set off to explore the fiery end of Catherine’s Russia and quickly realized I found a brilliant first-hand account of the dramatic transformation of Russian art and culture in early 20th century. Bronislava (Bronia) Nijinska, a talented dancer and choreographer herself, was the younger sister of Vaslav Nijinsky—the God of Dance—one of the best dancers of all times. In these memoirs she describes their childhood spent with dancer parents touring provincial Russian theatres, their education at the prestigious Imperial Ballet School in St Petersburg, and their years in the Ballets Russes, the ground-breaking Russian dance company which took Paris by storm in 1906.

Both clear-eyed and passionate about art Nijinska not only offers personal, intimate portraits of Vaslav Nijinsky, Sergey Diaghilev, Igor Stravinsky, Tamara Karsavina, Anna Pavlova, but documents the transformation of Russian ballet from its imperial glory to the breathtaking and… show more.

This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.

Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.

His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable. 

This historical work traces the improbable rise to power of Catherine the Great and her partnership and love affair with Prince Potemkin. Catherine, a German princess, seizes the throne from her mentally-unstable husband and begins to rule the vast empire that is Russia. She is largely responsible for the partition of Poland. Together she and her lover Potemkin conquer Ukraine and Crimea. It hardly needs stating that these territories are at the center of today’s headlines. Thus we learn a great deal about the background of the current war. Their affair was unbridled but it went far beyond sex. It was a marriage of intellects and politics. Ultimately, they agreed to share power, leaving each of them free to take younger lovers. This is another book about a woman operating in a man’s world, wielding power ruthlessly and giving free rein to her sexuality.

Much like my first pick, this is an incredible novel that has stayed with me for years. It’s another go-to recommendation for me if anyone asks what my all-time favorite WWII novels are. Alexandra is a Russian-born Australian author, and I’m a huge fan of her other books too. Once again, she creates characters that are impossible not to fall in love with, and she’s a natural storyteller who artfully blends historical detail with fiction. 

Svetlana Alliluyeva was Josef Stalin’s daughter. In 1967 she fled to the West bringing this memoir with her. It was published to universal acclaim in the same year. An epistolary memoir it gives remarkable insight into her life growing up in the Kremlin. Haunting, at times lyrical, always affecting, she shows Stalin as something other than the monster we take him to be. She makes no excuses for him but it is salutary to see him portrayed as a father and a human being. An antidote to the all-too-easy dismissal of him as ‘a monster’.

Julian Barnes dramatizes the tortured inner life of the Soviet Union’s greatest composer.

Dmitri Shostakovich was by all accounts a nervous wreck: a twitching, blinking, sweating mess. He lived in the glare of Stalin himself as the most prominent Russian composer in the 1930s and ‘40s, during the Great Terror.

What I return to is the way Barnes takes us inside Shostakovich’s mind as he tried to balance writing music with life-or-death politics. Some of the compromises he made, like denouncing Igor Stravinsky’s modern compositions, haunted him. "He had betrayed Stravinsky, and in doing so, he had betrayed music. Later, he told Mravinsky that it had been the worst moment of his life."

Mary Leder was an American teenager in the 1930s when her Jewish socialist immigrant parents, poverty-stricken by the Great Depression, decided to return to Russia to build a Jewish homeland in Birobidzhan. After a brief period of difficulty, they left the Soviet Union and returned to the United States, but Leder was detained due to passport difficulties.

In this moving memoir, she discusses her life in Moscow as a student, a factory worker, an editor, and a young wife and mother. She provides a tragic and compelling account of the repressions of the 1930s, the chaotic evacuation of Moscow in 1941 as the Germans approached the city, the death of her baby girl in evacuation, and the growing anti-Semitism after the war. At one point she shared a communal apartment with a young, very kind Vietnamese revolutionary who she later learned was Ho Chi Minh. The journey she narrates, from… show more.

I loved this three-book series because it is a cold, academic study of one of the world’s greatest psychopaths in action. Understanding how a psychopath would behave when in charge forms a large part of not only Diathesis but also Dissonace, the fourth book in my series, and this does exactly that.

It’s a difficult read emotionally, but that’s more than offset by the examination of how a psychopath, and one recognized as such and as being unfit for any position, manages to rise to the top.

Most Western readers are familiar with the holocaust carried out by the Nazis in Europe, but know little about the almost two million Jews murdered by the Nazis in the occupied territories of the Soviet Union. Here, the Germans embarked on a “holocaust by bullets,” rounding up the Jewish inhabitants, imprisoning them in camps and ghettos, and then shooting them at the edge of vast pits and ravines. 

Grossman and Ehrenburg, renowned Soviet war journalists and members of the Jewish Anti Fascist Committee, began collecting eyewitness testimonies and other documents during the war. Yet the Soviet state, following the policy, “we do not divide the dead,” refused to permit publication of the book they assembled because it was too focused on the particularity of Jewish suffering. The Complete Black Book, a powerful compilation of firsthand reports, is essential to understanding the full scope of the German campaign for Jewish… show more.