Here are 100 books that She Walks in Beauty fans have personally recommended if you like
She Walks in Beauty.
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As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
While this book of poems, first published in 1964, does hark back to a past era, the poems themselves are timeless. There’s an underlying sense of peace, which gives me solace when I feel bleak and filled with a nameless anxiety. Despite the sorrows, there’s grace in these poems, and in the world Berry speaks of — a simpler world than the one we live in today. Yet, each time I read them, I’m enriched with comfort and hope that frees me from the melancholy of living in a modern world that appears to be losing its way.
I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I am a clinical social worker and writer of 13 books and more than 40 poems and essays in national magazines and journals. For 20 years, I counseled survivors of violent crimes in individual and group treatment at the Crime Victims Treatment Center in New York. My book recommendations are eclectic, maybe odd, but I read widely for diversion. I set my kitchen timer and try to read every day for at least half an hour. As I age, I read to be soothed, educated, involved, entertained. I no longer finish books that are boring. I used to… but those days are over!
I’m so not a country gal! No to ‘roughing it’. No to the scenic hikes and the bugs that got under my socks and inside my shirt! And the bear I thought I saw crossing the road ahead of me and my friend. So to love Mary Oliver’s poetry of nature came as a great surprise.
Her observational poems bring me to another space. One where there is a curiosity about things I might take for granted: bogs, streams, mushrooms, owls. Her poems bring calm and are soothing when you’re having a painful knee. Mary Oliver almost makes me want to go on a long walk. Well almost!
Mary Oliver was awarded the National Book Award for New and Selected Poems, Volume One. Since its initial appearance it has become one of the best-selling volumes of poetry in the country. This collection features thirty poems published only in this volume as well as selections from the poet's first eight books.
Mary Oliver's perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. "Do you love this world?" she interrupts a poem about peonies to ask the reader. "Do you cherish your humble and…
As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
Nye’s poems are at once complex and accessible. Even the poems that are easy to read offer hidden depths, reflecting the powerful connections that we share as a family and as part of both local and global communities. She strips away the differences in culture and value, reminding us that to be fully human we, like Fowzi the fool (from the poem “Different Ways to Pray”), still need to talk to our version of G-d as easily as we talk to goats. Of Palestinian-American heritage, Nye’s gentle, insightful words offer the hope that somehow, we’ll find a way to be kind to those who are different from us.
Words Under the Words gathers into a single volume the finest poems by one of the most exciting, accessible poets in America today. This long-awaited collection draws from Naomi Shihab Nye's three critically acclaimed books: Different Ways to Pray, Yellow Glove, and National Poetry Series winner, Hugging the Jukebox.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Born into an atheist family and a psychiatrist by background, I identified as a Christian in mid-life then became an interfaith minister. I believe everyone has a birthright to discover their own personal nature and purpose and although religion can help, it’s probably only a phase through which a properly evolved consciousness passes. You can read all the non-fiction and sacred texts you like, but I find spiritual fiction to be the best medium to explore and share fundamentals like this.
A complete classic from 1923, it contains so much wisdom that I almost use it as a reference book. There’s no plot as such, the central character forming a mouthpiece for short bursts of poetic prose that cover many of life’s biggest issues.
I adore the beauty of the metaphors and the whimsical nature of the advice, and I’ve quoted it in both formal and informal moments more times than I can remember.
One of the most beloved classics of our time—a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Published in 1923, Gibran's masterpiece has been translated into more than twenty languages.
Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.
Each essay reveals deep insights into the impulses of the human heart and mind. The…
I have created art from an early age. Years later, my studies in civil engineering allowed me to combine my love for the arts with my belief in an orderly world. Meanwhile, reading and writing have always been my favorite pursuits. While collaborating as an editor with other authors, assisting them in their writing endeavors, in 2014, I wrote and published my first book. Sharing my writing on Instagram gave birth to the idea of my first poetry book, something like, published in 2018. Since then, two more poetry collections have been published: A TriAngle in 2019 and something like in reverse in 2020.
Women are misunderstood. I’ve heard it many times, so have you. Fewer things are more frustrating than voicing concerns and not truly being heard. Or trying to express yourself, but not finding the right words.
“HER” is collection of poems that has become an inspiration for many women and a guide for many men. Women are praising this book because EVERY woman can see a reflection of herself and her heart on these pages. Originally written from the perspective of a man trying to help other men get a clue, this short and simple read has become a go-to for…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
I recommend this book because it places emphasis on women knowing their self-worth. This book also speaks about loving deeply and not having that love given back in return. I could identify with being in relationships that have made me feel unloved and unworthy. I could also identify with having that eye-opening moment when you come to the realization that you are this beautiful, gifted, wonderful human being worthy of having a person in your life who recognizes and truly appreciates you for all that you embody. The takeaway from this book I gained is to never love anyone more than you love yourself.
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
I’ve loved reading short horror stories ever since I got my elementary school-aged hands on a copy of Scary Stories to Tell in the Dark. In high school, I discovered my love of poetry, and I’ve never stopped trying to find a new favorite horror book. I love being able to sit down with a cup of tea on a rainy autumn afternoon and read a whole book in one go. I’m co-chair of the Horror Writers Association’s Seattle Chapter and find myself adding new horror books to my TBR pile every week. I hope you enjoy these books as much as I did!
While I will read anything written by Lee Murray, I loved this anthology of horror poetry! The variety of voices that Murray and Ryan have pulled together is powerful when read cover to cover. I love how the real-life horrors that women can face are illustrated by the poets through these creative, powerful, and well written pieces.
A showcase of poetry from some of the darkest and most lyrical voices of women in horror.
A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes.
Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica…
I'm a “storyseeker” as much as a storyteller. I love hearing people’s ordinary and extraordinary stories; they inspire and motivate me and make me feel hopeful. I think our stories are the most precious things we have, and our greatest legacy. They help us understand each other better and connect us to people we may otherwise never get to meet. That’s why I wrote a book of personal stories called 30 Days: Stories of Gratitude, Traditions, and Wisdom and a 30 Days Journal that helps people record their own stories, by answering a prompt each day for a month. For a nonprofit I help lead called KindWorks, my title is CIO—Chief Inspiration Officer!
I love reading stories of how ordinary people achieve extraordinary things by overcoming challenges, believing in their dreams, and not accepting defeat.
The 100 stories of women featured in this book, along with exquisite portraits of each by female artists, start with the words of a traditional fairy tale “Once upon a time…”, but instead of tales of helpless princesses there are inspiring portraits of women with grit, smarts, and tenacity. Heroes in every sense of the word, for all of us, young and old, to admire.
What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Elizabeth I to Serena Williams. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I first saw the quilts of Gee’s Bend at the Whitney Museum in New York. I was wowed! I viewed the quilts as works of art and included some in a book I was doing, Art Against the Odds:From Slave Quilts to Prison Paintings. But I wanted to show and tell more about the quilters. Who were these women who dreamed up incredible designs and made art out of scraps despite their poverty and hard lives? Since I never quilted I had to find out how they did it, and realized that quilting not only produced covers for their families, but expressed individual creativity, and brought women together.
Faith Ringgold, an acclaimed Black artist who grew up in Harlem, tells about her childhood and explains the process of creating her extraordinary painted quilts such as Tar Beach, Sonny’s Quilt, and Dancing at theLouvre. Each tells a story. “When I was starting out,” she wrote, “there were hardly any galleries that showed the work of black women, or women at all.” Her quilts are now housed in museums and public collections nationwide. Full-color reproductions of her work, as well as vintage photos, illustrate this inspiring book.
In her own words, here is a conversational account of Faith Ringgold's life and work--in an innovative, interactive format. Presented in short sections, such as "Introducing Myself," "Growing Up," and "Being an Artist," the author and illustrator comments on her achievements, how she developed her style, and what some of her works mean to her. Ideal for use in the classroom or at home, the book also contains suggestions for activities and projects.
