Here are 100 books that Shatterday fans have personally recommended if you like
Shatterday.
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Two themes run through my book recommendations. First is the lone protagonist against impossible odds. Don’t we all feel this way from time to time in our lives? I’m no exception and still have the scars to prove it, which is why my first novel was intended to promote awareness and prevention of child abuse and domestic violence. Secondly, I’ve had an affinity for speculative fiction (science fiction, fantasy, and paranormal) since I was a child so it only stands to reason that I would be inspired by the likes of Harlan Ellison, Ray Bradbury, Philip José Farmer, Philip K. Dick, and other masters of these genres.
The variety of subjects covered in this collection of 22 short stories demonstrates Bradbury's prowess as a master craftsman and the reason why I count him among my literary heroes.
More than a few of these tales have become legendary, including “A Sound of Thunder.” Bradbury's premise of how the death of a butterfly in prehistoric times could have drastic changes in the future is a variation on the famous “butterfly effect” and a fine example of the relationship between chaos theory and the physics of time travel. For me, the most incredible story in the collection is “The Fog Horn” in which an elusive sea monster attacks a lighthouse after being attracted by its foghorn for years. This story was the inspiration for the 1953 film The Beast from 20,000 Fathoms.
Ray Bradbury is a modern cultural treasure. His disarming simplicity of style underlies a towering body of work unmatched in metaphorical power by any other American storyteller. And here, presented in a new trade edition, are thirty-two of his most famous tales--prime examples of the poignant and mysterious poetry which Bradbury uniquely uncovers in the depths of the human soul, the otherwordly portraits of outré fascination which spring from the canvas of one of the century's great men of imagination. From a lonely coastal lighthouse to a sixty-million-year-old safary, from the pouring rain of Venus to the ominous silence of…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I've loved horror since I was a kid. However, the horror of the unexpected has frequently popped up in my life. This started most prominently with a day on the beach, near the haunted Hotel del Coronado; while my mind was busy thinking of ghosts, I busily picked up various seashells, only to be shocked to find a crab in one of the shells I had attempted to retrieve. Several paranormal experiences and many late nights of research later, I have become the writer presenting you this list today. I've spent a lot of time watching movies, teaching, and reading about sociology. Happy reading!
This is a sci-fi book from famous sci-fi author Phillip K. Dick. Besides suggesting some big, scary questions, it didn't exactly stick to what I usually go for in a sci-fi book.
For a while, it involved this product, Ubik, which has so many uses that it's everywhere. But the story drew me in with a relatively everyman-type guy on a team of psionic corporate spies—and then things get weird. It's the kind of weird like when I was struggling to remember this amazing horror movie I had seen, only to realize the media in question had actually been this unforgettable book.
A classic science fiction tale of artifical worlds by one of the great American writers of the 20th century
Glen Runciter is dead.
Or is he?
Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out.
If it hasn't already.
Readers minds have been blown by Ubik:
'Sheer craziness, a book defying any straightforward synopsis . . . a unique time travel adventure…
Quoting Aristotle when writing about yourself probably comes off as pretentious, but looking back at how I became a writer, his idea of how good stories must be “surprising yet inevitable” rings true: from a childhood split in rural Bavaria, where dark German fairytales sparked my love for books to experiments with lucid dreaming that ended in a loss of reality, my ending up as a game writer and novelist focused on the mind and dreams does sound somewhat inevitable—even if it took me some detours and distractions to get there. Now, I couldn’t be happier. 😊
From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable.
Jason Taverner has a glittering TV career, millions of fans, great wealth and something close to eternal youth. He is one of a handful of brilliant, beautiful people, the product of top-secret government experiments forty years earlier. But suddenly, all records of him vanish. He becomes a man with no identity, in a police state where everyone us closely monitored. Can he ever be rich and famous again? Or was that life just an illusion?
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
Two themes run through my book recommendations. First is the lone protagonist against impossible odds. Don’t we all feel this way from time to time in our lives? I’m no exception and still have the scars to prove it, which is why my first novel was intended to promote awareness and prevention of child abuse and domestic violence. Secondly, I’ve had an affinity for speculative fiction (science fiction, fantasy, and paranormal) since I was a child so it only stands to reason that I would be inspired by the likes of Harlan Ellison, Ray Bradbury, Philip José Farmer, Philip K. Dick, and other masters of these genres.
The Book of Philip Jose Farmer is a collection of 16 brilliant short stories ranging from SF and horror to fantasy and satire.
The most memorable and frightening tale of all—and one that I often use an example of a perfect paranormal tale—is “Father in the Basement.” An eleven-year-old girl employs her supernatural ability to help her father work around the clock for days to complete the first draft of his novel. He wanted it to be his final act, after all.
One of the most chilling endings of any horror story out there.
I am a dark fiction author. As far back as anyone can remember I have been an introverted creature, with a rapacious appetite for knowledge, a dark sense of humour, and an insatiable appetite for books. Having written eight darkly humorous works of fiction and read dozens of titles that fall into this genre, I believe that I am the ideal person to provide you with recommendations for darkly humorous fiction stocking fillers this Christmas. Think of me as the Santa of darkly humorous fiction. My titles include theNecropolis Series. Their protagonist is Dyson Devereux – a cultured council worker and compulsive murderer with sardonic tendencies.
Tender Branson, the last survivor of the Creedish Church cult, has hijacked an airplane, which is flying on autopilot. His mission now is to dictate his life story onto its black box before the plane crashes.
Survivoris an innovative and erudite social commentary, brimming with satirical observations. Amongst the targets for its irreverent dark humour are death, The Bible, and suicide hotlines. In this reader’s opinion, Survivor is a work of undoubted genius, and one of the author’s best novels.
Tender Branson-last surviving member of the Creedish Death Cult-is dictating his life story into the recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the airplane, which will crash shortly into the vast Australian outback. But before it does, Branson will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah.
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
When I decided to write about psychopathic killers, I studied real stories and facts about these people. I also read about 80 novels a year as well as writing crime thriller novels. I’ve won more than a few awards and keep studying my craft. Makes me feel young. I love stories with action that make you think and are a little different and unique. I want to make a reader cry and laugh, which is what I look for in a good novel. So, when I write about serial killers, I try to keep it real. I love it!
Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.
Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating!
I liked his cute conversations with his boss lady too. Funny.
Sequel to Block's previous work, Hit Man, a gripping insight into the life of a paid assassin who finds his way on to someone else's hit list.
Superficially, John Keller - the urban lonely guy of assassins - leads a normal life despite his profession. He has an office manager, the breezily efficient Dot, who organises his "jobs" and reassures his grumbling conscience. He is an obsessive stamp collector. In a blackly comic twist, he even gets called for jury service. Laid back, couldn't care less, morally distanced from his vocation, Keller is an intriguing character. A visit to an…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.
Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values…
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…
I am a joker at heart and was always the class clown. I currently write on my own humor website, A Man Eating Chicken. I started drawing comics in grade school and grew into writing comedic prose in high school. There was never a goal for any of this; it was all pre-internet, so I didn’t realize that humor could be published anywhere. As I got older, I was able to find some books that really spoke to my sensibilities. The books on this list really showed me the power and possibilities of humor and influenced my own writing.
The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.
A bumper collection of the classic Life in Hell cartoon strips from the 80s and 90s which were the basis for The Simpsons. Painstakingly assembled and rigorously organized by that master of clutter, Matt Groening, this is not another mini-jumbo, hard-to-read, abreviated compendium in that seemingly endless series of discourses on hell bu a gargantuan historical extravaganza of ten years' worth of the ever-popular Life in Hell cartoon strip, which looks uncannily like The Simpsons if you keep your eyes closed and have a sufficiently fertile imagination. Includes: The birth of Bongo! Binky's arrival in Los Angeles! Akbar and Jeff's…
I am the author of the Black Viking and Hellbent Riffraff Thrillers and several volumes of dirty realism poetry. I am also the Founder and editor-in-chief of Bristol Noir, an indie publisher and ezine specialising in curiously dark fiction and crime noir. Since 2017 Bristol Noir has been publishing up-and-coming and best-selling authors from around the world. I’m a writer originally from Northumberland in Northern England. In the late 90s, I studied in Greater Manchester when the IRA bomb went off and during the infamous years of the Hacienda club. I now live in Bristol. I’ve devoted my writing to exploring my heritage and the environments I’ve been in.
Stephen J. Golds is a prolific powerhouse of dirty realist poetry and gritty modern crime fiction. I’ve been lucky enough to work with him on a number of projects now and admire his mind and words greatly.
Say Goodbye When I’m Goneis a breakthrough work of art for someone well-studied in his craft. It’s punchy, atmospheric, and brutal…but also, so sensitively poetic and soulful.
Say Goodbye When I’m Gone, and his other books generally, are prime examples of how a masterwork doesn’t have to be a doorstop in page length. Like The Postman Always Rings Twice by James M. Cain, these gems of noir fiction are often in novella format. Soulful, concise, sharp, and lean. Like the best poetry, which Golds happens to be unsurprisingly masterful with too.
1949: Rudy, A Jewish New Yorker snatches a briefcase of cash from a dead man in Los Angeles and runs away from his old life, into the arms of the Boston mob.
1966: Hinako, a young Japanese girl runs away from what she thought was the suffocating conformity of a life in Japan. Aiming to make a fresh start in America, she falls into the grip of a Hawaiian gang dubbed 'The Company'.
1967: Rudy and Hinako's lives collide in the city of Honolulu, where there is nowhere left for either of them to run, and only blood to redeem…
