100 Books Like Shatterday

The variety of subjects covered in this collection of 22 short stories demonstrates Bradbury's prowess as a master craftsman and the reason why I count him among my literary heroes. 

More than a few of these tales have become legendary, including “A Sound of Thunder.” Bradbury's premise of how the death of a butterfly in prehistoric times could have drastic changes in the future is a variation on the famous “butterfly effect” and a fine example of the relationship between chaos theory and the physics of time travel.
For me, the most incredible story in the collection is “The Fog Horn” in which an elusive sea monster attacks a lighthouse after being attracted by its foghorn for years. This story was the inspiration for the 1953 film The Beast from 20,000 Fathoms.

This is a sci-fi book from famous sci-fi author Phillip K. Dick. Besides suggesting some big, scary questions, it didn't exactly stick to what I usually go for in a sci-fi book.

For a while, it involved this product, Ubik, which has so many uses that it's everywhere. But the story drew me in with a relatively everyman-type guy on a team of psionic corporate spies—and then things get weird. It's the kind of weird like when I was struggling to remember this amazing horror movie I had seen, only to realize the media in question had actually been this unforgettable book.

From the strange title to the premise of a futuristic television star who suddenly no one remembers, this book, is the essence of why PKD remains one of my favorite authors: futurism, psychology, and existential angst distilled into a mind-bending cocktail whose characters somehow still feel perfectly grounded and believable. 

The Book of Philip Jose Farmer is a collection of 16 brilliant short stories ranging from SF and horror to fantasy and satire. 

The most memorable and frightening tale of all—and one that I often use an example of a perfect paranormal tale—is “Father in the Basement.” An eleven-year-old girl employs her supernatural ability to help her father work around the clock for days to complete the first draft of his novel. He wanted it to be his final act, after all.

One of the most chilling endings of any horror story out there. 

Tender Branson, the last survivor of the Creedish Church cult, has hijacked an airplane, which is flying on autopilot. His mission now is to dictate his life story onto its black box before the plane crashes.

Survivor is an innovative and erudite social commentary, brimming with satirical observations. Amongst the targets for its irreverent dark humour are death, The Bible, and suicide hotlines. In this reader’s opinion, Survivor is a work of undoubted genius, and one of the author’s best novels.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

Stephen J. Golds is a prolific powerhouse of dirty realist poetry and gritty modern crime fiction. I’ve been lucky enough to work with him on a number of projects now and admire his mind and words greatly. 

Say Goodbye When I’m Gone is a breakthrough work of art for someone well-studied in his craft. It’s punchy, atmospheric, and brutal…but also, so sensitively poetic and soulful.

Say Goodbye When I’m Gone, and his other books generally, are prime examples of how a masterwork doesn’t have to be a doorstop in page length. Like The Postman Always Rings Twice by James M. Cain, these gems of noir fiction are often in novella format. Soulful, concise, sharp, and lean. Like the best poetry, which Golds happens to be unsurprisingly masterful with too.

Imagine coming back from the dead only to realize the world doesn't want you: You move in with parents who are disgusted by you, random strangers on the street throw food or pull mean jokes on you and your friends, and being caught out past your curfew sends you to the dog pound. That's the life that Andy Warner reanimates into after a fatal accident. It's not all bad, though. At least he's got some friends at the Undead Anonymous support group, including the dead-sexy Rita, and Ray, a guy whose “venison” seems to come with some miraculous healing abilities. This is a darkly comedic book filled with a colorful cast, and you can't help but delight in the tragic spiral of the characters as they become increasingly inhuman. After all, can you blame them? 

Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.

Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating! 

I liked his cute conversations with his boss lady too. Funny.

This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.

Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values… show more.