100 Books Like Serpent's Wake

I love this book because of Katniss Everdeen's depth. She’s not just another “kickass hottie”, she’s complex, with a powerful character arc driven by a deep sense of responsibility.

The book’s commentary on mental health and Katniss' parentification resonated with me personally. The story world of all the districts and President Snow's iron grip on them is well-drawn and has parallels to our own, too. 

While you read this story, you step into a world where magic and science intertwine, where armored bears rule the icy north, witches soar through the skies, and every person has a daemon—a living reflection of their soul. The adventure takes us across breathtaking landscapes, from the bustling streets of Oxford to the frozen wastelands of the Arctic, uncovering secrets that shake the very foundation of reality.

Lyra’s journey is thrilling, full of mystery, danger, and a sense of wonder that never fades. Philip Pullman weaves a story so immersive and thought-provoking that it makes us question everything we think we know. It’s a book that sparks curiosity, adventure, and just the right amount of rebellion.

An extension of Maberry’s Rot And Ruin zombie series for Young Adults, Broken Lands tells the story of the ongoing search for a cure in a world overrun by undead hordes, and very human monsters.

Protagonist Gabriella ‘Gutsy’ Gomez and a wide variety of memorable characters ensure the reader becomes totally immersed in the series from the get-go. Maberry is a master of the action set-piece, making sure that this is a book that will not only have people rooting for the characters, but also leave them breathless from the fast-paced narrative and action sequences.

There are also moments of poignancy that will also have the reader asking philosophical questions as to the fluidity of morality, and what it means to be human in a changed, dysfunctional world. 

Bacon is a masterful storyteller known for creating surreal and obtuse landscapes and characters.

Broken Paradise is an intriguing tale of deception and sibling rivalry, featuring gods and magi, who engage in a cat-and-mouse battle beneath the oceans of the world. The primary message of the book leaves the reader questioning the strength of families, be that the power of unity, or its propensity for self-destruction.

The protagonist is Samaki—the goddess of water—who must divide herself into four parts to escape the wrath of her murderous brother. As Samaki hides, so she must learn to protect herself, growing and honing her powers under the tutorage of Mae, the enigmatic owner of her submersible home.  

The Australian Outback is a must for anyone who wants to see this country in all its diversity. Far from being just desert, the Outback is varied and fascinating. While this book only covers Queensland, it is a rich introduction to what the Outback offers. Photojournalist Danielle Lancaster knows it well, and the large-format images bring the scenery, wildlife, history, and towns of Queensland’s Outback to life. Whether you are interested in National Parks, dinosaur fossils, desert dunes, stunning gorges, or history, there’s plenty of interest here. As well as an introduction to places you may want to see, it’s also a beautiful souvenir.

Cultural history is now a book business-standard. That wasn’t always the case. For me myself, I had to read Otto Freidrich’s City of Nets (1987) and Jon Savage’s England’s Dreaming (1992) before I could properly formulate my 1996 book Stranded. Stalwart rock journalist Andrew Stafford’s debut book from 2004, Pig City, is a cultural history of the Brisbane music scene ‘from the Saints to Savage Garden’, which makes it a regional history too. What makes it gripping, next Stafford’s deft handling of the material, is the story itself, which is not just that of an erstwhile backwater finally coming of age, but up against and overcoming the oppressive jackboots of Queensland state premier, ‘hillbilly dictator’ Joh Bjelke-Peterson. Happily, that era is now long past, and BrisVegas is today a great music town; but wouldn’t have become so without the long struggle so vividly portrayed here.

The Whispering is set in the far northern Queensland tropical rainforest, a thick, densely-foliaged environment that is in turn pulsing with humidity and whispering with the strong winds of an approaching cyclone.

There are enough natural features (boulders, creeks, thorny vines) to make this a dangerous place on its own, but throw a deadly character or two in there, and it gets beyond creepy. Lando harnesses the edginess incredibly well, and readers know from the get go that the place is like a weapon only leashed by a safety catch. Always just one click away from lethal.

Teenagers will love The Outback Riders series by Leanne Owens. An Australian author, Leanne is an English/History teacher who also writes freelance for horse magazines. Her experience with horses growing up in the outback is combined with stories about teenagers in her very popular Outback Riders series. She has also written the Dimity Horse Mysteries for readers who like mysteries, crime, romance, and horses. 

I first met Suddendorf – one of the three co-authors of this book – in Australia back in 2016.

He is a German professor living in Queensland (with an accent untroubled by antipodean influence), and is best known for studying the skill of “mental time travel”. From him I learnt that this is one of the foundational abilities of humanity, which may well have steered our entire evolution.

We can project our minds across the past, present, and future at will - unlike pretty much any other animal. Therefore it’s crucial as a skill if we want to take the long view, and we shouldn’t take it for granted. However, as Suddendorf and colleagues write in this terrific book, it’s also a “Promethean” talent, and is far from perfect.

If we want to take a longer view, understanding our cognitive faculties is key – this book serves as a… show more.

I love this novel by Jessica Anderson for its subtle psychological insights and its powerful evocation of an Australian colony in its early days. Set in the 1830s, The Commandant tells the story of a young Irish woman arriving in Australia to visit her sister, whose husband runs the Moreton Bay penal settlement, where he is much-hated by the convicts for his fanatical implementation of punishments. Becoming the object of a convict’s obsession, Frances feels responsible for that convict’s brutal lashing and is changed by the experience. The Indigenous people are shadowy figures in the background, for Anderson’s focus is on the brutality of the penal regime and how it affects a young woman’s innocence.