Here are 100 books that San Domingo fans have personally recommended if you like
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Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
Louis L'Amour wrote dozens of novels about the West but this one I loved because of the sweet wistfulness that was contrasted with the harsh reality of frontier living. Evie Teal is a widow whose husband rode out for cattle and never came back, leaving her alone in the wilderness with two children and only guesses as to how he could have died. Conn Conagher is a poetry-loving, quiet cowboy who hasn't much but his integrity and good name. Neither thinks the other could possibly be interested in them, and the quiet, understated love story just draws you in.
As far as the eye can see is a vast, empty horizon. Evie Teale has finally accepted that her husband won’t be coming home. To make ends meet she runs a temporary stage station. But though she is diligent and careful, Evie must prepare for the day when the passengers no longer come and she must protect her children in an untamed country where’s it’s far easier to die than to live.
Miles away, another solitary soul battles for survival. Conagher is a lean, dark-eyed drifter who is not about to let a gang of rustlers push him around. While…
This is the Inspiring true story of a young girl surviving Mengele’s hell. This is an incisive, harrowing, and touching memoir of Eva Mozes Kor and her twin sister Miriam, who are sent to Auschwitz only to be torn from their parents and given to Josef Mengele, "The Angel of…
As an author, I love telling stories set on the frontier and populated by pioneers. That has a lot to do with the books I read long ago. My characters tend to have their heads in the clouds, like Ken from Mary O’Hara’s My Friend Flicka. They dream of towering peaks, promising paths, and opportunities beyond the world they grew up in. Back in high school, I took an elective class—Historical Fiction—I wasn’t even sure what that was! We read The Source by James Michener. When I’m not hiking or dreaming about horses, there’s nothing I love more than making up wilderness stories set in the 1800s.
Many books tend to glorify traveling the Oregon Trail, but this book does not. Instead, it portrays the heartbreak of loss, the realism of a harsh migration, and the blossoming of an unexpected but tender romance.
The pages raced by, and it was hard to step away from this captivating novel. I highly recommend reading it.
In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.
The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.
But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
This historical fiction novel features nineteen-year-old Jim Keath, born white, but rescued and adopted by the Crow when he was badly wounded by a bear. He lives as a trapper now, avoiding both sides of his life, but when his younger siblings write to him, asking for his help in staking a land claim, he can't run from his past anymore. The story deals beautifully and honestly with human nature, the harsh realities of survival in Oregon Territory, and the importance of family. And the stark western landscape plays a large part in the story.
Kindle Book Award Finalist. Readers' Favorite Book Award Finalist. Gotham Writers' YA Novel Discovery Contest Finalist. B.R.A.G. Medallion Honoree
Brigit Quinn has always felt like an outsider. Growing up in a small town where her mom’s pagan practices are the stuff of local gossip, she’s spent her whole life trying…
Ever since I can remember, I've been captivated by the American West. Was it that cowboys were brave and if you had integrity it was most certainly put to the test? Was it that everyone rode horses and I was a horse crazy girl? Whatever it was that struck me, it stayed. I have treasured the West ever since, through books, film, art, and most recently, a fantasy western trilogy of my own.
A slightly more modern take, this book is set in the 1930s, in the perspective of a girl who inherits an ailing Wyoming ranch and she falls in love with the land and the people who inhabit it. What I loved about this one was the discovery of the land and the lifestyle through the eyes of the main character. Throw in a mystery and a lovely romance and you'll be breathless by the end.
If she can’t find out the truth, she may lose more than she gained.
Lena Campbell never knew her grandfather—but she always dreamed of visiting Wyoming, where her mother was born and raised. When she receives word that her grandfather is dead and his Wyoming ranch belongs to her, she jumps at the chance.
Only later does she learn that Garth McKay was murdered, and the murder is still unsolved.
Despite this shadow hanging over her, Lena thrives in her new life—and unexpectedly finds love there. And then a new revelation breaks the…
I believe in democracy. I think the US has the opportunity to be the world’s first multicultural and inclusive democracy. And I think that’s a very, very hard thing to do. I’ve been writing about democracy through the lens of presidential history my whole career, and I think the US has done some things so impressively well while at the same time it frustratingly keeps failing to live up to its own ideals. The tensions and contradictions in our history as we try to expand and enact those ideas are endlessly fascinating. And I’m nervous that we may be seeing the end of a national commitment to democracy.
She’s a super-smart Civil War historian, and this book does something I haven’t seen in a lot of Civil War books—it shows how important the West was to the way the US developed after the Civil War—it wasn’t just that the nation expanded, but she writes about how both the North and South relied on racial hierarchies, and she centers Native Americans, which I think is a really important part of that story.
In this provocative new work, Heather Cox Richardson argues that while the North won the Civil War, ending slavery, oligarchy, and giving the country a "new birth of freedom," the victory was short-lived. Settlers from the East pushed into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The Old South found a new home in the West. Both depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise to a white ruling elite, one that thrived despite the abolition…
Having grown up with an older generation—my great-grandparents, great-great aunts and uncles, and a godmother, all who were born between 1877 and 1900—I learned to appreciate how they lived and what they went through. As a child, I found a hand-written poem about a brothel queen who caused a gunfight between her paramour and a stranger. Then, in college, I met a wonderful old man who told me stories about the former red-light district right in my own neighborhood. Once I learned the often tragic, but also successful stories of these ladies, I decided to be their voice and remind America how important they were to our history.
First published in 1958, this is one of the first books to pay respect and present the truth about the struggles western women faced. Mr. Brown was very thorough in covering women’s roles in the west, from homesteaders and wives, to women kidnapped by Natives, to actresses and prostitutes. He also used primary sources, not the internet, to conduct his research.
All aspects of western feminine life, which include a good deal about the western male, are covered in this lively, informal but soundly factual account of the women who built the West. Among those whose stories are included are Elizabeth Custer; Lola Montez, Ann Eliza Young, Josephine Meeker, Carry Nation, Esther Morris, and Virginia Reed.
Floretta- the story of an old woman who discovers life beautifully anew thru the helping hands of a child. The chakra colors of dawn and twilight are woven through the pages as the cycle of life is magically composed. The subject of “heaven,” has the potential to open discussions with…
When writing about quick-witted heroes fighting through danger to protect the innocent and those they love, I draw on the thousands of books and their authors who shaped my own understanding of how a hero behaves; of the principles and emotions which drive a person to persist in the face of massive adversity. Lost in the worlds of those books, inspired by the reading habits of my adopted father, I inhaled these five authors' works in particular. They became an illustrated history of the craft for me, showing through example how adventure writing had evolved and what it could become at its finest.
Louis L'Amour mastered the art of the adventure story. A story where we root for the hero to succeed and live their exuberance with them when they do. In 1965, he published The Sacket Brand, a western about a man and his new bride traveling to their first home together. Ambushed, badly injured, hungry, cold, and desperate, we live his experience of being hunted by enemies while uncovering the mystery of why it's all happening.
When he finally discovers the truth, we cheer as he, in turn, forces his enemies to run from him. Honor, integrity, stubborn principle. Persistence in the face of extreme adversity. Those were the life lessons I received from L'Amour's books and try to pass on in mine.
In The Sackett Brand, Louis L’Amour spins the story of a courageous man who must face overwhelming odds to track down a killer.
Tell Sackett and his bride, Ange, came to Arizona to build a home and start a family. But on Black Mesa, something goes terribly wrong. Tell is ambushed and badly injured. When he finally manages to drag himself back to where he left Ange, she is gone. Desperate, cold, hungry, and with nothing to defend himself, Tell is stalked like a wounded animal. While he hides from his attackers, his rage and frustration mount as he tries…
Jim Rasenberger is a writer and author of four books - Revolver, The Brilliant Disaster; America, 1908, and High Steel. He has contributed to the New York Times, Vanity Fair, Smithsonian, and other publications. A native of Washington, DC, he lives in New York City.
A thrilling if bumpy ride through 1846, as DeVoto tracks multiple stories of Americans who headed west at the start of the great migration. Like Webb’s Great Plains, this book — published in 1942 — is a little dated in places, but DeVoto’s vivid descriptions and strong opinions make it highly enjoyable. The general subject is the “period when the manifold possibilities of chance were shaped to converge into the inevitable,” writes DeVoto. More plainly, the book is about "some people who went west in 1846." Many of them died on the way. Some found fortune. Altogether, they left behind extraordinary history.
Year of Decision 1846 tells many fascinating stories of the U.S. explorers who began the western march from the Mississippi to the Pacific, from Canada to the annexation of Texas, California, and the southwest lands from Mexico. It is the penultimate book of a trilogy which includes Across the Wide Missouri (for which DeVoto won both the Pulitzer and Bancroft prizes) and The Course of Empire. DeVoto's narrative covers the expanding Western frontier, the Mormons, the Donner party, Fremont's exploration, the Army of the West, and takes readers into Native American tribal life.
Just because you’re told something is true doesn’t make it the case. I have never accepted received ideas before subjecting them first to my own personal sniff test. Non-fiction is a wonderful way of acquiring knowledge, and stories open a door to the human soul to make possible living through someone else’s sensibility. Life becomes more vibrant and meaningful. My Ph.D. in English taught me to analyze the ways writers tell their stories. Add in my own life experience, and something magical happens during the creative process. Whether writing historical, literary, or popular fiction, I can’t help but reshape limitation into independence and personal freedom.
While researching Annie Oakley as a character in my novel, I was amazed by what an exceptional icon she was. This non-fiction book gives sumptuous detail about a singular woman and the life she led. Oakley met Frank at a shooting competition, where she beat him by only one shot. Rather than becoming defensive, he married her and became her agent. Clearly, she didn't need his help to do what she did better than anyone else in the world, but he helped showcase her skills for adoring crowds in a rough and tumble business. My protagonist Abigail was inspired by her, and frankly so am I.
With a widowed mother and six siblings, Annie Oakley first became a trapper, hunter, and sharpshooter simply to put food on the table. Yet her genius with the gun eventually led to her stardom in Buffalo Bill's Wild West Show during the latter half of the nineteenth century. The archetypal western woman, Annie Oakley urged women to take up shooting to procure food, protect themselves, and enjoy healthy exercise, yet she was also the proper Victorian lady, demurely dressed and skeptical about the value of women's suffrage. Glenda Riley presents the first interpretive biography of the complex woman who was…
An interdimensional mixer with angels and other beings brings unexpected trouble for Malachi and his friends in this smart and uniquely funny second book about the squad of teens from hell.
When an angel comes to his home to deliver a message, Malachi immediately knows what’s going on. The seraph…
I love a good story that crosses genres; seeing where they mesh together, playing with where they differ, and letting the various parts spark into a whole that’s greater still. Though my writing usually takes place in the “real” everyday world, I often introduce supernatural elements. Partly because, while I’m an atheist, I still believe there are more things in the universe and on earth than we yet know. And partly because these elements, whether real or imagined on the part of the character, can act as splendid metaphors – or help to understand a state of mind.
These fourteen essays explore the hybrid “weird west” genre, examining a range of texts including some by Native American authors, as well as TV series, films, fiction, roleplaying games, and comic books. It makes for an interesting read – and is thought-provoking in its conclusion that despite weird westerns challenging and destabilizing many of the old cliches, they have yet to “imagine an existence outside of colonial frameworks”. This has given me much food for thought, as it seems to me that frontiers (wherever found) are an intrinsic part of the western genre, and frontiers tend to imply conflict between the inhabitants and the invaders, between the new and the established. Maybe I’m wrong! In any case, this proves that we still have a long way to go before we’re done exploring all the possibilities of this intriguing genre!
2021 Top Ten Finalist for the Locus Awards in Nonfiction
Weird Westerns is an exploration of the hybrid western genre-an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western's death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.
The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders…
