100 Books Like Safety Protocols for Human Holidays

Straddling the line between space opera and military sci-fi, Barbary Station scratches the itch for those who like their space lesbians already in a relationship, and just focusing on the adventure. Recent college graduates Adda and Iridian have a ton of student debt and real jobs just aren’t going to pay the bills. Hence they turn to piracy (of course), and things get sticky, fast, when the space station they are on starts to crumble apart, and killer AIs come after them.

There aren’t a lot of sapphic space books where the main pair are already together. Watching a married couple navigate a more mature relationship while still battling aliens and technology is a refreshing take, and one that will definitely appeal to older sci-fi fans.

Good space opera is built on time-honored tropes, and Pratt hits them all on the head. Space princess? Check. Ragtag crew? Check. Strange, otherworldly aliens and a dash of romance? Double check. The Wrong Stars is space opera at its finest, with a classic adventure between humans and aliens, good versus evil, and technological innovation that makes you stop and consider current trends. 

The romance line is sapphic, age gap, flirtatious and commanding. Callie is our commanding captain, cool and in charge. Elena has been in cryosleep on a generational ship that was attacked by violent aliens and has some trauma to work out. Who better to help than Callie? And of course the whole crew needs to go investigate these new aliens. The fate of the galaxy is at stake!

Finally, a sapphic space book with a humanly complex protagonist. Alana Quick lives in poverty, barely making ends meet as a spaceship mechanic. Her chronic illness takes whatever money she can come by, for her meds. She finally takes life by the wolf-paws (read the book, you’ll get it) and stows away on a ship, determined to find a better life. Of course then chaos ensues, there’s a hot captain to fall in love with (yes, fight authority, Alana. It makes it that much more fun when you two eventually kiss), and Alana must continually navigate her disease, save her sister, and negotiate for a position on the spaceship Tangled Axon.

I don’t even know where to start with this one. Our lead sapphic is married to a tree lady (dryad), captain Jenny, who once kept half-unicorn man Gary prisoner aboard her ship so she could harvest his horn for fuel. Gary’s out for revenge but the mystical Sisters of the Supersymmetrical Axiom have had a vision that involves Gary and Jenny working together. Also, Jenny’s wife has been kidnapped, which is never great. 

Space Unicorn Blues is another sapphic space book that doesn’t rely on romance for the plot, but does allow lesbians to simply exist. This book is a delight more for its absolute refusal of tropes than anything else, and constant weird fairy tale references thrown in throughout.

Abby finds herself in a miserable position. She must go home for the holidays. Normally, not a dreaded situation. After all her entire family will be there. Including her brother and his fiancé. The only hiccup is her brother’s girlfriend is her ex-girlfriend. She doesn’t trust her ex who lures her into bed every chance she gets. Abby comes of with a sure fire plan to stop that from happening, she brings a pretend girlfriend to keep things from getting out of hand. A perfect plan she just hadn’t planned on falling in love.

This book is one of the first I read in the genre, and it’s not overtly funny, which is why it’s here. I love books that are dramatic and show character growth while adding in humor. It doesn’t have to be over the top and should play to what the characters are going through. The main character talking to her fish isn’t something I expected to find in a book about finding love after loss, but it’s there along with some hilarious side characters that work in a bakery with Molly. The levity in those moments helps separate from some of the harder moments as our main character, Molly falls for the love of her life’s little sister in a small town where everyone knows everyone else’s business.

One of the biggest draws for me in this story is that both women are both around fifty years old. One, Ida, is a closeted lesbian, having hidden her sexuality for decades to protect her Hollywood career. The other, Faye, has never considered the possibility that she might not be 100% straight, until she and Ida ‘play gay’ for a movie and have to kiss. But it isn’t just the kiss that sets Faye’s mind whirling – it’s how fascinating she finds Ida as a person. The more time they spend together, the more confused Faye gets. It’s so well written, with alternate chapters from each woman’s point of view, but all in first person, which is cleverly done.

Flora Calhoun—sixteen-year-old, self-appointed sleuth—is hot on the trail of a series of brutal attacks on young women. Ostracized by the in-crowd at her school for her unruly tongue (and for the secrets she uncovers about everyone)—reprimanded by those who love her for putting herself (and them) in constant danger—she ploughs determinedly ahead into increasingly dark and perilous territory. You’re Next is a quintessential YA book—full of the angst, the parental problems, and the acute social commentary of its snarky young protagonist. But does it dwell on the fact that Flora is bisexual? Not for a moment. It seems that in the world of contemporary YA literature we have finally reached the point at which that aspect of Flora’s life is no biggie. Amen.

This book puts together two very likeable main characters: Emily, an architect with a very rigid outlook on life, and Skye, who’s a freewheeling bike courier. Throw in some great chemistry, an Aussie setting, solid secondary characters, and overlay it all with KJ’s witty banter and amazingly lyrical sentences that seem to come from nowhere but just fit the narrative so perfectly, and you get Change of Plans, a perfect light-hearted romance.

But look a bit deeper and there’s insight into mental health, commentary on social housing, and a background of big megacorps overriding environmental and cultural issues for profit.

This book needs to come with a health warning – will make you laugh so hard you’re in danger of pulling a muscle. The humor, usually provided by the two elderly ladies one of the main characters, Jorie, lives with, really is side-splitting. But alongside their hilarity, the romance between Jorie, an out lesbian, and the random woman, Lena, she shares a car ride with when snow cancels their flight is delightful. Mainly because, for once with a ‘late coming out’ story, Lena very quickly accepts her new sexuality, and it’s Jorie who struggles with what it means to be the first woman that Lena’s attracted to.