Books like Safety Protocols for Human Holidays — picked by fans

Straddling the line between space opera and military sci-fi, Barbary Station scratches the itch for those who like their space lesbians already in a relationship, and just focusing on the adventure. Recent college graduates Adda and Iridian have a ton of student debt and real jobs just aren’t going to pay the bills. Hence they turn to piracy (of course), and things get sticky, fast, when the space station they are on starts to crumble apart, and killer AIs come after them.

There aren’t a lot of sapphic space books where the main pair are already together. Watching a married couple navigate a more mature relationship while still battling aliens and technology is a refreshing take, and one that will definitely appeal to older sci-fi fans.

Good space opera is built on time-honored tropes, and Pratt hits them all on the head. Space princess? Check. Ragtag crew? Check. Strange, otherworldly aliens and a dash of romance? Double check. The Wrong Stars is space opera at its finest, with a classic adventure between humans and aliens, good versus evil, and technological innovation that makes you stop and consider current trends. 

The romance line is sapphic, age gap, flirtatious and commanding. Callie is our commanding captain, cool and in charge. Elena has been in cryosleep on a generational ship that was attacked by violent aliens and has some trauma to work out. Who better to help than Callie? And of course the whole crew needs to go investigate these new aliens. The fate of the galaxy is at stake!

Finally, a sapphic space book with a humanly complex protagonist. Alana Quick lives in poverty, barely making ends meet as a spaceship mechanic. Her chronic illness takes whatever money she can come by, for her meds. She finally takes life by the wolf-paws (read the book, you’ll get it) and stows away on a ship, determined to find a better life. Of course then chaos ensues, there’s a hot captain to fall in love with (yes, fight authority, Alana. It makes it that much more fun when you two eventually kiss), and Alana must continually navigate her disease, save her sister, and negotiate for a position on the spaceship Tangled Axon.

I don’t even know where to start with this one. Our lead sapphic is married to a tree lady (dryad), captain Jenny, who once kept half-unicorn man Gary prisoner aboard her ship so she could harvest his horn for fuel. Gary’s out for revenge but the mystical Sisters of the Supersymmetrical Axiom have had a vision that involves Gary and Jenny working together. Also, Jenny’s wife has been kidnapped, which is never great. 

Space Unicorn Blues is another sapphic space book that doesn’t rely on romance for the plot, but does allow lesbians to simply exist. This book is a delight more for its absolute refusal of tropes than anything else, and constant weird fairy tale references thrown in throughout.

Abby finds herself in a miserable position. She must go home for the holidays. Normally, not a dreaded situation. After all her entire family will be there. Including her brother and his fiancé. The only hiccup is her brother’s girlfriend is her ex-girlfriend. She doesn’t trust her ex who lures her into bed every chance she gets. Abby comes of with a sure fire plan to stop that from happening, she brings a pretend girlfriend to keep things from getting out of hand. A perfect plan she just hadn’t planned on falling in love.

I liked the protagonist, Kate Delafield, immediately for her straightforward manner. Within very few pages, Katherine painted a picture of the neighborhood and the bar where a murder occurred in its back parking lot, yet she never caused the story to drag. Katherine pulled me in with her succinct description of the murder scene. It was as if I stood beside Kate Delafield.

As the detectives entered the bar, I felt lesbian history reverberating down through the years. As a lesbian, I identified with Kate Delafield and with the milieu within which she had to live and do her job as a police detective. I also understood the hostility of the bar patrons—all lesbians—toward the police. Without preaching, Katherine described the larger conflict inherent in the situation.

This book was so well-written that I “felt” the emotions of the characters; the sadness that a young life had been destroyed way… show more.

Breaking Character is a lesbian celebrity romance, but it’s also so much more than that. The main character, icy British actress Elizabeth, is in the closet for fear of risking her career. When she meets her younger colleague Summer, she starts letting someone close for the first time—and the result is a romance that is sizzling and sweet at the same time. 

If you like age-gap romances with a fake relationship and well-written characters, this is a great introduction to Lee Winter’s books.

This book is a coming of age, thriller book that blew me away. I had no idea what the book was about when I read it and I did not even know which genre it was.

The storyline flicks between the past and present with the present chapters giving you a sneak peek into a troubled relationship between a lesbian couple. The past chapters are full of unanswered questions, heartache, and some truly shocking experiences.

The book is gripping and deep, it feels like you are inside the MCs mind. The traumatic life experiences she is forced to go through alongside becoming an adult is probably fascinating to others. I felt I could identify with many of the experiences so I enjoyed reading it for a comforting reason. The shocking ending is truly beautiful and satisfying.

I love this book for its humour, magical qualities, deceptively simple language, and the way it weaves together Hindu and Western ideas of transformation.

I have taught it in many different types of classes and my students also loved its unique portrait of the artist as a young Indian woman, a lesbian living in the West. It was a great way to introduce them to India. I am an admirer of Suniti Namjoshi, and this is my favourite among her works.

One of the biggest draws for me in this story is that both women are both around fifty years old. One, Ida, is a closeted lesbian, having hidden her sexuality for decades to protect her Hollywood career. The other, Faye, has never considered the possibility that she might not be 100% straight, until she and Ida ‘play gay’ for a movie and have to kiss. But it isn’t just the kiss that sets Faye’s mind whirling – it’s how fascinating she finds Ida as a person. The more time they spend together, the more confused Faye gets. It’s so well written, with alternate chapters from each woman’s point of view, but all in first person, which is cleverly done.