100 Books Like Ron Shandler's 2023 Baseball Forecaster

I’ve been reading baseball annuals and previews since I was a kid and my must-haves were Street & Smith’s Baseball Yearbook and Bill Mazeroski’s Baseball. I was a contributing writer for several years to Ultimate Sports Publishing’s annual baseball magazines, which for a while came close to the old Mazeroski releases. I edited several of Baseball America’s Almanacs when I was on staff there and have written Top 30s for a number of the Prospect Handbooks. I get that everything is available online these days, but there’s something about having it all in one place, locked in for all time, there for reference whenever needed.

I’ve been reading baseball annuals and previews since I was a kid and my must-haves were Street & Smith’s Baseball Yearbook and Bill Mazeroski’s Baseball. I was a contributing writer for several years to Ultimate Sports Publishing’s annual baseball magazines, which for a while came close to the old Mazeroski releases. I edited several of Baseball America’s Almanacs when I was on staff there and have written Top 30s for a number of the Prospect Handbooks. I get that everything is available online these days, but there’s something about having it all in one place, locked in for all time, there for reference whenever needed.

I’ve been reading baseball annuals and previews since I was a kid and my must-haves were Street & Smith’s Baseball Yearbook and Bill Mazeroski’s Baseball. I was a contributing writer for several years to Ultimate Sports Publishing’s annual baseball magazines, which for a while came close to the old Mazeroski releases. I edited several of Baseball America’s Almanacs when I was on staff there and have written Top 30s for a number of the Prospect Handbooks. I get that everything is available online these days, but there’s something about having it all in one place, locked in for all time, there for reference whenever needed.

I’ve been reading baseball annuals and previews since I was a kid and my must-haves were Street & Smith’s Baseball Yearbook and Bill Mazeroski’s Baseball. I was a contributing writer for several years to Ultimate Sports Publishing’s annual baseball magazines, which for a while came close to the old Mazeroski releases. I edited several of Baseball America’s Almanacs when I was on staff there and have written Top 30s for a number of the Prospect Handbooks. I get that everything is available online these days, but there’s something about having it all in one place, locked in for all time, there for reference whenever needed.

I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.” 

I hate saying goodbye. Picking up a book and being introduced to an entire group of people—family, friends, teammates—and knowing you get to continue to watch these relationships bloom over a course of books is part of the reason I pick up a book in the first place. I want to see these characters pop in twenty books down the road. I absolutely love cameos of old characters! Because of this, I write in a singular world as well. My Prescotts may be the base of the world at the moment, but it’s also their friends at O’Gallaghers and their teammates with the Enforcers hockey team that keep the world growing—and it’s not ending anytime soon.

I’m intrigued by baseball. The passion and drama of the games and the way the sport is nearly always linked to a meaningful relationship with someone dear. That curiosity has only been fueled by the books I’ve read over the years and inspired me to write a baseball story of my own. The All-American is my ninth novel and I couldn’t feel more privileged to have been able to write it.

For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it. 

I’m a sociologist, and I study how technology shapes and is shaped by people. I love my job because I am endlessly fascinated by why people do the things they do, and how our cultures, traditions, and knowledge affect how we interact with technology in our daily lives. I picked these books because they all tell fascinating stories about how different communities of people have designed, used, or been affected by technological tools.

Writing this book brought back memories from my childhood—of watching Perry pitch in the late 1960s and, more deeply, of relations with my parents. My father (a math prof at UC Berkeley) and mother cared little for sports, but by the time I turned seven, an identity uniquely my own emerged from my infatuation with the San Francisco Giants. By age ten, I regularly sneaked off to Candlestick Park, which required two long bus rides and a hike through one of the city’s worst neighborhoods. I knew exactly when I had to leave to retrace my journey to get home in time for dinner. Baseball was, and remains, in my blood.