Here are 100 books that Roloff Beny Interprets in Photographs Pleasure of Ruins fans have personally recommended if you like
Roloff Beny Interprets in Photographs Pleasure of Ruins.
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As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Not only am I enthralled by the large images of lost places and people, but I am in awe of the fact that the photographers even reached some of the wildest places on earth with over a hundred pounds of camera equipment and boxes of mostly poisonous chemicals.
I will never again complain about sitting in the cold or the heat with my lightweight 35mm camera, waiting for the lighting to be just right.
In the second half of the 19th century, unprecedented advances in technology resulted in the collision of travel and photography. Explorers were able to document their journeys, hauling enormous amounts of equipment over arduous terrain. The results were breathtaking. This collection of photographs takes readers on a historic global tour that includes five continents and offers a visible record of worlds long-since vanished. Beginning in North Africa amid the pyramids and along the Nile, this book takes readers down through the Sahara to South Africa via Cameroon, Ethiopia, and Zanzibar. The journey continues from South to North America, capturing images…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
For me, poetry from Chaucer to Seamus Heaney can trigger an emotional reaction in the same way that a well-chosen image can.
So, it is natural that photographs and poems of the natural world should be paired. The depths that each adds to the other can hold me in thrall for hours as I delve back and forth and draw out every last emotion.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
I love cities: Rome, Paris, Madrid. These are easy cities to love; all you need do is stroll around the Colosseum, walk along the banks of the Seine, or hang out in the Puerto del Sol.
I love London as well, but it hides itself better. You have to work to see the real London. Great damage was done during the Blitz, but much greater damage was done over the years by thoughtless development.
These photographs allow me to browse through a landscape that no longer exists.
A spectacular presentation of photographs of Tudor, Georgian and Victorian buildings captured just before their destruction - most seen here for the first time. "This endlessly absorbing book that is at once a record of destruction, a haunting collection of relics, and a door into the past." - John Carey, The Sunday Times.
"Each picture contains a novel in this deeply moving, unforgettable book." - Duncan Fallowell, Daily Express. "A magical book about the capital's past." - Sunday Times.
As an author of 50+ books of historical fiction and non-fiction for kids, teens, and adults I am handicapped by being unable to travel in time or go to the places I set my stories. I have long used photography as an attempt to capture a sense of places and the people who inhabit them, but I gradually realized that my images were not simply an adjunct to the stories I was telling but that the best of them had their own tales to tell. Through photographs, jumbled piles of stone became a gateway to a lost, magical past and a trigger for my imagination.
Antarctica is the one continent I have never taken a photograph in. It has barely changed in the past 100 years, but Hurley’s images still take me to an unknown world and how people have struggled to survive there.
I love the way he can capture the majesty of a landscape that is mostly just one colour and how his photographs give a sense of the puny humans grappling with the harshness of the environment.
When I applied to college, I thought I’d study science and pursue my passions for art and justice separately. Then, I went to Kenya for my first excavation and found that archaeology combined my love for storytelling, data analysis, and making the world a better, safer, more inclusive place. As much as I love movies like Indiana Jones and Lara Croft, I never saw myself in them. They just don’t capture what I love about archaeology! Now, my research—like this list—is dedicated to really understanding what makes archaeology so compelling, so rewarding, and most capable of telling nuanced stories that make us think differently about our past.
This book is one of my absolute favorites for expressing how archaeology really works on a macro level. As a student, I learned that archaeology has often been co-opted to serve political and nationalist purposes.
But the hows and whys of that process weren’t clear until I started doing archaeology. I love how Nadia Abu El Haj makes extremely clear why archaeology as a science lends itself so well to solidifying claims about identity, history, and land. I really admire how Abu El Haj captures what happens between the direct, tangible encounter of a person with an artifact and the abstract, national level of narrative construction and policymaking.
Archaeology in Israel is truly a national obsession, a practice through which national identity-and national rights-have long been asserted. But how and why did archaeology emerge as such a pervasive force there? How can the practices of archaeology help answer those questions? In this stirring book, Nadia Abu El-Haj addresses these questions and specifies for the first time the relationship between national ideology, colonial settlement, and the production of historical knowledge. She analyzes particular instances of history, artifacts, and landscapes in the making to show how archaeology helped not only to legitimize cultural and political visions but, far more powerfully,…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This more recent book focuses specifically on archaeology, which is my own area of expertise, and so I rushed to buy it when it first came out.
I don’t agree with absolutely everything in it, but it’s the mark of a good book if you come away with a head full of questions and exciting thoughts, which I definitely did with this one!
Archaeology, Nation, and Race is a must-read book for students of archaeology and adjacent fields. It demonstrates how archaeology and concepts of antiquity have shaped, and have been shaped by colonialism, race, and nationalism. Structured as a lucid and lively dialogue between two leading scholars, the volume compares modern Greece and modern Israel - two prototypical and influential cases - where archaeology sits at the very heart of the modern national imagination. Exchanging views on the foundational myths, moral economies, and racial prejudices in the field of archaeology and beyond, Hamilakis and Greenberg explore topics such as the colonial origins…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
As an interdisciplinary scholar with professional musical training, I surveyed the literature in cognitive science for conceptual frameworks that would shed light on tacit processes in musical activity. I was tired of research that treats the musician either as a “lab rat” not quite capable of fully understanding what they do or as a “channel” for the mysterious and divine. I view musicians as human beings who engage in meaningful activity with instruments and with each other. Musicians are knowledgeable, skilled, and deeply creative. The authors on this list turn a scientific lens on human activity that further defines how we make ourselves through meaningful work and interactions.
I love the way Malafouris delves into deeply philosophical questions about the boundaries of the mind. Working from the perspective of cognitive archeology, he broadly examines what makes us human in our engagement with objects and each other. Why does it help to understand the mind this way? Whenever we want to learn more about how we do the things we do, theories like Malafouris’material engagement theory can help us to organize familiar tasks and situations in a way that makes the underlying cognitive processes transparent. If you want to improve your performance in any area, conceptual frameworks like this one (and the one in my book) can bring tacit processes into focus.
An account of the different ways in which things have become cognitive extensions of the human body, from prehistory to the present.
An increasingly influential school of thought in cognitive science views the mind as embodied, extended, and distributed rather than brain-bound or “all in the head.” This shift in perspective raises important questions about the relationship between cognition and material culture, posing major challenges for philosophy, cognitive science, archaeology, and anthropology. In How Things Shape the Mind, Lambros Malafouris proposes a cross-disciplinary analytical framework for investigating the ways in which things have become cognitive extensions of the human body.…
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
I have always admired people who can bring the past to life in a visual way and in this book, Victor Ambrose draws and paints the lives of people and places from the past.
The text is provided by Mick Aston, a well-known archaeologist of Time Team fame. Many of the places featured in this book were sites investigated by the Time Team. The book is full to the brim with excellent illustrations of places and perhaps importantly they are then peopled with interesting characters (for fans of Time Team, you may recognize a few faces).
This book makes it easy to travel back in time, to visualize what life may have been like for people way back when which is why I recommend it to any potential time travelers.
Since 1994, when the first "Time Team" program was broadcast, archaeology has been brought to life for millions of people by Victor Ambrus and Mick Aston. Victor has produced hundreds of sketches and drawings of archaeological sites and the lives of those who would have inhabited them. For the first time, his drawings of individual excavations have been brought together to provide a dramatic chronological survey of British history—from Stone Age to modern via the Romans, the Vikings, and more. Add to this Mick Aston's lively explanations and photographs, and you have an archaeological collaboration which is guaranteed to delight.
I am an amateur historian, druid, and author of 11 books so far. I have a great passion for ancient history, particularly Ireland, Greece, Persia, and Egypt. I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of The Twelve Labours of Hercules when I was around 7 years old.
Akhenaten was a real outlier in Egyptian history, and I found this book very insightful and readable, even though it is an academic book. This Pharaoh was erased from history (by the following 19th dynasty), and this book goes a long way in explaining why this happened.
It’s an incredible story, and one must wonder how he died and why there were so many sudden deaths in the family. Perhaps not all the answers will come to light, but this is an amazing insight into his life and the short-lived religion he created.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I grew up in Yorkshire and spent many happy hours as a teenager wandering about the Yorkshire Sculpture Park, looking at giant Henry Moores in the rolling landscape. I subsequently trained as an art historian and have spent the last thirty years writing about art, from the YBAs to our prehistoric roots. A Little History of Art was borne out of this journey. Increasingly I have been drawn to researching what art can tell us about British history. My bookshelves groan with monographs but these five volumes have helped me think more deeply about Britain’s landscapes and its past. I hope they will do the same for you.
I first read this book when I was trying to pull together all the disparate locations, time periods, and art movements for my book.
This task was a little overwhelming and Digging Up Britaintaught me how to make choices about what to include and what to leave out, how to weave it all into a narrative that makes sense, and how to bring prehistory to life.
Unusually, this book travels back in time as we travel through it. It is like an archaeological dig – we start with the Vikings and then the Staffordshire Hoard but end up with the Star Carr deer hunters and a million years of history.
It is a book you can dip into or read cover to cover (as I did) and it has some good illustrations and maps throughout.
Britain has long been fascinated with its own history and identity, as an island nation besieged by invaders from beyond the seas: the Romans, Vikings and Normans. The long saga of prehistory is often forgotten - but our understanding of our past is changing.
Mike Pitts presents ten astounding archaeological discoveries that shed new light on those who came before us, and radically altered the way we think about our history. His compelling, sometimes teasing, archaeological odyssey illustrates the diversity, complexity and sheer strangeness of the lives that represent Britain's past.
