Here are 100 books that Bila Yarrudhanggalangdhuray fans have personally recommended if you like
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I arrived in Sydney in the 90s knowing as much as one brief peruse the Berlitz Guide could provide me. For the next 25 years I immersed myself in its beautiful harbour and beaches whilst writing four novels, all set in my hometown of London. But when I sat down to write my fifth novel, The Unforgiving City, set in 1890s Sydney, I drew a complete blank. What was my adopted city’s history? Did it even have one? If so, where was it? By the time I’d finished the novel I’d unearthed a whole other, hidden, Sydney. I will never view my new home town the same way again.
I first read Voss– Patrick White’s 1957 fictionalised account of the doomed expedition and eventual disappearance of German explorer Ludwig Leichhardt - 25 years ago at university. I returned to it a couple of years ago as I embarked on my fifth novel, similarly set in 19th century Sydney, recalling how I enjoyed the novel in my earlier reading but finding myself, in this my second reading two decades later, utterly blown away by White’s stunning and bitingly witty evocation of mid-1800s Sydney society.
Voss describes an epic journey, both physical and spiritual. The eponymous hero, Johann Voss, is based on Ludwig Leichhardt, the nineteenth-century German explorer and naturalist who had already conducted several major expeditions into the Australian outback before making an ambitious attempt to cross the entire continent from east to west in 1848. He never returned. White re-imagines his story with visionary intensity. Voss's last journey across the desert and the waterlogged plains of central Australia is a true 'venture to the interior'. But Voss is also a love story, for the explorer has become inextricably bound up with Laura Trevellyn,…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
What makes me passionate about this topic is the racism I’ve witnessed, the books I’ve read, and my deep love of landscape. Australia is a nation built on immigration but it’s also a land with an ancient Indigenous culture, and this is reflected in the books on my list. Born in Melbourne, I grew up in Sydney, and then lived for some years in the UK. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
Although The Territorywas published in the 1940s, the book is as vivid as if it came out last year. Neither a novel nor a history, it is an evocative account of Ernestine Hill’s extensive travels around Northern Australia, the Aboriginal and white people she met, the stories she came across, and the joys and hardships she faced. I view it as essential reading for anyone planning to visit the Top End of Australia. I first read it while I was mapping out the plot of my own book, and was blown away by Ernestine Hill’s evocation ofThe Territory.
Timeless because it is history, timelessly popular because it is so full of life, colour and adventure. This is the story of the first 100 years of white exploration, pioneering and settlement in Australian tropic north.
What makes me passionate about this topic is the racism I’ve witnessed, the books I’ve read, and my deep love of landscape. Australia is a nation built on immigration but it’s also a land with an ancient Indigenous culture, and this is reflected in the books on my list. Born in Melbourne, I grew up in Sydney, and then lived for some years in the UK. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I love this novel for its beautiful imagery, its character development, and its deeply sensitive portrayal of the clash of civilisations that was to prove so devastating to the countryside as well as to its original inhabitants.Salt Creektells the story of the European settlers’ incursion in the mid-1850s into a remote coastal region of South Australia, and it focuses on one particular family’s struggles with establishing themselves in a land that already belonged to others.
'A part of me will always live at Salt Creek though it is on the far side of the world...'The comfortable and respectable life Hester Finch now leads in Chichester, England, could not be further from the hardship her family endured on leaving Adelaide for Salt Creek in 1855. Yet she finds her thoughts drawn back to that remote, beautiful and inhospitable outcrop of South Australia and the connections she and her siblings forged there, far from the city society in which they had been raised: encounters with the few travellers passing along the nearby stock route and the local…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
What makes me passionate about this topic is the racism I’ve witnessed, the books I’ve read, and my deep love of landscape. Australia is a nation built on immigration but it’s also a land with an ancient Indigenous culture, and this is reflected in the books on my list. Born in Melbourne, I grew up in Sydney, and then lived for some years in the UK. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I love this novel by Jessica Anderson for its subtle psychological insights and its powerful evocation of an Australian colony in its early days. Set in the 1830s, The Commandanttells the story of a young Irish woman arriving in Australia to visit her sister, whose husband runs the Moreton Bay penal settlement, where he is much-hated by the convicts for his fanatical implementation of punishments. Becoming the object of a convict’s obsession, Frances feels responsible for that convict’s brutal lashing and is changed by the experience. The Indigenous people are shadowy figures in the background, for Anderson’s focus is on the brutality of the penal regime and how it affects a young woman’s innocence.
The penal colony of Moreton Bay is under the command of Patrick Logan, a man not afraid of brutal discipline. But his rule is being questioned, and the arrival of his sister-in-law Frances will change everything. An unforgettable tale of power, duty, and humanity, from one of Australia's most esteemed writers.
My mother, father, and I were each born in different countries, and into different languages. In my childhood, we were a hybridized wonder—one part jetsam, one part flotsam—and a country unto ourselves. Our house was filled with all kinds of books, our dinnertimes with lively conversation (and occasional shouting), our plates with food cooked according to the recipes of family ghosts. I can honestly say that no other family was like ours, especially not in the American suburbs of the 1980s. As a writer, I have always been fascinated by the tug-and-pull of intergenerational trauma, and by the dislocation of immigration and exile.
When August’s grandfather—the bedrock of a multi-generational Wiradjuri family—dies, she must return to Australia, and to the town of Prosperous. There, she comes face-to-face with the things that have driven her out, a process that began long before her birth. The book’s three narrators chart the casualties of colonialism: the loss of indigenous culture, the stamping out of language, the land that is taken and forever altered. But the book is so much more than a catalogue of losses, and Winch’s song is ultimately one of identity—and history—reclaimed.
"A beautifully written novel that puts language at the heart of remembering the past and understanding the present."-Kate Morton
"A groundbreaking novel for black and white Australia."-Richard Flanagan, Man Booker Prize winning author of The Narrow Road to the Deep North
A young Australian woman searches for her grandfather's dictionary, the key to halting a mining company from destroying her family's home and ancestral land in this exquisitely written, heartbreaking, yet hopeful novel of culture, language, tradition, suffering, and empowerment in the tradition of Louise Erdrich, Sandra Cisneros, and Amy Harmon.
Knowing that he will soon die, Albert "Poppy" Gondiwindi…
I am an African Australian author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’. I have a master's degree with distinction in distributed computer systems, a master's degree in creative writing, and a PhD in creative writing. The short story is my sweetest spot. I have a deep passion for the literary speculative, and I write across genres and forms, with award-winning genre-bending works. I am especially curious about stories of culture, diversity, climate change, writing the other and betwixt.
The quality and production of this phenomenal hardcover of imposing size are mesmeric. Its metaphoric text on mental illness and accompanying artwork are visually appealing and poignantly immersive. Transformative text transports the reader, any reader—child, young adult, adult—to beauty and hurt, evolution and transformation. The perfect book for anyone living with psychosis or other illness, and for everyone else to understand the fragility of debilitating conditions.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
I could not bear to put this book down. Each time I reached the end, I started again from the beginning. It lived on my bedside table for months. It was only after three readings that I could let it go.
Gregory Day had drawn me right into the places and times of early settler colonialism; his characters formed, against the odds, a way of life that was creative—poetic, musical, sensual, and, above all, ecological. They listened to the earth and found their place as part of it, belonging to it and belonging to the Earth.
When a troubled Sarah Hutchinson returns to Australia from boarding school in England and time spent in Europe, she is sent to live with her eccentric Uncle Ferny on the family property, Ngangahook. With the sound of the ocean surrounding everything they do on the farm, Sarah and her uncle form an inspired bond hosting visiting field naturalists and holding soirees in which Sarah performs on a piano whose sound she has altered with items and objects from the bush and shore.
As Sarah’s world is nourished by music and poetry, Ferny’s life is marked by Such is Life, a…
I am an author, poet, and visual artist. These interests converge in my approach to literature. I think that visual and psychological descriptions of environments and circumstances are essential to enlivening the narrative and setting its tone. Often in modern literature this is diluted in favor of straightforward accounts. I believe that a story is never told with any complete objectivity but has a psychological context that must be highlighted. In addition, vivid visual descriptions greatly assist the reader in inhabiting the world of the story as seen from the characters’ points of view.
Gerald Murnane describes the flat, boring landscape of Victoria, Australia and its minute variations with such crystalline clarity and sublime meaning that it resembles a dreamlike fiction, or a landscape viewed through a clear prism.
Murnane probes the boundaries between life and fiction, between landscape and mind. In between, he finds a membrane, a shimmering spiritual essence purer than either real life or fiction.
This book taught me that if one stares at the mundane world with enough hard objectivity, it can look more alien and beautiful than any amount of fanciful embellishment. It also demonstrates how a story can be told with no dialogue, no character names, and hardly any resolution, and yet can be as compelling as a conventionally written story.
On their vast estates, the landowning families of the plains have preserved a rich and distinctive culture. Obsessed with their own habitat and history, they hire artisans, writers and historians to record in minute detail every aspect of their lives, and the nature of their land. A young film-maker arrives on the plains, hoping to make his own contribution to the elaboration of this history. In a private library he begins to take notes for a film, and chooses the daughter of his patron for a leading role. Twenty years later, he begins to tell his haunting story of life…
I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).
I knew from the blurb this was going to be my kind of book. I really loved the post-apocalyptic Australian setting and the way the desert wasteland society is structured. The concept of dirt farmers is particularly genius.
As well as the excellent world building, there’s page-turning action, an epic zombie battle, and a clever setup for the next installment. This is the first in The Territory trilogy, which follows the increasingly important role of Squid and Lyn, two teenagers caught up in a battle against ghouls and who learn secrets about themselves and their society as they trek across the Outback.
Stranded in the desert, the last of mankind is kept safe by a large border fence ... Until the fence falls.
Squid is a young orphan living under the oppressive rule of his uncle in the outskirts of the Territory. Lynn is a headstrong girl with an influential father who has spent her entire life within the walled city of Alice.
When the border fence is breached, the Territory is invaded by the largest horde of undead ghouls seen in two hundred years. Squid is soon conscripted into the Diggers-the armed forces of the Territory. And after Lynn finds herself…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I am an art school dropout and recovering rock critic who, since 1981, has published a dozen books on Australian music and popular culture, plus worked extensively in television and as a freelance journalist. I'm too old to be called an enfant terrible, but with the way I still seem to be able to court controversy, I must remain some sort of loose cannon! Sydney’s Sun-Herald has called me "our best chronicler of Australian grass-roots culture," and that’s a tag I’m flattered by but which does get at what I’ve always been interested in. I consider myself a historian who finds resonances where most don’t even bother to look, in our own backyard, yesterday, and the fact that so much of my backlist including Inner City Sound, Highway to Hell, Buried Country, Golden Miles, History is Made at Night, and Stranded are still in print, I take as vindication I’m on the right track…
Sometimes a book comes completely out of nowhere. Such was the case with Trevor Conomy’s Down Under. Conomy was not an author with a pedigree in music journalism or anything like that, but when Down Under came out, in 2015, it spoke for itself. The life story of a song – Melbourne pub band Men At Work’s “Down Under” – what makes the book compelling is not so much the story of its fluky success, when in 1982 it become a huge hit all round the world, but rather the aftermath: How more than a quarter-century later the song went to court against a copyright infringement claim. That it lost the case was a travesty and a human tragedy, and Conomy’s short, punchy little book reveals why in all its gory detail.
This is the biography not of a person but of one of the most loved and controversial songs in the history of Australian music.
Originally released as a B-side in 1980, 'Down Under' made Men at Work the biggest band on the planet. The song became an alternative Australian anthem and its video (recorded on the sand dunes of Cronulla) became an image of Australia recognised the world over.
Even when Men at Work suddenly disappeared, 'Down Under' remained in the national psyche. Nearly three decades later, Spicks and Specks innocently revealed a link between the song and the tune…
