Here are 100 books that Rise of the Red Hand fans have personally recommended if you like
Rise of the Red Hand.
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I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.
This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.
This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
Cast in Firelight is such an awesome combination of romance, adventure, and feminism! It’s about two teens arranged to be married who always try to
outdo each other. After years of not seeing each other, they meet up, but each
thinks the other is someone else. They end up teaming up to save their countries
and start to fall for each other. I adored the mix of rom-com and superhero fantasy
action, and especially how powerful a girl can be when she puts her mind to it
and trusts herself.
The first book in an epic, heart-pounding fantasy duology about two royal heirs betrothed to be married, but whose loyalties are torn, and a ruthless enemy who threatens their world, perfect for fans of Sabaa Tahir, Susan Dennard, and Mary E. Pearson.
Adraa is the royal heir of Belwar, a talented witch on the cusp of taking her royal ceremony test, and a girl who just wants to prove her worth to her people.
Jatin is the royal heir to Naupure, a competitive wizard who's mastered all nine colors of magic, and a boy anxious to return home for the…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
The two girls in City of
Shattered Light could not be fiercer! Asa’s a runaway rich girl who flees
home to save her sister, a victim of scientific tests. Riven’s a tough smuggler
gunning for a big bounty to guarantee her a place in one of the city’s
matriarchal (!) crime syndicates. There’s kidnapping, a wild neon sci-fi world,
and a healthy portion of romantic longing. I loved this misfit team!
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other. As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she's more than her manipulative father's shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue AI hunting her, Asa’s getaway ship crash-lands in the worst possible…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I firmly believe that everyone, especially teenage girls, should own their right to pick and choose. Life guarantees you’ll run across the opportunity to make “bad” decisions, but these are so much more fun to read about than a path that’s straight and narrow. Cultivating radical empathy for my fellow humans, even those I don’t agree with, is a passion that makes me a kinder person and a more nuanced writer. Plus, I like shouting at books as much as the next reader. It makes my cats come running, which makes them tired, which makes them sit and cuddle. Diabolical, indeed.
In this atmospheric Portuguese historical fantasy, Princess Yzabel’s got a serious problem: Her country is plagued by famine and she can’t stop wasting food. Why? Every bite turns to flowers in her mouth. She’s crumbling under a mountain of royal pressures. What sets her apart from the “unlikeable” natures of the others on this list is that her niceness, not her dark side, is what landed her here. Decision paralysis and Pinguicha’s exploration of being “good” to a fault make Yzabel a girl worth getting to know.
17-year-old Yzabel of Aragon is engaged to the young King of Portugal, and under her touch, food turns into flowers.
With the populace starving, and barely surviving herself, Yzabel doesn't only need to end her curse - she must reverse it somehow. Turn flowers into food. Desperate, she sets to find Fatyan, an immortal rumored to live nearby, but she is imprisoned by an old enchantment. So they must strike a bargain: Fatyan will teach Yzabel how to master her magic, and Yzabel making a deal with Fatyan will release the magical bonds holding her captive.
As a writer of dark historical novels, I'm always drawn to other books that reflect my gothic themes. I think this interest first began when I read Wuthering Heights, soon afterwards studying the Victorian Sensation novels at university. These vividly described and densely plot-driven stories, often with shocking twists and vivid casts of characters, would thrill and entrance me. Afterwards I'd look out for any newly published books by contemporary writers dealing with similar ideas. I can't describe how it felt when I wrote one myself and saw it on the bookshop shelves.
Coming from Herefordshire on the border with Wales, my own novels are often steeped in the natural reflections of eerie rural isolation, with the folklore and pagan customs of those places existing hand in hand with the newer forms of Christianity. Perhaps this is why I connect so passionately with the novels that are set in Thomas Hardy's Wessex.
And what a spell beautiful Tess was to weave around my heart. This profoundly moving novel will never be forgotten.
'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"'
Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice.
I am an anthropologist of development who has conducted ethnographic research in India, Indonesia, and more recently, Australia. Throughout my career I have grappled with questions of how power works in development, particularly in and through processes of self-making. I seek new theoretical tools to examine these questions, but always grounded in the realities of the everyday. I came of age when post-development critiques were dominant, but both my idealism and cynicism have been tempered by working alongside local development actors. In my work I try to give readers a sympathetic portrait of their lives, beliefs, and hopes, and how these shape practices, relationships, and consequences of ‘development’.
Akhil Gupta asks why so many people in India suffer extreme poverty, and yet invite so little reaction.
His answer is structural violence. State inaction, or ineffective action, are part of the conditions that let people die from poverty.
The brilliance in Akhil Gupta’s work is inviting us to look at the state not as a coherent and unified entity, but as operating through multiple levels, agencies, and departments.
As someone interested in local development actors, I find his ethnographic accounts of low-level government offices and officials particularly compelling.
By showing everyday practices in these offices, and fine-grained encounters between officials and welfare recipients, Gupta shows how state indifference is produced, and challenged, in ways that shape life and death.
Red Tape presents a major new theory of the state developed by the renowned anthropologist Akhil Gupta. Seeking to understand the chronic and widespread poverty in India, the world's fourth largest economy, Gupta conceives of the relation between the state in India and the poor as one of structural violence. Every year this violence kills between two and three million people, especially women and girls, and lower-caste and indigenous peoples. Yet India's poor are not disenfranchised; they actively participate in the democratic project. Nor is the state indifferent to the plight of the poor; it sponsors many poverty amelioration programs.…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
This is a story of children torn from their homes and forced to live in the horrific conditions of residential schools. Imprisoned and away from the love and protection of families and communities, many were abused for years by people whose words may have preached God’s love but whose actions demonstrated darker intentions. A few children managed to escape while many others were carelessly released to the unforgiving streets of east Vancouver where some managed to navigate their way through life while others succumbed to the demons that haunted them.
Having personally seen the impact this has had on people in my community, including family members, I feel that the characters may be fiction, but the story is a very real example of a shameful time in Canadian history where the effects continue through generations.
WINNER: Governor General’s Literary Award for Fiction
WINNER: Amazon First Novel Award
WINNER: Kobo Emerging Author Prize
Finalist: Scotiabank Giller Prize
Finalist: Atwood Gibson Writers Trust Prize
Finalist: BC & Yukon Book Prize
Shortlist: Indigenous Voices Awards
National Bestseller; A Globe and Mail Top 100 Book of the Year; A CBC Best Book of the Year; An Apple Best Book of the Year; A Kobo Best Book of the Year; An Indigo Best Book of the Year
Taken from their families when they are very small and sent to a remote, church-run residential school, Kenny, Lucy,…
I grew up on a farm on the Canadian prairies where my only entertainment was books. This was before TV and the internet. Reading about girls who overcame obstacles such as being orphaned, dealing with homelessness or a disability, helped me realize that girls can overcome anything with the right attitude and by being brave. These attitudes of fearlessness, positive thinking, and resourcefulness shaped my life and helped me realize many of my dreams, including being a published author. Books with strong female characters help girls realize their own dreams.
Abby, like most high school girls, wants to be liked, have friends, go to dances, and dress in the latest fashions. The only difference between her and everyone else is she and her family are homeless and living in her mom's van, and Abby doesn't want anyone to know. Tension builds as the weather gets colder in Minnesota and Abby fears being found out. The author touches on many current issues through a delightful cast of characters, showing just how resourceful teenagers can be and how difficult situations can make you stronger.
2020 Quick Pick for Reluctant Young Adult Readers—YALSA/ALA
“An empathetic tale that treats homelessness with respect and makes it visible.”—Kirkus Reviews
Seventeen-year-old Abby Lunde and her family are living on the streets. They had a normal life back in Omaha but, thanks to her mother's awful mistake, they had to leave behind what little they had for a new start in Rochester. Abby tries to be an average teenager—fitting in at school, dreaming of a boyfriend, college and a career in music. But Minnesota winters are unforgiving, and so are many teenagers.
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I’m pretty sure this book changed my life. I read it as a freshman in college, and I saw the world differently. I’d never been comfortable with all the judgment heaped on those living in poverty, especially the demonization of black women that was a cultural staple of the 1980s in Ronald Reagan’s America, but until this book, I didn’t have enough knowledge to counter those stereotypes.
Women are the heroes in this book–building strong and caring families and communities in nearly impossible situations. I encountered generosity and loyalty in their stories that I’d never seen in my own middle-class upbringing. This book is also a model for how I try to move through the world. Carol Stack went in as an outsider, seeking to learn, not judge. She honored the people she studied as experts on their own experience and demonstrated that by living in their community under their…
All Our Kin is the chronicle of a young white woman's sojourn into The Flats, an African-American ghetto community, to study the support system family and friends form when coping with poverty. Eschewing the traditional method of entry into the community used by anthropologists -- through authority figures and community leaders -- she approached the families herself by way of an acquaintance from school, becoming one of the first sociologists to explore the black kinship network from the inside. The result was a landmark study that debunked the misconception that poor families were unstable and disorganized. On the contrary, her…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
An exploration of the suspected murder of an Italian child in London that along with the murders of Burke and Hare, changed how bodies are supplied for medical teaching. Set in London in the 1830s it is a factual look at the way cadavers were supplied for medical teaching at that point in history.
Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, it became known that a group of body snatchers - two men in particular, John Bishop and Thomas Williams, called the 'London Burkers' - were supplying the anatomy schools with fresh 'examples' for dissection. The case became known as 'The Italian Boy' and caused a furore which led directly to the passing of controversial legislation which marked the beginning of…
