Here are 100 books that Riders in the Chariot fans have personally recommended if you like
Riders in the Chariot.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.
The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.
The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.
“The beauty of Love Medicine saves us from being completely devastated by its power.” — Toni Morrison
Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.
With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
William Goyen’s The House of Breath—a relatively short, lyric, novel—is a unique creation.
Set in the early 20th century in small-town Texas, it portrays a family of misfits and an almost supernatural world in which a deep well and a river narrate two of the chapters, while other chapters are told in a different voice.
In the family, each of its four wayward grown children is a remarkably distinct character. They differ in their sexuality, and one of the main dramas they have in common is their feeling of wanting to leave the small town in which they were born and go out into the larger, while at the same time longing, in the larger world, for the small town again, and the original house of the family.
The narrative is told in different voices. The house, too, seems a character. I learned from this book (and from Goyen’s…
Readers can now rediscover one of William Goyen's most important works in this restoration of the original text. The House of Breath eschews traditional conventions of plot and character presentation. The book is written as an ethereal address to the people and places the narrator remembers from his childhood in a small Texas town. More than a story, it is a meditation on the nature of identity, origins, and memory.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
Nothing about the art of writing is more interesting to me—as both reader and writer—than the power of language to open, or to enhance, or to teach, our perceptions about life and about living in the richest emotional and thoughtful ways possible. My own Sweetbitter is my major effort at imagining in language or with language as a kind of perception. Our intuitions are immensely valuable, when we can catch hold of them; for the writer, the process of imagining and articulating is a kind of method of deepening our perceptiveness and our intuitions. My books of poems, also, are a necessary—for me—practice of the art of writing.
I *adore* Katherine Mansfield’s work. She wrote short stories, not novels.
She was still rather young when she died of tuberculosis. Her portrayals of love, family, and especially of children, are for me gloriously wonderful with insight and perceptiveness about relationships. From the New Zealand settings of many of her stories (where she was born and grew up), she emigrated to London, then to France (where she received medical treatment for TB), and Switzerland (also for treatment for TB—unsuccessful).
She seems to me a lonely genius—perceiving deeply not only other persons (of many sorts) on whom she modeled her short stories but also herself. Her seemingly idyllic childhood in NZ is perhaps the core source of her accomplishment—especially the novellas At the Bay and Prelude. But her adult life was difficult and she seems to have been uncertain about her writing, even though to me she seems a genius…
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University.
Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923.
In school, I was a math and science nerd but also loved to write. I got good grades, except in history; memorizing dates and events was boring. My dad loved history. When he told stories about historical figures, I was fascinated. In twelfth grade, my history teacher told stories like my dad, and I started acing the class. Since then, I’ve become obsessed with history and devour good historical books, particularly when they focus on the people who change history. And now, I’ve actually been in places at times when history was made.
As antisemitism is currently coming into fashion again around the world, I recommend this frightening true story of a young girl hiding from the Germans, Russians, and Ukrainians who were all looking to rob Jews or send them to their deaths during World War II.
It is sometimes hard to believe that people can be so cruel, but what I take away from this book is first, that these events will continue throughout history and second, that good people of strong will can survive any tragedy if they have hope, a strong will, and luck (or God) on their side.
A remarkable Holocaust memoir, a powerful testament to human courage and fortitude, for readers of Edith Eger's The Choice.
'This memoir is heartbreaking.' Elie Wiesel, author of Night 'Profoundly observed... remarkably lived... ferocious bravery.' New York Times __________
Alicia Jurman is five-years-old when her story begins. It is 1935 and she is living in the East Polish town of Buczacz. Although brought up in an atmosphere of anti-Semitism, nothing could have prepared her for the Russian invasion of Poland and the full horror of the Nazi Occupation.
At thirteen, while fleeing the Nazis through war-ravaged Poland, Alicia began saving the…
Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.
I read this powerful graphic novel series when the first collections came out in the 1980s.
It shows the horrors of the Holocaust and the impact it has on the families of the survivors. Maus is best known for depicting Jews as mice and Nazis as cats, but Art’s troubled relationship with his father Vladik and the death of his mother Anja by suicide frame the story.
Maus is my favorite graphic novel series and a must-read for understanding the Holocaust and how it shaped Jewish life since.
The bestselling first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker) • PULITZER PRIZE WINNER • One of Variety’s “Banned and Challenged Books Everyone Should Read”
A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.
Maus is a haunting tale within a tale, weaving the author’s account of his…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I had been a long-time screenwriter in March of 2003 when the US invaded Iraq with overwhelming air power, and the TV news showed footage of the “shock and awe.” But I remember thinking, what is it like for the Iraqi people? Suddenly, in the blink of an eye, your country is at war. What is your life now like? Seeking to focus on an ordinary Iraqi family caught up in the war, I soon realized it was too layered for a spec screenplay and wrote it as a novel. It was the most rewarding experience I’ve ever had.
Set at the end of WWII, when the UN authorized the founding of the State of Israel, I thoroughly enjoyed the merging of historical facts with fictional characters to depict the birth of a nation from the Jewish point of view.
I loved the diverse characters, including an American gentile female nurse and teenage Jewish children orphaned during the war as they settled in a hostile land.
It was eye-opening to see what it means to be constantly under attack, on the one hand, fighting militants physically and, on the other hand, fighting various countries politically in order to be acknowledged worldwide.
I also love that the author gives me an authentic look at the behind-the-scenes decision-making by British officials during this chaotic time.
“Passionate summary of the inhuman treatment of the Jewish people in Europe, of the exodus in the nineteenth and twentieth centuries to Palestine, and of the triumphant founding of the new Israel.”—The New York Times
Exodus is an international publishing phenomenon—the towering novel of the twentieth century's most dramatic geopolitical event. Leon Uris magnificently portrays the birth of a new nation in the midst of enemies—the beginning of an earthshaking struggle for power. Here is the tale that swept the world with its fury: the story of an American nurse, an Israeli freedom fighter caught up in a glorious, heartbreaking,…
I’ve written fiction for 60 years, scratching the adventure itch for exotic places, high seas, or converging oddities. I have wandered and taken note. The authors I love have influenced my worldview and my writing. I am a reef conservation activist with five volumes of reef photos and political narratives covering reefs worldwide. And I am an Executive Producer of The Dark Hobby, an award-winning feature film exposing the aquarium trade for its devastating impact on reefs worldwide. I live in Maui with my wife Anita, Cookie the dog, Yoyo, Tootsie, Rocky, Buck, Inez and Coco the cats, and Elizabeth the chicken.
All of the Singer Brothers are excellent tales of village life and struggles. Isaac Bashevis Singer could spin a yarn with no seams showing, drawing readers in to personal and social straits. Scum, Meshugah, Shosha, and the rest capture the strife and insanity of the times. Isaac Singer often called his brother I.J. a better writer. Better shmetter; I.J. wrote beautiful tales of folksy subjects, easing as well to the verge. The Brothers Carnovsky will linger for years.
Presents a new, recently discovered, posthumously published novel by the Nobel Prize-winning author of The Certificate and The King of the Fields. 20,000 first printing.
I have a great interest in personal stories, well written. My memoir, The Full Catastrophe, was published in 2016. I wanted an answer to my own question “How could a well-educated, intelligent woman marry an abusive man?” Writing allowed me to find my answers. From that time on, I have taught people to write their own memoirs, have lectured on memoir, facilitated group discussions on memoir, and written articles on memoir. I am now in the process of writing another memoir.
Eisen was a fifteen-year-old boy in 1944 when the Nazis sent him and his family to Auschwitz-Berkenau to become slave labour. He tells the story after seventy years, recalling the back-breaking work and his survival through luck or chance and the kindness of some good people. This is a “must-read” for anyone who thinks that this atrocity didn’t or couldn’t happen in our modern world, and an inspiration to those of us who sometimes feel our own struggles are insurmountable. This book touched me personally because my own children’s grandfather was sent to the same concentration camp.
An award-winning, internationally bestselling Holocaust memoir in the tradition of Elie Wiesel’s Night and Primo Levi’s Survival in Auschwitz
In the spring of 1944, gendarmes forcibly removed Tibor “Max” Eisen and his family from their home, brought them to a brickyard and eventually loaded them onto crowded cattle cars bound for Auschwitz-Birkenau. At fifteen years of age, Eisen survived the selection process and was inducted into the camp as a slave laborer.
More than seventy years after the Nazi camps were liberated by the Allies, By Chance Alone details Eisen’s story of survival: the backbreaking slave labor in Auschwitz I,…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Why did I end up spending almost a third of my life researching Nazi boarding schools, and childhood under the Third Reich more generally? I sometimes wonder if it was because I myself was sent to boarding school at the age of nine – somehow, I can sympathise with what these children had to endure, as well as knowing full well from a historian’s perspective which hardships were truly unique to a National Socialist elite education, and which were simply the kind of heart-ache that’s common to any institution which takes children away from their parents at a young age…
Elli tells the true story of a teenage Holocaust survivor – when I first read the book I was still a teenager myself; I could sympathise with Elli’s everyday fears and anxieties over boys she liked or troubles with her family, even as her world descended into the most unimaginable of horrors. It’s one of the most moving books I’ve ever read, and her story stayed with me for a very long time after I finished reading.
'Among the most moving documents I have read in years ... You will not forget it' Elie Wiesel
From her small, sunny hometown between the beautiful Carpathian Mountains and the blue Danube River, Elli Friedmann was taken - at a time when most girls are growing up, having boyfriends and embarking upon the adventure of life - and thrown into the murderous hell of Hitler's Final Solution.
When Elli emerged from Auschwitz and Dachau just over a year later, she was fourteen. She looked like a sixty year old.
This account of horrifyingly brutal inhumanity - and dogged survival -…