96 Books Like Richard Scarry's Funniest Storybook Ever!

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

Simon is obsessed with picture books: reading them, writing them, buying them, smelling them. His own have been published in more than 20 languages. You Must Bring a Hat won the Sainsbury’s Children’s Book of the Year, and I Really Wany the Cake was shortlisted for the Waterstones Children’s Book Prize. He particularly enjoys funny, deadpan picture books. After gaining a 1st class degree in History, he put his skills to use as a barman at a local pub, grew tired of the owner calling him Andy, left to fail a teaching degree, then turned to writing. He lives in England, although occasionally leaves to buy milk.

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

I’m the author of Raccoon Tune, Elena’s Story, and eight books about goofy sheep. My family didn’t get a TV until I was nine, so I used the library for entertainment. I liked all kinds of books. I’m still a voracious reader and I’m fascinated by the nuances of words. My kids loved silly books--especially where someone ignores the obvious--and so does my granddaughter. I also grew up playing with words. Once, on a car trip, I started rhyming about sheep driving a jeep, and even a preschooler knows you shouldn’t forget to steer. I think that seeing foolish characters in stories helps kids make sense of the world.

Since an early age, I loved getting lost in a good story and knew I wanted to be a writer one day. As an adult, I tried writing in many genres but it was when I had my children that I knew I wanted to write children’s bedtime stories. I loved that special time at the end of a busy day when I could snuggle down with my children and get lost in a story with them. I now write children's bedtime stories for a podcast called Koko Sleep. The stories are written in a soothing way and are designed to help the listeners drift easily to sleep.

I am no expert on kindness—though more than twenty years at Sesame Workshop, working on a TV show that focuses on kindness, may give me a slight edge. And I am not unfailingly kind, though I try my hardest. But I am passionate about nurturing this quality in children. At the risk of sounding naive, I feel that it’s our last best hope of solving some of the world’s biggest problems.  

I’m a little bit obsessed with children’s books. I have an extensive personal library of books from my own childhood as well as my kids'. I’m also a person who has become increasingly, shall we say, concerned about the deepening of the culture wars in our society and the ways in which children’s libraries end up being the battleground for those wars. Children’s books matter; if they didn’t, no one would be trying to censor them. And I’d argue that children’s books about ethics and morality might matter even more than most. The five books I’ve recommended here are, in my opinion, truly among the best. 

Books that make me feel uncomfortable are usually the ones that have stuck with me most over the years. There’s just something so alluring to me about an author who can effectively bring out that feeling in readers. When I started writing stories, I wanted to make my readers squirm – I wanted to layer the guts and gore with underlying psychological themes that made the violence and trauma that much more impactful. These books that I mentioned acted almost as study guides on how to blend shocking violence with themes of loneliness, depression, and rage. If you layer these correctly, you’re going to effectively be able to make your reader uncomfortable and your stories memorable.  

I've always loved fiction, fantasy, and adventure stories. Growing up in the Star Wars generation, I was seven when A New Hope was released at the theaters. Living in the hollows of West Virginia there weren’t libraries close by, and movies were a great, though seldom, treat. Suggestive material and cursing was not something that we saw in books or movies growing up in a more simple period of time. I still thoroughly enjoy many well-written, clean, books or shows. As an active member of the body of Christ, I now serve with my writing, and hope that kids of all ages can enjoy epic fantasy and adventure books from a clean and wholesome perspective.

I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.