100 Books Like Rhinoceros

The book resonates with me on many levels. Firstly, of course, I’m a combat veteran, so the military and living through the hell of war are part of my identity. The author and I share an innate connection there.

But on a different level, it delves into the intangible burdens that resonate for years after the experience – the grief, the guilt, the terror, even the longing to return because it’s what you know.

The title is explicit, and I share the load with all my fellow veterans.

This is the Tom Robbins book for me: the glorious bastard that made me want to be a writer.

It's a day lost in Tijuana, or Nice, or Beijing, or some other place you'd never thought you'd be, and you don't speak the language, but you've convinced yourself that you're fluent, and you can do it: you can get around anyway, and there's no cabs, and so you get into some guy's really old Volvo or, more ill-advised, van, and you give him the local equivalent of ten bucks to take you where you hope you want to be and not kill you, and he does it, but when he drops you off he yells at you, in his language, for being stupid enough to take a ride with a stranger.

And you do it again the next day, and you never learn your lesson.

I first encountered Douglas Adams when I caught The Hitchhiker’s Guide on late-night radio, and I was hooked. The novel is slightly different, with Adams giving a bit more consideration to plot and logic, but it has the same wonderful, rapid-fire dialogue style, which has seldom been replicated.

I absolutely love Arthur Dent’s ludicrous accidental odyssey, meeting characters like Zaphod Beeblebrox and the wonderfully named Slartibartfast. The Guide sits in the background, popping up to provide superbly funny explanations of the history of the universe, humanity’s obsession with money, and a lot more.

For me, the thing that sets this apart from a lot of SFF humor is its ‘Britishness’—there’s a distinct feel of the surreal comic legacy of, for example, Monty Python and The Goon Show.

I've met Mr. Mosely a few times, and he's a helluva guy.

This is my favorite of the Easy Rawlins series. Mosley writes in my favorite genre, hardboiled, and he's perfect Chandler, but with two important distinctions: his books teach us about being in a Black man's shoes in a white man's world, and we can never learn that well enough, and Easy is a genuinely good person, and there are not nearly enough of him.

He is good to his bones, to his soul, and we all want him to succeed: we're with him from the first line, and we all get religion praying for him to make it all the way, not to solving the crime, but to solving the mystery of living life well, and on his own terms.

This is a collection of four related stories that follow a little girl named Josette, her Mama and Papa, and the maid, Jacqueline. Papa tells Josette some absurd stories within the story and everyone has a bizarre and seemingly random imagination. For example, Papa calls cheese a music box, a music box a rug, a rug a lamp, and so on. Mama can open walls. Josette eats the moon, and Jacqueline is one of many Jacquelines. The author, Ionesco was a French-Romanian playwright and considered one of the fathers of “Theatre of the Absurd” in the 1950s and 60s and these stories are surreal. Originally published in the early ’70s, this new edition contains Delassert’s equally surreal, colorful, and expressive illustrations.

This book made me think, reflect, and laugh (if a little unnervingly!). It is a quirky tale that warns us of threats to civil liberties from AI and corporate tech giants in a Hitch-hikers' Guide to the Galaxy meets 1984 way.

Some of the writing is lyrical and literary, sometimes perplexing and banal. I was not entirely convinced by the science behind the science-fiction elements, but that is perhaps allowed because of the Theatre of the Absurd approach the author takes.

In 2019 I published a review of Mary Fulbrook’s Reckonings in the journal History. The review may have been the most laudatory I’ve written. Fulbrook’s study of the Holocaust and its noxious aftereffects lingers with me today. I’ve come to think of Reckonings as the War and Peace of Holocaust histories. Like Tolstoy’s epic, it paints on a sprawling canvas, exhausting the writer’s palette to portray the Holocaust as a searing multi-generational phenomenon. Reckonings does not approach the Shoah as most writers of the Holocaust do, namely, as a monumental but time-limited event. Fulbrook conceives of the Holocaust as a cancer that blights the victims and their families into the second and third generations. The radioactive fallout of the Shoah continues to the present day, poisoning people’s lives so deeply that no human response is adequate to deal with it. She upholds the tragedy of the Holocaust by refusing… show more.

It is impossible to understand Germany or indeed continental Europe without understanding the horrific conflict that raged on its soil during the first half of the 17th century. One of the most devastating conflicts ever fought in Europe, it tore communities and families apart along dynastic, religious, and political lines. Famine and disease added to the horrors of war, depopulating regions in Germany by up to two-thirds of pre-war levels. The conflict left a deep scar in German collective memory, the consequences of which can still be seen in religious, linguistic, and cultural divisions today. It was a collective experience of trauma with loud echoes in the 19th and 20th centuries. Wilson’s excellent work remains the best overview in English.

Until I wrote my book I was exclusively a screenwriter. And throughout my career, I’ve been hired to adapt a variety of different novels, mostly love stories and romantic comedies. But nothing I’ve ever worked on has haunted me quite like Alyson Richman’s tale of first love – a love ripped apart by the brutality of the Nazis and their “Final Solution.” And yet, even as the horrors unfold, Richman always manages to find pinpoints of light in the darkness. Her prose is both elegant and poetic – and the tale she weaves will undoubtedly call forth the waterworks.

What motivated “ordinary people” to risk their lives and their families’ lives to save Jews? I was especially interested to know because my father and his labor battalion of 140 Hungarian Jews were saved by their Commanding Officer. As a therapist, I wondered what personal and family characteristics made a difference. As a mother, I wanted to raise children who care about others and take action in the face of injustice.

Based on interviews with 700 rescuers and survivors, central was the rescuers’ sense of personal obligation to others which began with close family relationships and seeing their parents model caring behavior and ethical values. I remember hearing a rescuer sum it up, “I had to do it to be able to live with myself.”