Here are 100 books that Reckless Daughter fans have personally recommended if you like
Reckless Daughter.
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I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
Alan Leeds does a wonderful job presenting his eyewitness experiences as part of the James Brown entourage in the 1960s and beyond. The reader can’t wait to find out what happens next in the riveting story he presents of Soul Brother No. 1, the “hardest working man in show business.” It’s a fascinating tale, which presents Brown as an innovative musical force, determined artist, forceful businessman, and unpredictable personality. It’s a behind-the-scenes look at the Chitlin’ Circuit when soul music was taking off as a dynamic new genre—as recalled by a young, Jewish kid from Queens who joined James Brown’s team and learned the music business at the hand of the performer who mastered it.
“Alan Leeds was a protegé of James Brown and a true historian of the world that nurtured the great entertainer. Alan was a witness to the vibrant black music scene of the ’60s and ’70s—whose book is both a memoir and a document of a lost world of sound.”—Nelson George, an American author, columnist, music and culture critic, journalist, and filmmaker
A behind-the-scenes look at the Chitlin’ Circuit during American’s most vital period of soul music—from the eyes and ears of a young, Jewish kid from Queens who joined the team of…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
This is an in-depth look at the life and career of the magnetic Otis Redding Jr., soul singer extraordinaire. We learn tons about Redding’s family background and his hometown of Macon, Georgia (also the hometown of Little Richard). Redding died at 26 in a 1967 plane crash just as he was starting to climb to the heights of the music industry. Even so, he left behind a much-admired body of work though his time was cut so tragically short. The author did an enormous amount of research for the book, then crafted an energetic and easy-reading story that captures the remarkable journey that was Otis Redding’s—from preacher’s son to charismatic soul singer who touched millions.
When he died suddenly at the age of twenty-six, Otis Redding (1941-1967) was the conscience of a new kind of soul music. Berry Gordy built the first black-owned music empire at Motown but Redding was doing something as historic: mainstreaming black music within the whitest bastions of the post-Confederate south. As a result, the Redding story-still largely untold-is one of great conquest but grand tragedy. Now, in this transformative work, Mark Ribowsky contextualises Redding's life within the larger cultural movements of his era. What emerges in Dreams to Remember is not only a triumph of music history but also a…
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
If you know the music of the 1960s, you know that Lamont Dozier was at the heart of the hit-producing machine that was Motown Records. He was one-third of the Holland-Dozier-Holland songwriting team that came up with hit after hit for an amazing number of celebrated artists. Later, after leaving Motown, Dozier continued to be a creative musical force (and still is today). He contributed his song-writing talents to over 100 Top 10 singles and was inducted into both the Songwriters Hall of Fame and the Rock & Roll Hall of Fame. This book is a window into Dozier’s musical world—in the 1960s and beyond. Dozier recalls what it was like to grow up in Detroit when he did and then reveals his experiences collaborating with some of the greatest musical talents of the era.
As part of Motown’s legendary songwriting and production team of Holland-Dozier-Holland, Lamont Dozier is responsible for such classics as “Baby I Need Your Loving,” “You Can’t Hurry Love,” “I Can’t Help Myself (Sugar Pie, Honey Bunch),” “Stop! In the Name of Love,” “Heat Wave,” “Baby Love,” “It’s the Same Old Song,” “Nowhere to Run,” “You Keep Me Hanging On,” “Reach Out I’ll Be There,” “How Sweet It Is (To Be Loved by You),” and many more. After leaving Motown, he continued to make his mark as an influential songwriter, artist, and producer with hits such as “Give Me Just a…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I grew up with the music of the 1960s. Going to packed, pheromone-heavy dances featuring The Lincolns—Nova Scotia’s most popular and most soulful band—were a huge part of my teenage years. Those experiences implanted a deep love of R&B, and somehow or other pointed me in the direction of becoming a writer. It’s a bit of a mystery how it all works. In any case, of all my books, none was as much fun to work on as Kings of Friday Night. It has received lots of love, including from readers who grew up far from the time and place I write about. Long live local bands! And live music everywhere!
The title of this book might suggest that it will be a book of lists. It is not, not even close. Instead, Greil Marcus offers something closer to a philosophical meditation on what rock ‘n’ roll is. Or aspires to be when played and sung as a heartfelt, life-altering, reckless abandon musical genre. It’s largely about attitude and feeling. The book is a fascinating read as one travels along with the author while he ruminates on different artists and their work and how some songs have resonated deeply with (and influenced) later musicians across the span of time.
One of our finest critics gives us an altogether original history of rock 'n' roll
Unlike all previous versions of rock 'n' roll history, this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatize how each embodies rock 'n' roll as a thing in itself, in the story it tells, inhabits, and acts out-a new language, something new under the sun.
"Transmission" by Joy Division. "All I Could Do Was Cry" by…
As a picture-book writer and illustrator as well as a mother and teacher, the most important goal I can think of is fueling a child’s imagination with possibilities by providing true stories of trailblazing women. My reviews highlight remarkable women in the arts, government, sports, social work, and history. I hope you enjoy these books!
“Joni Mitchell painted with words,” begins this beautifully lyrical book on the well-known singer/song-writer. The colorful and imaginative collage illustrations jump off the page, telling the story of the girl from a small town in Canada who vanquished polio to go on to become a household name. Joni Mitchell used poetry to paint her feelings into song. We know her music and lyrics as a familiar soundtrack to our lives; now children can learn about the enigmatic spirit behind all that creative musicality.
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"Colors burst across each page, with layers of collage-work emphasizing the richness of Mitchell's influences and imagination. Will speak to readers just starting their own exploration of artistic expression." -Booklist (starred review)
Celebrate the captivating life of Joni Mitchell, the world-famous songbird who used her music to ignite and inspire an entire generation, in this stunning picture book biography from award-winning author and illustrator Selina Alko. This nonfiction picture book is an excellent choice to share during homeschooling, in particular for children ages 4 to 6. It's a fun way to learn to read and as a supplement for activity…
I’ve been playing and singing music since I was six, and my childhood dream was to become an orchestral cello player. Over the years, I learned a number of other instruments and studied music around the globe, yet I was always intrigued, even intimidated, by those who were able to compose. This list of books helps readers like me really get inside the heads of some of the greatest composers (and performers) of popular music in the 20th and 21st centuries. While many of my questions were answered, there remains a sense of mystery and wonder that even the artists themselves can’t always explain.
Tegan and Sara’s joint autobiography reminded me how often music acts as a lifeline to survive childhood and beyond.
These identical twins from Calgary have such an amazing vibe and energy to their songs, and through their music they have been super advocates for gender and sexuality equality. Learning more about them also made me proud to be Canadian.
From iconic musicians Tegan and Sara comes a nostalgic memoir about high school, detailing their first loves and first songs in a compelling look back at their origin story.
'Genius' Augusten Burroughs, author of Running with Scissors 'A gift' Elliot Page, actor 'Utterly charming' Carmen Maria Machado, author of Her Body and Other Parties
Before they became international musicians and LGBTQ+ icons, twin sisters Sara and Tegan Quin came of age in 90s Canada. They argued relentlessly, skipped school, dropped acid and fell in and out of love - sometimes with their best friends.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I am a Canadian freelance writer, who has a BA in honours history from Smith College, an MA in history from McGill University, and a Bachelor in Journalism from Carleton University. As I have a special interest in Canadian history and Canadian biography, I have authored books in these subject areas. These include an award-winning biography of Sir William Van Horne, a polymath and railway general who pushed through the construction of the Canadian Pacific Railway, and Cairine Wilson. Canada’s first woman senator, who was celebrated for her work with refugees in the 1930s and 1940s, and a best-selling survey of Canadian immigration and immigration policy, Strangers At Our Gates.
This book, which was written when serious questions were being asked about Canadian immigration, is a gold mine of information on this delicate and emotional subject. The research is both extensive and meticulous. Moreover, the author does not just cite and explain facts about events and circumstances, she also provides clues as to what she feels constitutes an immigration policy.
Remarkable changes have taken place in Canadian immigration policy, law, and management since this book was first published. A long-awaited new Immigration Act was passed in 1976 and became law in 1978. This marked the beginning of a new, more liberal, and more co-operative era in Canadian immigration. The new Act established clear national objectives in immigration and refugee policy. The new edition of Canada and Immigration takes into account these major changes in Canadian attitudes and policies toward immigration. The author discusses what these changes have meant for Canada, considering the new laws, closer federal-provincial collaboration, more confident and…
I’ve been a writer most of my life, moving from high-school essays to working for newspapers to creating novels. One way or another, I’ve also spent much of that time exploring Canada's back roads and smaller communities. Those places and the people living in them have a pungent reality that I often find missing in the froth of modern urban society. The places and their people are interesting and inspiring, and I always get drawn back to reading and writing about them.
I loved this book because I loved the characters. Richards invested them with dignity even when they were flawed or endlessly frustrated by fate. They can go through life largely unnoticed except by their closest acquaintances and relatives. But they offer hope despite their failures and tragedies.
This was the first novel in Richards’ MiramichiTrilogy. It and the two subsequent novels, plus much of Richards’ later work, create a strong sense of the province of New Brunswick, even when the characters have a universal quality.
David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. This book is the first in Richards’ acclaimed Miramichi trilogy. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’…
I used to think of television as a third parent. As a child of immigrants, I learned a lot about being an American from the media. Soon, I realized there were limits to what I could learn because media and tech privilege profit over community. For 20 years, I have studied what happens when people decide to make media outside of corporations. I have interviewed hundreds of filmmakers, written hundreds of blogs and articles, curated festivals, juried awards, and ultimately founded my own platform, all resulting in four books. My greatest teachers have been artists, healers, and family—chosen and by blood—who have created spaces for honesty, vulnerability, and creative conflict.
Our elders are maps to our history and lands. My grandmother taught me how to navigate America with grit and care and inspired my work in community.
This book narrates how to learn by honoring our ancestors, using the example of the Anishinaabeg tribes in Canada: how to draw maps and re-envision the world from the perspective of people without PhDs but who hold centuries of knowledge.
As an academic, I was taught that people outside of the university were sources of data that we could use to generate theory. I had to learn that everyday people hold powerful theories of the world that PhDs would do well to honor and uplift, especially if we want our knowledge to make the world a better place.
When was the last time you asked an elder the history of where you live and come from: the good, the bad, and the uncomfortable?
Winner: Native American and Indigenous Studies Association's Best Subsequent Book 2017 Honorable Mention: Labriola Center American Indian National Book Award 2017
Across North America, Indigenous acts of resistance have in recent years opposed the removal of federal protections for forests and waterways in Indigenous lands, halted the expansion of tar sands extraction and the pipeline construction at Standing Rock, and demanded justice for murdered and missing Indigenous women. In As We Have Always Done, Leanne Betasamosake Simpson locates Indigenous political resurgence as a practice rooted in uniquely Indigenous theorizing, writing, organizing, and thinking.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
I regard Canadian Prime Minister Justin Trudeau as the embodiment of an empty progressive politics that is far more concerned with style over substance.
Martin Lukacs does a great job in The Trudeau Formula of outlining how Trudeau’s combination of soaring rhetoric and tepid reform on issues like economic inequality, Indigenous reconciliation, and the climate crisis works to stave off the more systemic changes needed to address these concerns in a substantive way.
Lukacs aptly demonstrates how Trudeau serves to uphold the status quo while presenting himself as an agent of transformative change.
"The book is not a biography of Justin Trudeau, nor is it a treatment of the minutiae and manoeuvres of party politics. It is an investigation into how the Liberal government governs in the shadow of a silent, multi-decade corporate coup in Ottawa that dares not speak its name. It tells the hidden history of how the Liberal party has served as the most effective vehicle for implementing deeply unpopular neoliberal policies--and how Justin Trudeau continues this agenda today."--
