Books like Real and the Unreal — picked by fans

As a fan of post-apocalyptic novels, I’ve always wondered what the world would actually look like without us. Weisman provides the answer in this book. He visits places that appear to have successfully moved on from humanity, such as the Białowiea forest, the Korean Demilitarized Zone, and the Chernobyl Exclusion Zone, showing nature thriving without us.

It’s both comforting and sobering, suggesting, yet again, that humans aren’t necessary to the world and, in fact, maybe the world is better off without us. The most jaw-dropping revelation for me was when a paleobiologist calmly stated that humans will go extinct eventually. All species do. But life on Earth will keep going. 

What will happen to the world if most of us—everyone except one or two humans, in fact—disappear?

According to Marlen Haushofer, the world will continue on just fine. I find that idea to be a little shocking, sure, but also comforting: maybe humans aren’t essential to the world’s existence after all. Maybe the world doesn’t need humans for drama, love, heartbreak, or healing.

This is what I would call an anti-post-apocalyptic book, one in which no one is a hero because humanity is beyond saving. Instead, the narrator has deep relationships with several animals—a dog, some cats, and a cow—animals that aren’t anthropomorphized in the slightest but treated with dignity, love, compassion, and complexity. I reread this slow and meditative page-turner every few years. I’m going to keep reading it for the rest of my life.

Haskell is an evocative writer, and I especially love his first book because I can visualize him revisiting the same patch of forest and finding more and more richness in it.

In the depths of winter, his sense of humor and performative art sort of explode, which leads to an indelibly funny scene.

Like all good books, Reservoir 13 is transformative. It’s made me see the world differently, as a place where swallows and bats and the nettle and a river and ewes and wood pigeons and the weather and townspeople are all interconnected through the cycle of years. McGregor manages to do this through a collage-like structure, where a description of a person moves effortlessly into a description of nature, proving that all living things have seasons, stories, and beauty.

By the end of the book, I always feel kind of god-like as a reader, in the sense that I’ve watched and observed and loved, over 13 years, this human and non-human community. Who wants to let something like that go? It’s often easier to just start at the beginning again. This is another book I find myself rereading whenever I get the chance. 

This book has an excellent message and the illustrations are amazing! I believe children will love it and adults will too. An experience of self-discovery, from little beginnings, through the challenges of life, to getting to be something more noteworthy. Learning how to let go so you'll be able to develop. "I may be little in measure, but interior I feel unimaginably huge!"

Paul Kane was a Toronto-born artist who travelled from Toronto all the way to present-day Portland, Oregon, between 1845 and 1848. As the title suggests, Paul Kane was keenly interested in the indigenous peoples of the North American West. His book, published in 1859 and re-issued in 1925 and again in 1968, provided 19th-century readers with fascinating portraits, in paint and words, of dozens of Indigenous peoples.

The book is no less compelling for contemporary readers who are interested in the loss of the world and the lives of 19th-century Indigenous nations.     

And speaking of, who better than Le Guin to inspire sci-fi and fantasy stories that are truly unexpected? Dispatches from Anarres, edited by Susan DeFreitas, is an anthology of stories by Northwest authors, all inspired by and in tribute to Le Guin, and the offerings are rich and unique. Like Michelle Ruiz Keil’s poetic war cry of ghost cats in “The Kingdom of the Belly,” Jason LaPier’s fascinating tale of the life of a bee colony—with some of the coolest names I’ve encountered in fantasy—in “Bee, Keeper,” and Stevan Allred’s clever Ib and Nib folk-story interludes. I read much of this book in an ER waiting room as my husband was being examined and then treated for a scary collapsed lung, and the uniqueness of these stories kept me beautifully distracted.

The Time Cleanse is a fantastic book for kick-starting your life into action.

It will help you realize exactly where you are spending and wasting your time and where to apply your focus. Time precious, it is limited and it cannot be replaced. Mastering time is the key to lasting happiness and success.  

His book contains his proven system that shows you how to do more, get more, be more by changing your relationship with time, and get back wasted time every week! I personally discovered 28 hours of wasted time, no more excuses! 

I don’t know if most librarians would understand or shelve this as YA, but Lowrey’s cast of eighteen-year-old trans punks and squatters have more in common with most trans kids, in 2006 or the present day, than many YA-marketed idyllic stories about teens with accepting families and limited substance use issues.

From nonprofits where suburban children pick fights with homeless teens to squats where young punks pressure each other into conforming to their own specific dysfunctional microculture in Portland, Oregon, this book resonates for me as tracking a moment in history—the youth of all the trans people who were in their twenties when I came out in my early teens, and were trying to devote themselves to the same community projects they had benefited from when they were runaways and train-hoppers.

The word “abortionist” usually conjures up images of dangerous back alleys where untrained men take advantage of women.

In the case of Rickie Solinger’s book, instead, we meet Ruth Barnett, who performed approximately 40,000 abortions in the mid-twentieth century (1918-1968) in Portland, Oregon, without losing a single patient.

What I loved about this book is how Solinger takes us behind the scenes of a thoroughly illegal abortion clinic that still managed to provide expert care to all its patients, even as it sought to evade the law and its enforcers at every turn.