53 Books Like Ralph Eugene Meatyard

Even though this is a collection of short stories, it tells the story of Mississippi and the South in a way few have captured. I have recommended this book to dozens of people over the years who were looking to begin reading Mr. Faulkner’s work.

The stories about Native American culture (Red Leaves, A Justice, and Lo) are insightful and completely changed my thinking about that culture. The stories of small-town life come alive in unique and disturbing ways, but they are always inventive and deep. I love these stories and the fact that even after eighty or ninety years, they continue to introduce one of the greatest writers in the English language to the people of the world.

I read this novel when I was twenty-two years old.

I remember exactly where I was (in the kitchen of a dilapidated apartment I loved) and what time of day I read it (early afternoon until early evening). I cackled and sobbed (I am not a sobber), and afterward, I couldn’t get the main character’s voice out of my head for days. He narrated everywhere I went and everything I did.

Before then, I’d always written casual nonsense for my own entertainment, but I knew afterward I wanted to do that—I wanted to make people laugh, horrify them, and put their hearts through the wringer. 

This is one of my all-time favorite novels, though I'm not quite sure how to explain it. Set in a small Texas town, Come, The Restorer is a strange, hallucinatory, and comical novel where nothing is quite normal, in fact far from it. Among the cast of characters are Mr. de Persia who becomes a prophet to the townspeople after he is discovered in a glass bathtub with an erection, the virginal Jewel Adair who following her husband's fiery death begins roaming the countryside naked, and Addis, Jewel's adopted son, who is on a singular quest to make himself a Panhandle saint. There's just no other book like this one.

There’s a reason this book is a classic. I read it a number of years ago and reread it last year—it holds up exceedingly well.

The author’s depiction of the parents who take drugs with the intention of having malformed children they can showcase is a great setup, but it’s the character of Arturo the Aquaboy, in all his grandiosity, power, and neediness, that is compelling and resonates so today.

As a teenager and aspiring Rock and Roll Photographer, I poured through this book over and over again. Annie Leibowitz's work is always stunning, but this period in particular is my favorite. Her use of color and the clean, crisp, powerful images were exactly what I wanted to do with my own work. And it didn’t hurt that most of this work was for Rolling Stone Magazine!

On Photography is Sontag’s attempt to develop the thought of Barthes, Benjamin, and others and apply the resultant perspective to the critical understanding of the fundamental role of photography in modern life. The book is constructed as a series of interconnected essays, each of which explores the moral and dialectical character of photographic interventions. Photography embodies the moral ambiguity of human activity: the camera claims to deliver truth but is essentially selective and partial; photography reveals and conceals the real; the photograph is an artificial mode of representation but claims to provide a `picture’ of life that can only be captured through the camera.

This ambiguous ontology of the image impacts upon both the act of image-making and the interpretive task of reading and understanding the image. With modern photography the viewer is constituted in a dual movement of separation (and alienation) and connectivity (and communality). Photographic engagement constitutes, so… show more.

As a photography critic for The New York Times, Grundberg was present when a generation of artists began to take apart the photographic image and transform its meaning in society. He wrote about post-modern practice in the present tense, as it was happening. This book is a collection of his reviews and essays from the 1980s when the medium was at a crossroads; the factual veracity of photography was enduring challenges at every turn and the valuation of the photograph as an art object was under critical scrutiny.

The Yangtze River is only how outsiders know it: to Chinese it is simply ‘Changjiang’ or ‘Long River’. Flowing through the heart of the country from the Tibetan Plateau to Shanghai it is central to the lives and imagination of countless generations of Chinese. Kander, better known for his advertising and commercial work, brings a sedate and contemplative approach to this huge subject. The silt-laden river and the smoggy air around it present a challenge to any photographer as shapes and shadows melt into the yellow and grey. Here they provide a palette of otherworldly views, anchored by careful placement of the human elements we can identify with.

Legendary travel photog Steve McCurry has developed a bad reputation over the decades for reportedly mistreating his subjects (notably “Afghan Girl” Sharbat Gula), for allegedly staging and digitally manipulating images (as opposed to the candid shots he claims they are), and for profiting handsomely from it all. But gosh dang if his photographs aren’t gorgeous! In light of his purported misdeeds, I do not intend on dropping any more money on his newest retrospective books, but 2000’s South Southeast – based on his early work in Asia – will always remain on my bookshelf.

In the 1940s, a young American woman named Mariana Yampolsky came to Mexico to study and never looked back. Throughout the 1960s, she wandered around the country taking shots of the rural and indigenous people she met. Her lens conveyed the poorest aspects of Mexican culture with empathy and artistry that no other photographers of the time demonstrated. Inexplicably, for all its vast and varied geography, ethnicities, and societal classes, rivaling even China in terms of its photogenic diversity, there are very few photography books on Mexico, making The Edge of Time a timeless literary benchmark.