100 Books Like Raise the Titanic!

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

This has to be one of–if not the–greatest single book I’ve ever read about war in the ancient world. I read the first ten pages, and I was interested; then I read the next forty, and I was utterly hooked. As a description of an elite military force holding out against overwhelming odds it fascinated me, but as a human story of the way Spartan society worked to produce those warriors, imbued with heroism, honour and humour in equal amounts I was simply blown away.

It’s fair to say that this book has been my greatest influence all the way through my writing career. I dare anyone with an interest in the genre to read this and then deny that they were informed, entertained, and (perhaps darkly) amused by the story and its payoff. This is God-tier writing, plain and simple, and, not for no reason, the closest thing the… show more.

About halfway into Red Dragon, you meet Francis Dolarhyde, and from then on, the book is all his. Forget the FBI who are looking for him, the only person you care about is Dolarhyde, the serial killer who’s been brutally murdering entire families.

As far as I’m concerned, he’s the hero. Hannibal Lecter isn’t Thomas Harris’ best villain. It’s Dolarhyde. He’s everything Lecter isn’t. He’s awkward, shy, hates his body, hates himself and spends all his time stewing on his inadequacies. If I’ve got to pick between the Virgin Dolarhyde and the Chad Lecter, it’s Dolarhyde every time.

Deep down, he just wants to be loved, but the way he goes about it is almost comically misguided. Dolardhyde is on an impossible, bloody mission to fix himself, and no matter how many bodies he drops trying to do it, I’m always rooting for him to make it out the… show more.

Not exactly literary fiction, I know. And it breaks none of the rules governing the novelist’s craft. And we all read it back when it came out, didn't we? Or saw the movie, there've been a couple of versions...

So why is it on my list, you ask?

The Day of the Jackal is quite simply the greatest thriller ever written, and should be read by anyone who writes fiction, literary or otherwise—and by the rest of us as well.

Think for a moment: We follow The Jackal’s relentless quest to corner and kill French President Charles DeGaulle for 380 pages, waiting with breath bated to see whether he will succeed even though we know before we ever open the cover of the book (if we know even the slightest bit of history) that DeGaulle was never assassinated—ever!—not by The Jackal and not by anyone in… show more.

Connolly weaves taut crime thrillers that I have great trouble putting down once I start reading. Charlie Parker and the rest of the regular cast are beautifully rich characters I care about, which explains the 19 books in this series on my shelf. What sets Connolly apart is an undercurrent of supernatural evil that arcs through these crime stories. In The Black Angel, the shroud that conceals what the reader likely sensed in the early novels is pulled back a little to reveal an underworld of darkness beneath the stories. Charlie Parker is the detective you want on the case when there is more than just a crime and The Black Angel is a milestone in the series.

While not technically a fast-paced thriller, The Master Executioner is the compelling story of a young Civil War veteran who evolves into a methodical, professional hangman in the old West. After completing a carpentry apprenticeship, Oscar Stone goes west to seek his fortunes in the frontier. Finding construction work scarce, he accepts a commission to build the gallows for a hanging and his career plans find a new trajectory. Stone is as exacting as a hangman as he was a carpentry, from the quality of the rope to the length of the drop he strives to provide the condemned a quick and painless death. Estleman’s prose is exceptional, his dialog crisp, and his storytelling lean and well-paced. The pages of The Master Executioner fly.

Steve Berry has built a successful writing career mining interesting nuggets from history and asking a simple what-if question that sends his imagination racing. The seventh Cotton Malone thriller opens with the failed attempt to assassinate President Danny Daniels. Berry links this attempt with the successful, but seemingly unrelated presidential assassinations in 1865, 1881, 1901, and 1963. The historical gold nugget at the heart of The Jefferson Key is a clause in the United States Constitution, contained in Article 1, Section 8. Malone races across the U.S. to break a cipher created by Thomas Jefferson, unravel a mystery concocted by Andrew Jackson, and unearth a document drafted by the Founding Fathers in order to stop the secret society of American pirates.

This book, which I also borrowed from my brother, is a collection of hundreds of snippets of letters, newspaper articles, diary entries, and other sources, the voices of people connected with the disaster.

Survivors, relatives of the lost, people who were involved with building the ship or who simply went to wave her off from Southampton. It also includes a lot of photographs, and as a novelist was so helpful to give me a sense of what it was like for people involved at the time, from so many different angles.

The Watch That Ends The Night tells the story of the Titanic through the voices of those who were there. I read this after I had written my own most recent book and was struck with how similarly Allan and I approached historical catastrophes. Both books are multi-voiced and contemplate the same issues of privilege and class distinctions. Like me, Allan chose to listen to nature and endow her with a voice of her own.